Filippo Baldinucci was an Italian art historian and biographer.
Felice Ficherelli was an Italian painter of the Baroque period, active mainly in Tuscany. He was nicknamed "Felice Riposo" for his calm and quiet demeanour.
Alfonso Parigi the Younger (1606–1656) was an Italian architect and scenographer, the son of Giulio Parigi, and grandson of Alfonso Parigi the Elder.
Filippo Baldinucci's Notizie de' Professori del Disegno, Da Cimabue in qua, Secolo V. dal 1610. al 1670. Distinto in Decennali was a major art biography of Baroque painters. Written by the erudite Florentine professor of the Accademia della Crusca, it is often verbose and rife with factual errors; however, it is a broad compendium of stories about generally contemporaneous Baroque painters.
Cosimo Lotti (1571–1643) was an Italian engineer, scenographer, and landscape designer. He worked around Florence until in his mid-fifties he moved to Madrid where he produced theatrical spectacles for the royal court.
Pier Francesco Silvani (1620–1685) was an Italian architect and designer, active during the Baroque period, in Florence and other sites in Tuscany.
Chiarissimo d'Antonio Fancelli was an Italian sculptor and architect of the late-Mannerist and Baroque periods, mainly active in Tuscany. Domenico Pieratti and Giovanni Battista Pieratti were his pupils. It is unclear how he fits into the large pedigree of Tuscan sculptors including Cosimo and Luca Fancelli.
Giovanni Battista Bracelli or Braccelli is the name of more than one engraver and painter active in central Italy in the Baroque period, between about 1616 and 1649.
Cristoforo Rustici, known as il Rusticone, was an Italian painter active in Siena who is known for his religious compositions and allegorical scenes representing the twelve months.
The Pasquino Group is a group of marble sculptures that copy a Hellenistic bronze original, dating to ca. 200–150 BCE. At least fifteen Roman marble copies of this sculpture are known. Many of these marble copies have complex artistic and social histories that illustrate the degree to which improvisatory "restorations" were made to fragments of ancient Roman sculpture during the 16th and 17th centuries, in which contemporary Italian sculptors made original and often arbitrary and destructive additions in an effort to replace lost fragments of the ancient sculptures.
The Biblioteca Riccardiana is an Italian public library under the aegis of the Ministry of Culture, located inside the Palazzo Medici Riccardi at 10 Via de’ Ginori in Florence, in the neighborhood comprising the Mercato Centrale and the Basilica di San Lorenzo. Its main feature is preserving books collected by members of the Riccardi family and making them available in the very same rooms that were originally dedicated to that purpose. So, still today the library boasts the magnificent bookshelves, neatly carved and gilded, that create the atmosphere of a late-seventeenth-century patrician library, whose main features have all been kept intact.
The Accademia delle Arti del Disegno is an academy of artists in Florence, in Italy. It was founded on 13 January 1563 by Cosimo I de' Medici, under the influence of Giorgio Vasari. It was initially known as the Accademia e Compagnia delle Arti del Disegno and consisted of two parts: the company was a kind of guild for all working artists, while the academy was for more eminent artistic figures of the Medici court, and supervised artistic production in the Duchy of Florence.
Seven Saints is a tempera on panel painting by the Italian Renaissance master Filippo Lippi, dating to c. 1449–1459, in the collection of the National Gallery, London. It is a pendant to Lippi's Annunciation, also in the National Gallery. The lunettes were commissioned as part of the decoration of the Palazzo Medici in Florence, where they were likely placed above a door or a bed.
The Annunciation is a tempera on panel painting by the Italian Renaissance master Filippo Lippi, dating to c. 1449–1459, in the collection of the National Gallery, London. It is a pendant to Lippi's Seven Saints, also in the National Gallery. The lunettes were commissioned as part of the decoration of the Palazzo Medici in Florence, where they were likely placed above a door or a bed.
Agostino Melissi was an Italian painter of the Baroque period; active mainly in Florence.
The Equestrian Monument of Ferdinando I is a bronze equestrian statue by Giambologna, executed in 1602–1607, and erected in 1608 in the Piazza of the Annunziata in Florence, region of Tuscany, Italy.
Vincenzo Rustici was an Italian painter active in Siena. He was known for his religious compositions as well as his vedute showing public celebrations in Siena.
The two fontane dei mostri marini are located in the Piazza della Santissima Annunziata in Florence, Italy.
Domenico Maria Manni was an Italian polymath, editor, and publisher.
The Palazzo Naldini, or Naldini Del Riccio', or also Niccolini al Duomo, is a Florence palace located on the corner of Piazza del Duomo 28 rosso and Via dei Servi 2–4.
