The Royal Academy of Fine Arts Antwerp (Dutch : Koninklijke Academie voor Schone Kunsten van Antwerpen) is an art academy located in Antwerp, Belgium. It is one of the oldest of its kind in Europe. It was founded in 1663 by David Teniers the Younger, painter to the Archduke Leopold Wilhelm and Don Juan of Austria. Teniers was master of the Guild of St Luke—which embraced arts and some handicrafts—and petitioned Philip IV of Spain, then master of the Spanish Netherlands, to grant a royal charter to establish a Fine Arts Academy in Antwerp. It houses the Antwerp Fashion Academy.
The Royal Academy developed into an internationally acclaimed institute for Fine Arts, Architecture and Design. From the nineteenth century on, the academy attracted young artists from abroad. Irish, German, Dutch, Polish artists looking for a solid classical training found their way to Antwerp. Under the direction of Gustave Wappers (1803-1874) and his registrar Hendrik Conscience, the academy faced significant restructuring. The academy's significant art collection was exhibited in its own gallery space. By 1890, this gallery would develop into the Royal Museum of Fine Arts (Dutch; Koninklijk Museum voor Schone Kunsten) and would move to its current location in Antwerp.
In 1880, a promising young artist Henry Van de Velde enrolled at the Antwerp Academy. He would become one of the pioneering 20th century architects and designers. In 1885 and 1886, Vincent van Gogh was also to spend a short time at the Antwerp academy, prior to his departure to France.
In 1885, King Leopold II commissioned the establishment of the National Higher Institute for Fine Arts Antwerp (Nationaal Hoger Instituut voor Schone Kunsten) as a unique post graduate program, inspired by the Ecole des Beaux-Arts in Paris.
In 1946, the Architecture program became an independent institute, The National Higher Institute of Architecture. Another key moment in the history of the academy would be 1963. A unique new course ‘Fashion Design’ started. This course was moderately successful from the beginning years, but became renowned in the fashion world during the 1980s when “the Antwerp Six” designers (Dirk Bikkembergs, Walter Van Beirendonck, Marina Yee, Dries Van Noten, Dirk Van Saene and Ann Demeulemeester) became prominent alumni. Stylistically extremely diverse, these young friends had a huge impact on the contemporary fashion scene. The fashion program attracted more and more talents from all over the globe. With over 130 students it's by far the largest program in the visual arts and design department.
In 1995, the Flemish higher educational system faced a radical metamorphosis. The Antwerp Academy and the Henry Van de Velde Institute were included as faculties in a bigger college structure, The University College of Antwerp (Dutch: Hogeschool Antwerpen). However, the Higher Institute of Fine Arts was kept independent and to develop into a separate entity. [1]
The Academy nowadays offers three distinctive programs: Visual Arts and Design, Conservation studies and a one-year dedicated teachers training. A body of 540 students (of whom 230 are international) work in the four main buildings located in the heart of the city: Mutsaardstraat (Photography, Silversmithing/Jewelry, Theatre Costume Design and Fine Arts), Nationalestraat (fashion) and Keizerstraat (graphic design). As of September 2013, the programs are offered by the "Artesis Plantijn Hogeschool Antwerpen", a fusion between Artesis Hogeschool Antwerpen and Plantijn Hogeschool.
Shortly after the founding of Antwerp Academy, three large paintings were executed for its meeting hall. Antwerp, Nurse of Painters, by Theodoor Boeyermans (1665; 188 x 454 cm), promotes the city's recent artistic past. Portraits of Peter Paul Rubens and Anthony van Dyck watch over students as they practise the arts. At the centre is the allegorical Antverpia pictorum nutrix ("Antwerp, nurse of painters"). Chronos accompanies other young students who present their artwork. The river god Scaldis, a personification of Antwerp's river Scheldt, symbolises with his cornucopia the wealth and bounty of the city's artistic heritage.
Contradicties koninklijke academie voor schone kunsten 1663-nu (Eric Ubben, Johan Pas, Piet Lombaerde Et al) MER publishers. Mode Antwerpen Academie 50 ( J.P Gaultier, Kaat Debo Et al) lannoo
Philip Fruytiers (1610–1666) was a Flemish Baroque painter and engraver. Until the 1960s, he was especially known for his miniature portraits in watercolor and gouache. Since then, several large canvases signed with the monogram PHF have been ascribed to him. These new findings have led to a renewed appreciation for his contribution to the Antwerp Baroque.
The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.
Museum voor Schone Kunsten may refer to:
Eduard Salomon Frankfort was a Dutch Jewish painter during the late nineteenth and early twentieth centuries.
The Royal Academy of Fine Arts of Ghent is an art school that is one of the oldest art schools in Belgium. It is now part of the Hogeschool Gent.
Juliaen Teniers or Juliaan Teniers was a Flemish painter of figures and flower pieces. He was a member of the extended Teniers family of painters.
The Royal Conservatoire Antwerp is a conservatory of music, dance and drama in Antwerp, Belgium. It was founded in 1898 as the Royal Flemish Conservatoire by the Flemish composer Peter Benoit.
The Royal Flemish Academy of Belgium for Science and the Arts is one of an independent learned society of science and arts of the Flemish Community in Belgium. It is one of Belgium's numerous academies and traces its origin to 1772 when the Imperial and Royal Academy of Brussels was founded by empress Maria Theresia.
The Royal Academy of Science, Letters and Fine Arts of Belgium is the independent learned society of science and arts of the French Community of Belgium. One of Belgium's numerous academies, it is the French-speaking counterpart of the Royal Flemish Academy of Belgium for Science and the Arts. In 2001 both academies founded a joint association for the purpose of promoting science and arts on an international level: The Royal Academies for Science and the Arts of Belgium (RASAB). All three institutions are located in the same building, the Academy Palace in Brussels.
Jan Baptist Martin Wans or Jan Baptist Wans was a Flemish Baroque painter known for his landscapes and religious scenes.
Aglaia Konrad is an Austrian photographer and educator living in Brussels.
Luc Piron is a Belgian artist. He is a painter and printmaker. He is also a photographer and experiments with the possibilities of computer art.
Bart Cassiman (1961), is an international freelance-curator, art critic and editor, is an art historian and studied press- and communication sciences at the Ghent University (1979-1984).
Samson Mocked or The Mockery of Samson is an oil-on-canvas painting by Jan Steen, created c. 1670, now in the Museum of Fine Arts, Antwerp.
AP University of Applied Sciences and Arts Antwerp, founded in 2012, is a non-profit public higher education institution located in the city of Antwerp and created as a merger between Artesis Hogeschool Antwerpen and Plantijn Hogeschool [1] [2].
A Cabinet of Curiosities is a 1619 oil on panel painting of a cabinet of curiosities by the Flemish painter Frans Francken the Younger. It is now in the Royal Museum of Fine Arts, Antwerp, which bought it in 1903 from the Antwerp-based art dealer Joseph Hallyn.
Laurys Gillis or Laurent Gillis was a Flemish sculptor who was active in Antwerp in the first half of the 18th century. He worked for a long time in the workshop of the prominent Antwerp sculptor Michiel van der Voort the Elder. He is known for statues of historical and biblical figures, Christian saints and allegorical respresentations.
Self-Portrait is an oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. The painting measures 25.2 x 20.9 inches and is part of the permanent collection of the Royal Museum of Fine Arts in Antwerp. This painting is one of the last portraits by Ingres.
Henri Boncquet was a Belgian sculptor.
Charles Auguste Fraikin was a Belgian neoclassical sculptor.
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