Pierre Paul Brandebourg, also Peter Brandenbourg (1824-1878) was a Luxembourgish painter and photographer. He was the first to open a photographic studio in the city of Luxembourg.
Brandebourg's parents were Charles Brandebourg, a gardener, and Anne Lambert. After completing high school at Luxembourg's Athénée, he first studied art under the Luxembourg painter Jean-Baptiste Fresez before spending terms at the academies of Paris, Antwerp and Munich. Returning to Luxembourg, on 4 May 1850, he married Catherine Kranenwitter from Rollingergrund. Both his son Charles (Carl) (1851–1906) and his grandson Emile followed in his footsteps, working as photographers in Luxembourg. [1] [2]
Although Brandebourg was recognized as a competent artist with his paintings of men at work and scenes of the harbour in Antwerp or the steel factories of Luxembourg, he had difficulty in making a living from art alone. He therefore turned to photography, opening Luxembourg's first photographic studio on the Fish Market. As a result of the care he took with composition and lighting, having one's portrait taken "chez Brandebourg" became increasingly popular. [1]
Brandebourg died in 1878 at his home on Avenue Amélie in Luxembourg. Most of his paintings and photographs are still privately owned. Some can be seen in Luxembourg's Photothèque. [1] Charles Bernhoeft took over his photographic business.
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the younger son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the Flemish Baroque painting of the first three decades of the 17th century.
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Events from the year 1879 in art.
Edward Jean Steichen was a Luxembourgish American photographer, painter and curator and a pioneer of fashion photography. His gown images for the magazine Art et Décoration in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines Vogue and Vanity Fair, while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world.
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