Piano Concerto | |
---|---|
by Clara Schumann | |
Key | A minor |
Opus | 7 |
Period | Romantic |
Composed | 1834 | –35
Movements | 3 |
Premiere | |
Date | 9 November 1835 |
Location | Leipzig |
The Piano Concerto in A minor, Op. 7, was composed by Clara Wieck, better known as Clara Schumann after her later marriage to Robert Schumann. She completed her only finished piano concerto in 1835, and played it first that year with the Leipzig Gewandhaus Orchestra, conducted by Felix Mendelssohn.
Clara Wieck was an accomplished concert pianist, trained by her father Friedrich Wieck. [1] She was already making international tours at age eleven and composed piano pieces for her recitals. [1] In January 1833, at age 13, she began composing a Piano Concerto in A minor, completing in November a single-movement Konzertsatz that she orchestrated herself. In February 1834, her future husband Robert revised the orchestration, [1] and the 14-year-old prodigy then performed it in several concerts. [2]
She then expanded the work by adding two more movements, using the Konzertsatz as the finale. The new first movement was completed in June 1834, and the slow second movement "Romance" with its extended cello solo was finished the following year. She again orchestrated the work herself, including undoing Robert's revisions of the original Konzertsatz, completing her new three-movement Piano Concerto on 1 September 1835, twelve days before her 16th birthday. [2]
Wieck premiered the full concerto on 9 November 1835 as soloist with the Leipzig Gewandhaus Orchestra, conducted by Mendelssohn. [3]
The concerto is scored for piano solo, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns in A, 2 trumpets in C, trombone, timpani in A & E, violins I & II, violas, cellos, and basses. With this instrumentation Clara Schumann chose the usual orchestration typical of early Romantic music. [4]
The concerto is in three movements: [1]
The duration of the concerto is under 20 minutes. Virtuoso writing for the piano dominates the composition. [3] A reviewer of a 2004 recording noted that it is a "truly remarkable piece for a 14 year old. It is a work with memorable themes and a sunny vision throughout". [1] It has been favourably compared to Chopin's piano concertos. [5] [6]
The opening movement begins dramatically, with the piano entering in a virtuosic manner. The first movement segues into the second, called a "Romance" written for piano and cello, without orchestra. It begins with an extended solo piano passage, then the solo cello enters. At the end, a timpani drum roll segues into the final movement. This movement is the heaviest, dancing in a triple metre. The woodwinds and the piano enter with counterpoint. [6]
The piano concerto was recorded in 2000 in the Neuberinhaus, Reichenbach, Vogtland, Germany, by Elena Margolina, piano soloist, with the Vogtland Philharmonie conducted by Doron Salomon (ARS SACD ARS38141, with the composer's 2nd Konzertsatz in F minor, written in 1847 and not published until 1994, and Robert Schumann's Konzertsatz in D minor, written in 1839, two years before his A minor concerto). [2]
Another recording was made in 2004 in the church Santi Marcellino e Festo in Naples, Italy, by pianist Francesco Nicolosi with the Alma Mahler Sinfonietta, Stefania Rinaldi conducting (this recording is 23 mins 21 secs) (Naxos CD 8.557552, with the composer's Piano Trio in G minor, Op. 17 from 1846). [1]
In 2020, the Venezuelan-American pianist Gabriela Montero recorded the concerto together with Canada's National Arts Centre Orchestra conducted by Alexander Shelley as part of the first volume in the series Clara, Robert, Johannes. [7]
Robert Schumann was a German composer, pianist, and music critic of the early Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music.
Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.
The Piano Concerto in A minor, Op. 54, by the German Romantic composer Robert Schumann was completed in 1845 and is the composer's only piano concerto. The complete work was premiered in Dresden on 4 December 1845. It is one of the most widely performed and recorded piano concertos from the Romantic period.
Eugène-Auguste Ysaÿe was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
The Piano Concerto No. 1 in D minor, Op. 15, is a work for piano and orchestra completed by Johannes Brahms in 1858. The composer gave the work's public debut in Hanover, the following year. It was his first-performed orchestral work, and his first orchestral work performed to audience approval.
The Piano Quintet in F minor, Op. 34, by Johannes Brahms was completed during the summer of 1864 and published in 1865. It was dedicated to Her Royal Highness Princess Anna of Hesse. As with most piano quintets composed after Robert Schumann's Piano Quintet (1842), it is written for piano and string quartet.
Carl Heinrich Carsten Reinecke was a German composer, conductor, and pianist in the mid-Romantic era.
Camille Saint-Saëns composed his Cello Concerto No. 1 in A minor, Op. 33, in 1872, when he was 37 years old. He wrote this work for the French cellist, viola da gamba player and instrument maker Auguste Tolbecque. Tolbecque was part of a distinguished family of musicians closely associated with the Société des Concerts du Conservatoire, France's leading concert society. The concerto was first performed on January 19, 1873, at the Paris Conservatoire concert with Tolbecque as soloist. This was considered a mark of Saint-Saëns' growing acceptance by the French musical establishment.
The Symphony in C major by German composer Robert Schumann was published in 1847 as his Symphony No. 2, Op. 61, although it was the third symphony he had completed, counting the B-flat major symphony published as No. 1 in 1841, and the original version of his D minor symphony of 1841. It is dedicated to Oscar I, king of Sweden and Norway.
The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.
The Symphony in C major, WWV 29, from 1832 is the only completed symphony of Richard Wagner.
The Piano Quartet No. 1 in G minor, Op. 25, was composed by Johannes Brahms between 1856 and 1861. It was premiered in 1861 in Hamburg, with Clara Schumann at the piano. It was also played in Vienna on 16 November 1862, with Brahms himself at the piano supported by members of the Hellmesberger Quartet. Like most piano quartets, it is scored for piano, violin, viola, and cello.
Jozef De Beenhouwer is a Belgian pianist, music teacher and musicologist.
Amanda Röntgen-Maier was a Swedish violinist and composer. She was the first female graduate in music direction from the Royal College of Music in Stockholm in 1872.
Frédéric Chopin's Variations on "Là ci darem la mano" for piano and orchestra, Op. 2, was written in 1827, when he was aged 17. "Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“. Chopin's work inspired Robert Schumann's famous exclamation: "Hats off, gentlemen, a genius." The work is often recorded and played in concert. A typical performance lasts from 17 to 19 minutes. One autograph of the version for solo piano is held by the Austrian National Library.
The Piano Quartet in E♭ major, Op. 47, was composed by Robert Schumann in 1842 for piano, violin, viola and cello. Written during a productive period in which he produced several large-scale chamber music works, it has been described as the "creative double" of his Piano Quintet, finished weeks earlier. Though dedicated to the Russian cellist Mathieu Wielhorsky, it was written with Schumann's wife Clara in mind, who would be the pianist at the premiere on 8 December 1844 in Leipzig.
Composed in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann is considered her greatest, most mature four-movement work. It is her only piano trio, composed while she lived in Dresden, following extensive studies in fugue writing and the publication of her Three Preludes and Fugues For Piano, opus 16 in 1845. The trio was premiered by the composer in Vienna on January 15th, 1847.
Babette Hierholzer is a German American pianist.
The Piano Sonata No. 3 in F minor, Op. 14, called "Concerto for piano without orchestra" by Tobias Haslinger, was composed by Robert Schumann in 1836 and dedicated to Ignaz Moscheles, to whom in a letter he comments "what crazy inspirations one can have". Liszt believed that the work was rich and powerful. In 1853 Schumann revised the work and added a Scherzo as a second movement, which the performer could choose to play, or not play. In 1861 it was released into the hands of Johannes Brahms.