From 1351 to 1554, the church was known as San Giovanni Evangelista, since the site had a small oratory dedicated to the saint. In the mid-16th century, Cosimo I applied the inheritance of a Giovanni di Lando of the neighboring Gori family to the erection of a church for the newly arrived Jesuits (1557). Construction began in 1579 on designs of Bartolommeo Ammannati, afterwards supplanted by Giulio Parigi and finally Alfonso Parigi il Giovane, who completed the work in 1661. The Jesuit Order was suppressed in 1775, and the church was passed to the Piarist or Scolopi Fathers. It was restored in 1843 by Leopoldo Pasqui.
Gauvin Alexander Bailey. "The Florentine Reformers and the Original Painting Cycle of the Church of S. Giovannino". In Thomas Lucas (ed.), Spirit, Style, and Story, 135–80. Chicago: Loyola Chicago Press, 2003.
The Church of the Gesù is the mother church of the Society of Jesus (Jesuits), a Catholic religious order. Officially named Chiesa del Santissimo Nome di Gesù, its façade is "the first truly baroque façade", introducing the baroque style into architecture. The church served as a model for innumerable Jesuit churches all over the world, especially in Central Europe and in Portuguese colonies. Its paintings in the nave, crossing, and side chapels became models for art in Jesuit churches throughout Italy and Europe, as well as those of other orders. The Church of the Gesù is located at the Piazza del Gesù in Rome, and is one of the great 17th century preaching churches built by Counter-Reformation orders like the Jesuits in the Centro Storico.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the Bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then, they were preserved in the Santo Stefano church.
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious institutes such as the Jesuits, the Theatines, and the Barnabites. These new congregations were responsible for several great preaching churches built in the Centro Storico, the others being Sant'Andrea della Valle (Theatines), San Carlo ai Catinari (Barnabites), and The Gesù and Sant'Ignazio (Jesuits).
Santa Maria la Nova is a Renaissance style, now-deconsecrated, Roman Catholic church and monastery in central Naples. The church is located at the beginning of a side street directly across from the east side of the main post office, a few blocks south of the Church and Monastery of Santa Chiara. Today the adjacent monastery is a meeting site and hosts the Museo ARCA of modern religious art.
The Basilica Abbey of San Mercuriale is the main religious building in Forlì, in Romagna ; the rather smaller cathedral was largely destroyed by fire in the 19th century.
Sant'Eustachio is a Roman Catholic titular church and minor basilica in Rome, named for the martyr Saint Eustace. It is located on Via di Sant'Eustachio in the rione Sant'Eustachio, a block west of the Pantheon and via della Rotonda, and a block east of Sant'Ivo alla Sapienza and the Via della Dogana Vecchia.
Girolamo Macchietti was an Italian painter active in Florence, working in a Mannerist style.
Francesco Curradi or Currado was an Italian painter of the style described as Counter-Maniera or Counter-Mannerism, born and active in Florence.
San Frediano in Cestello is a Baroque-style, Roman Catholic church in the Oltrarno section of Florence, region of Tuscany, Italy. The name cestello derives from the Cistercians who occupied the church in 1628. Previously the site had a 1450s church attached to the cloistered Carmelite convent of Santa Maria degli Angeli.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Cesare Dandini was an Italian Baroque painter, active mainly in his native city of Florence.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.
San Bartolomeo is a Baroque church in Modena.
Santo Stefano dei Cavalieri is a church in central Pisa located on Piazza dei Cavalieri.
Volterra Cathedral is a Roman Catholic cathedral in Volterra, Italy, dedicated to the Assumption of the Virgin Mary. It is the seat of the bishop of Volterra.
Francesco Saverio Altamura was an Italian painter, known for Romantic style canvases depicting mainly historical events.
San Francesco is a Romanesque and Gothic-style, Roman Catholic church located at Piazza San Francesco in Pescia, region of Tuscany, Italy.
The former Collegio degli Scolopi is a large building in Florence, annexed to the church of San Giovanni degli Scolopi and located between via de 'Martelli, via dei Gori, Piazza San Lorenzo and Borgo San Lorenzo. Formerly the palace of the Martelli family, it was the seat of the Jesuit order, designed on a grand scale by Bartolomeo Ammannati, then housed the college of the Piarists and finally, after the suppression of the convents, it became a school. Today most of its rooms are occupied by the Galileo state classical high school, but in one part there is also the Ximenian observatory, with access from the rear Borgo San Lorenzo.
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