Piano Concerto No. 1 (Rubinstein)

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The Piano Concerto No. 1 in E minor, Op. 25, written in 1850 and published in 1858 by Anton Rubinstein is a Romantic concerto is dedicated to Alexander Villoing, the composer's principal piano teacher. It is his fourth attempt at writing a concerto, two were from 1849 and were lost while the third from the same year was transformed into a Piano Octet, Op. 9. Although the First Concerto is the most traditional of the five concerti, a characteristic leonine quality in the piano scoring often emerges throughout.

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Structure

The concerto is in three movements:

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The Piano Concerto No. 2 in B major, Op. 83, by Johannes Brahms is separated by a gap of 22 years from his first piano concerto. Brahms began work on the piece in 1878 and completed it in 1881 while in Pressbaum near Vienna. It took him three years to work on this concerto, which indicates that he was always self-critical. He wrote to Clara Schumann: "I want to tell you that I have written a very small piano concerto with a very small and pretty scherzo." Ironically, he was describing a huge piece. This concerto is dedicated to his teacher, Eduard Marxsen. The public premiere of the concerto was given in Budapest on 9 November 1881, with Brahms as soloist and the Budapest Philharmonic Orchestra, and was an immediate success. He proceeded to perform the piece in many cities across Europe.

<span class="mw-page-title-main">Piano Concerto No. 5 (Beethoven)</span> Beethovens last completed piano concerto

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<span class="mw-page-title-main">Piano Concerto No. 1 (Beethoven)</span>

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<span class="mw-page-title-main">Piano Quartet No. 1 (Brahms)</span>

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The Piano Concerto No. 3 in E-flat major, Op. 29 by Camille Saint-Saëns, was composed in 1869. The concerto is written in 3 movements. When the concerto was first performed by Saint-Saëns himself at the Leipzig Gewandhaus on 27 November 1869 it was not well received, possibly because of its harmonic experimentation. It is not as often performed as his famous second concerto or the fourth or fifth concertos, but it is still an important addition to the piano concerto repertoire. It was dedicated to Élie-Miriam Delaborde, a pianist who is believed to have been the natural son of Charles-Valentin Alkan.

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