San Leonardo in Arcetri is a Romanesque-style, Roman Catholic church located on Via di San Leonardo #25, a few hundred meters southeast of the Porta San Giorgio of Florence, Italy.
The Basilica di San Lorenzo is one of the largest churches of Florence, Italy, situated at the centre of the city’s main market district, and the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III. It is one of several churches that claim to be the oldest in Florence, having been consecrated in 393, at which time it stood outside the city walls. For three hundred years it was the city's cathedral before the official seat of the bishop was transferred to Santa Reparata.
Piazza dei Cavalieri is a landmark in Pisa, Italy, and the second main square of the city. This square was the political centre in medieval Pisa. After the middle of 16th century the square became the headquarters of the Order of the Knights of St. Stephen. Now it is a centre of education, being the main house of the Scuola Normale di Pisa, a higher learning institution part of the University.
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Neri di Bicci (1419–1491) was an Italian painter active in his native Florence. A prolific painter of mainly religious themes, he studied under his father, Bicci di Lorenzo, who had in turn studied under his father, Lorenzo di Bicci. The three thus formed a lineage of great painters that began with Neri's grandfather.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Rutilio di Lorenzo Manetti was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena.
Lorenzo di Bicci was an Italian painter of the Florentine School considered to be one of the most important painters in Florence during the second half of the 14th century. He is believed to have learned his trade from his father, about whom little is known. Lorenzo’s style, as well as that of his contemporaries Jacopo di Cione and Niccolò di Pietro Gerini, was influenced by the artist Andrea di Cione. Lorenzo's paintings made use of bright colors and his compositions avoided complexity. The figures he painted tended to have round faces and were often expressionless. Another one of Lorenzo's distinctive characteristics was his precision of execution. He was known for exceptional talent in drawing, an ability that he put to use at the initial stages of his painting. Unlike many celebrated Florentine artists of this period, Lorenzo mostly received commissions from the country clergy and from the lower-middle class Florentine guilds. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups.
Bicci di Lorenzo (1373–1452) was an Italian painter and sculptor, active in Florence.
Bastiano di Bartolo Mainardi was an Italian painter of the Early Renaissance. He was born in San Gimignano and was active there and in Florence.
San Giovanni dei Fieri is an ancient church in Pisa, Italy, located on Via Pietro Gori on the left bank of the Arno.
Santo Stefano dei Cavalieri is a church in central Pisa located on Piazza dei Cavalieri.
San Giovanni Battista dei Cavalieri di Rodi is a church in Rome, on piazza del Grillo in the Monti district. Its full title is the Palatine Chapel of Saint John the Baptist of the Knights of Rhodes.
San Giovannino della Staffa, also known as San Giovannino in Pantaneto is a Renaissance style, Roman Catholic church located on Piazetta Virgilio Grassi, in the Contrada del Leocorno, in the city of Siena, region of Tuscany, Italy.
Andrea di Giusto, rarely also known as Andrea Manzini or Andrea di Giusto Manzini was a Florentine painter of the late Gothic to early Renaissance style in Florence and its surrounding countryside. Andrea was heavily influenced by masters Lorenzo Monaco, Bicci di Lorenzo, Masaccio, and Fra Angelico, and tended to mix and match the motifs and techniques of these artists in his own work. Andrea was an eclectic painter and is considered a minor master of Florentine early Renaissance art. Andrea trained under Bicci di Lorenzo as a Garzone. He painted his most significant works, three altarpieces, in the Florentine contado, or countryside; these altarpieces were created for Sant’Andrea a Ripalta in Figline, Santa Margarita in Cortona, and the Badia degli Olivetani di San Bartolomeo alle Sacce near Prato. Aside from his major altarpieces, Andrea painted several Frescoes over the course of his career. He, along with other minor masters, are also known to have provided several different types of art, including triptychs and frescoes, for Romanesque pievi, or rural churches with baptistries. Moreover, he was well known for several types of smaller craft objects, such as small tabernacles. He is said to have worked between 1420 and 1424 under Bicci di Lorenzo on paintings for Santa Maria Nuova. He is said to have worked with Masaccio in painting the Life of San Giuliano for the Polyptych of Pisa, including the painting of the Madonna and Child, in 1426. He also appears to have collaborated in 1445 with Paolo Uccello in the Capella dell'Assunta in the Prato Cathedral. In 1428, he is listed as a member of the Arte dei Medici e Speziali guild in Florence as "Andrea di Giusto di Giovanni Bugli". His son, Giusto d'Andrea, was also a painter and worked with Neri di Bicci and Benozzo Gozzoli. Andrea died in Florence in 1450.
San Martino a Gangalandi is a Roman Catholic parish (pieve) church in the Gangalandi neighborhood of Lastra a Signa in the region of Tuscany, Italy. It is located via Leon Battista Alberti. Adjacent to the church is a small Museo Vicariale displaying some works of art.
The Chiostro della Scalzo or is a cloister in Florence, Italy that originally led to a chapel once belonging to a religious company known as the Compagnia del diciplinati di San Giovanni Battista or della Passione di Cristo. The term "scalzo" makes reference to the barefoot brother who carried the Cross during its public processions.
