Ossip Zadkine was a Belarusian-born French naturalized artist. He is primarily known as a sculptor, but also produced paintings and lithographs.
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and Van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Antoine Bourdelle, born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture.
Emmanuel Frémiet was a French sculptor. He is famous for his 1874 sculpture of Joan of Arc in Paris and the monument to Ferdinand de Lesseps in Suez. The noted sculptor Pierre-Nicolas Tourgueneff was one of many students who learned sculpture under the tutelage of Frémiet.
Louis-Ernest Barrias was a French sculptor of the Beaux-Arts school. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome.
François Pompon was a French sculptor and animalier. Pompon made his Salon debut in 1879, exhibiting a statue of Victor Hugo's Cosette. He was a pioneer of modern stylized animalier sculpture. He was not fully recognized for his artistic accomplishments until the age of 67 at the Salon d'Automne of 1922 with the work Ours blanc. Pompon died in Paris, France, on 6 May 1933.
Richard Guino was a French sculptor of Catalan origin.
Albert-Ernest Carrier-Belleuse was a French sculptor. He was one of the founding members of the Société Nationale des Beaux-Arts, and was made an officer of the Legion of Honour.
Laurent-Honoré Marqueste was a French sculptor in the neo-Baroque Beaux-Arts tradition. He was a pupil of François Jouffroy and of Alexandre Falguière and won the Prix de Rome in 1871.
Denys Puech was a French sculptor.
Pierre Félix Masseau, known professionally as Fix-Masseau. He was a noted French sculptor and father of poster artist Pierre Fix-Masseau with whom he is sometimes confused with.
Jacques de Caso is a French-born American historian who specializes in the literature and history of pre-modern art in Europe, principally late eighteenth- and nineteenth-century French and German neo-classicism and Romanticism.
Pierre-Jules Cavelier was a French academic sculptor.
Eugène-Louis Lequesne was a French sculptor. Lequesne was born and died in Paris. In 1841, he entered the École nationale des beaux-arts, in James Pradier's workshop. In 1843, he won the second Prix de Rome, and in 1844 the first prize, with a plaster bas-relief entitled Pyrrhus tuant Priam. He lived at the Académie de France à Rome from 1844 to 1849, alongside Jean-Louis Charles Garnier. In 1855, he was awarded the Great Prize for sculpture at the Exposition Universelle, and received the Légion d'honneur.
Pierre-Eugène-Émile Hébert was a French sculptor. As the son of sculptor Pierre Hébert, he studied both with his father and with Jean-Jacques Feuchère (1807–1852). Émile Hébert participated in the Salon de Paris and the Exposition Universelle (1855), created the allegorical statues La Comédie and Le Drame for the vaudeville theatre in Paris, and was awarded a Second Class Medal in 1872. Émile Hébert was one of the few sculptors to work with the renowned bronze fondeur Georges Servant, and their artistic collaboration resulted in pieces of the Neo-Grecian and Egyptian Revival style.
Victor Joseph Jean Ambroise Ségoffin was a French sculptor.
Étienne Martin (1913–1995) was a French non-figurative sculptor.
Isidore Jules Bonheur, best known as one of the 19th century's most distinguished French animalier sculptors. Bonheur began his career as an artist working with his elder sister Rosa Bonheur in the studio of their father, drawing instructor Raymond Bonheur. Initially working as a painter, Isidore Jules Bonheur made his Salon debut in 1848.
Rhinocéros is a 1878 sculpture by Henri Alfred Jacquemart; a life-sized depiction of a rhinoceros in cast iron. Commissioned to stand outside the Trocadéro Palace for the 1878 Exposition Universelle, it was completed quickly to be ready in time for the opening of the fair. Well received at the time, it was moved in 1935 to allow for the remodelling of the palace and grounds for the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne. The sculpture was sited near to the Porte de Saint-Cloud before being acquired by the Musée d'Orsay in 1985. It now stands in the esplanade in front of the museum, with two other animal statues from the 1878 exposition.
