Cappella dei Principi | |
Established | 1604 |
---|---|
Location | Piazza Madonna degli Aldobrandini, Florence, Italy |
Coordinates | 43°46′30″N11°15′11″E / 43.77500°N 11.25306°E |
Type | Art, Architecture |
Visitors | 321,043 |
Director | Monica Bietti |
Cappella dei Principi ("Chapel of the Princes" in English) is the mausoleum of the Grand Dukes of Tuscany and their families and is part of the museum complex of the Medici Chapels of Florence, adjacent to the Basilica di San Lorenzo. [1]
The Chapel was based on the idea that the Grand Duke Cosimo II de' Medici wanted to create a monument for a family tomb. Work began on the tomb under Grand Duke Ferdinando I de' Medici who appointed architect and sculptor Matteo Nigetti in 1604, based on a design by Don Giovanni de' Medici, brother of the Grand Duke himself. Nigetti completed the mausoleum in 1640. He was assisted by architects Alessandro Pieroni and Don Giovanni de' Medici, Ferdinand's half-brother. [1] [2]
It has a large dome and marble interior. The octagonal room is 28 metres (92 ft) wide and is surmounted by the dome of San Lorenzo, which reaches a height of 59 metres (194 ft), the second most majestic in the city after Filippo Brunelleschi's dome. [1] [3]
During the first half of the eighteenth century, Italian noblewoman Anna Maria Luisa de' Medici, financed the construction of the large windows and cupola, and the internal decoration of the vault, which was executed by the painter Pietro Benvenuti between 1828 and 1837. The Chapel flooring of semiprecious stone inlay was only completed in 1962. [4]
The octagonal room is almost entirely covered with stones and different-coloured marbles. The six porphyry sarcophagi of the Grand Dukes are contained in niches along the walls and complemented by bronze statues. The interior has rich inlays in commesso, also referred as Florentine mosaic, a method of piecing together semi-precious stones. The practice was started in 1588 by the famous artistic workshops, Opificio in Florence, using colored stones, mother of pearl, lapis lazuli, and coral to reproduce the coats of arms of the sixteen Tuscan cities loyal to the Medici family. [5] [3] The paintings in the dome are of the Creation, All, Dealth of Abel, Sacrifice of Noah, Nativity, Death and Resurrection, Last Judgment, are by Pietro Benvenuti. [2]
The statues of the grand dukes for Ferdinand I and Cosimo II de' Medici were made by Pietro Tacca performed between 1626 and 1642. The other grand ducal tombs belong to Cosimo I (1519-1574), Francesco I (1541-1587), and Cosimo III (Succeeded Ferdinand II, 1643-1723). The Church of the Holy Sepulchre was to be located in the center of the atrium, although the various attempts to buy or steal it from Jerusalem failed. [2]
The sarcophagus are actually empty and the real remains of the Grand Dukes and their family members (about fifty major and minor) up to Anna Maria Luisa de' Medici (last heir of the dynasty, 1667–1743), are kept in simple rooms created in the floor of the underlying crypt
From behind the altar there is access to a small room where other precious relics are displayed, some of which were donated to the city by Pope Leo X.
Dutch traveler Cornelis de Bruijn visited the chapel at December 12, 1674 AD. He writes, while describing his visit to Florence:
I also saw a very precious chapel that had been worked on for seventy-eight years, although it was far from being half-finished. This project was started by Ferdinand the First, Duke of Florence. In this chapel, there is a cushion that would have cost thirty thousand crowns, adorned with precious gemstones and decorated with the most beautiful stones obtainable. I was shown a marble stone on which five masters had worked for seven years before it could be used. The altar boasts five heavy pillars of cristal de montagne (rock crystal). [6]
This description was later ascribed to be a referral to the Cappella dei Principi. If the statement regarding 78 years of work is true, it could indicate work on the chapel started as early as 1596, when Ferdinand was around 47 years of age. This would also indicate that the already mentioned architect Matteo Nigetti was appointed 8 years after the initial work had started.
The House of Medici was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century.
Anna Maria Luisa de' Medici was an Italian noblewoman who was the last lineal descendant of the main branch of the House of Medici. A patron of the arts, she bequeathed the Medicis' large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medici villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from "the Capital of the grand ducal State....[and from] the succession of His Serene Grand Duke."
Porphyry is any of various granites or igneous rocks with coarse-grained crystals such as feldspar or quartz dispersed in a fine-grained silicate-rich, generally aphanitic matrix or groundmass. In its non-geologic, traditional use, the term porphyry usually refers to the purple-red form of this stone, valued for its appearance, but other colours of decorative porphyry are also used such as "green", "black" and "grey".
The Basilica di Santa Croce is a minor basilica and the principal Franciscan church of Florence, Italy. It is situated on the Piazza di Santa Croce, about 800 metres southeast of the Duomo, on what was once marshland beyond the city walls. Being the burial place of some of the most notable Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, it is also known as the Temple of the Italian Glories.
The Basilica di San Lorenzo is one of the largest churches of Florence, Italy, situated at the centre of the main market district of the city, and it is the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393 AD, at which time it stood outside the city walls. For three hundred years it was the city's cathedral, before the official seat of the bishop was transferred to Santa Reparata.
The Palazzo Vecchio is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.
The Medici Chapels are two chapels built between the 16th and 17th centuries as an extension to the Basilica of San Lorenzo, in the Italian city of Florence. They are the Sagrestia Nuova, designed by Michelangelo, and the larger Cappella dei Principi, a collaboration between the Medici family and architects. The purpose of the chapels was to celebrate the Medici family, patrons of the church and Grand Dukes of Tuscany.
Giovanni Battista (Giambattista) Foggini was an Italian sculptor active in Florence, renowned mainly for small bronze statuary.
Pierre Francqueville, generally called Pietro Francavilla, was a Franco-Flemish sculptor trained in Florence, who provided sculpture for Italian and French patrons in the elegant Late Mannerist tradition established by Giambologna.
Don Giovanni de' Medici (13 May 1567, in Florence – 19 July 1621, in Murano) was an Italian military commander, diplomat and architect.
Medici Chapel most often refers to the Sagrestia Nuova or New Sacristy in San Lorenzo, Florence, a burial chapel with sculpture and architecture by Michelangelo.
Matteo Nigetti was an Italian architect and sculptor. He is an important Baroque architect in Florence.
San Gaetano, also known as Santi Michele e Gaetano, is a Baroque church in Florence, Italy, located on the Piazza Antinori, entrusted to the Institute of Christ the King Sovereign Priest.
The Abbey of Santa Giustina is a 10th-century Benedictine abbey complex located in front of the Prato della Valle in central Padua, region of Veneto, Italy. Adjacent to the former monastery is the basilica church of Santa Giustina, initially built in the 6th century, but whose present form derives from a 17th-century reconstruction.
Alessandro Pieroni was an Italian architect and painter. He was active mainly in a Mannerist style, working for the courts of Grandukes Francesco I and Ferdinando I de' Medici, Grand Duke of Tuscany.
Pier Maria Baldi was an Italian painter and architect.
The Equestrian Monument of Ferdinando I is a bronze equestrian statue by Giambologna, executed in 1602–1607, and erected in 1608 in the Piazza of the Annunziata in Florence, region of Tuscany, Italy.
The Temple of Santo Stefano della Vittoria is a small chapel-church located in Pozzo della Chiana, a small hamlet near Foiano della Chiana in the province of Arezzo. The octagonal domed structure looms over the plain of Scannagallo, and was commissioned by Cosimo I de' Medici to commemorate his victory in 1554 over the forces of Siena.
The Altoviti are a prominent noble family of Florence, Italy. Since the medieval period they were one of the most distinguished banking and political families appointed to the highest offices of the Republic of Florence, friends and patrons of Galileo Galilei, Vasari, Raphael, and Michelangelo. They had a close personal relationship with the papacy. Through a predominant endogamous marriage policy they established alliances with dynasties of principal and papal nobility as the Medici, Cybo, Rospigliosi, Sacchetti, Corsini, and Aldobrandini.
The Sagrestia Nuova, also known as the New Sacristy and the Medici Chapel, is a mausoleum that stands as a testament to the grandeur and artistic vision of the Medici family. Constructed in 1520, the mausoleum was designed by the Italian artist Michelangelo. Situated adjacent to the Basilica di San Lorenzo in Florence, Italy, the Sagrestia Nuova forms an integral part of the museum complex known as the Medici Chapels.