Mariotto di Bindo di Biagio Albertinelli was an Italian Renaissance painter active in Florence. He was a close friend and collaborator of Fra Bartolomeo.
Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Andrea del Verrocchio, born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence. He apparently became known as Verrocchio after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece.
Pintoricchio or Pinturicchio whose birth name was Bernardino di Betto, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. Born in Perugia in 1454 and dying in Siena in 1513, Pintoricchio acquired his nickname, meaning, because of his small stature. He also used it to sign some of his 15th and 16th century artworks.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Domenico di Pace Beccafumi was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting.
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century.
Francesco Botticini was an Italian painter of the Early Renaissance. He was born in Florence, where remained active until his death in 1498. Although there are only few documented works by Botticini, a considerable corpus has been confidently attributed to him on the basis of style including a number of altarpieces, dozens of small-scale religious panels and a few portraits.
Francesco Granacci was an Italian Renaissance painter active primarily in his native Florence. Though little-known today, he was regarded in his time and is featured in Giorgio Vasari's Lives of the Artists.
Lorenzo di Niccolò or Lorenzo di Niccolò di Martino was an Italian painter who was active in Florence from 1391 to 1412. This early Renaissance artist worked in the Trecento style, and his work maintains influences of the Gothic style, marking a transitional period between the Gothic sensibilities of the Middle Ages while simultaneously beginning to draw on the Classical. Lorenzo's works were usually religious scenes in tempera with gold backgrounds.
Jacopo del Sellaio (1441/1–1493), was an Italian painter of the early Renaissance, active in his native Florence. His real name was Jacopo di Arcangelo. The nickname Sellaio derives from the profession of his father, a saddler.
Lorenzo di Bicci was an Italian painter of the Florentine School considered to be one of the most important painters in Florence during the second half of the 14th century. He is believed to have learned his trade from his father, about whom little is known. Lorenzo’s style, as well as that of his contemporaries Jacopo di Cione and Niccolò di Pietro Gerini, was influenced by the artist Andrea di Cione. Lorenzo's paintings made use of bright colors and his compositions avoided complexity. The figures he painted tended to have round faces and were often expressionless. Another one of Lorenzo's distinctive characteristics was his precision of execution. He was known for exceptional talent in drawing, an ability that he put to use at the initial stages of his painting. Unlike many celebrated Florentine artists of this period, Lorenzo mostly received commissions from the country clergy and from the lower-middle class Florentine guilds. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups.
Pistoia Cathedral is the main religious building of Pistoia, Tuscany, central Italy, located in the Piazza del Duomo in the centre of the city. It is the seat of the Bishop of Pistoia and is dedicated to Saint Zeno of Verona.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman and colorist. Though highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael.
The Coronation of the Virgin is a painting of the Coronation of the Virgin by the Italian Renaissance master Filippo Lippi, in the Uffizi, Florence.
The Convent of San Domenico is a Dominican convent in Fiesole, Italy, situated between the hill of Fiesole and the suburbs of Florence. It was founded in 1406 and completed in 1435 on the initiative of Giovanni Dominici and the bishop of Fiesole, Jacopo Altoviti, both of them friars at the Basilica of Santa Maria Novella in Florence.
The Santa Lucia de' Magnoli Altarpiece is a painting by the Italian painter Domenico Veneziano, dated to around 1445–1447. Once placed at the high altar of the church of Santa Lucia dei Magnoli, Florence, it is now in the Uffizi Gallery in the same city. The large panel had originally a predella, which has been divided between museums in Washington, Berlin and Cambridge.
Madonna with Child Enthroned between Saints John the Baptist and Sebastian is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1493, and housed in the Uffizi Gallery, Florence.
Miracle of the Snow is a tempera on panel painting by Perugino, dating to around 1472 and now in the collection of Polesden Lacey. It shows the miraculous fall of snow which marked the spot for the foundation of Santa Maria Maggiore in Rome in 352.
