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Pietà is an oil on panel painting by Sebastiano del Piombo, executed c. 1516–1517, now in the Museo Civico located in the former cloister of the monastery adjacent to the church of Santa Maria della Verità, Viterbo, region of Lazio, Italy.
It is the earliest evidence of collaboration between del Piombo and Michelangelo (with the latter providing the cartoon for the work, as confirmed by the existence of preparatory studies) and was commissioned for the church of San Francesco, Viterbo by Giovanni Botonti.
The head of St. John the Baptist is a tondo painting by the Italian Renaissance master Giovanni Bellini. It is now housed in the Civic Museum of Pesaro.
The Transfiguration is a tempera-on-panel painting by Italian painter Giovanni Bellini, created c. 1454–1460. It depicts the Gospel episode the Transfiguration of Jesus. It is held in the Museo Correr in Venice.
Saint George Freeing the Princess is a marble stiacciato bas-relief sculpture by Donatello, sculpted around 1416 or 1417. It was originally situated under the same artist's Saint George on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas replacing them in their original positions.
Four Crowned Martyrs is a sculptural group by Nanni di Banco. It forms part of a cycle of fourteen sculptures commissioned by the guilds of Florence for external niches of Orsanmichele, each sculpture showing that guild's patron saint. This sculpture was commissioned by the Arte dei Maestri di Pietra e Legname and completed around 1416-1417. It is in Apuan marble and is made of four figures of the Four Crowned Martyrs, the tallest of which is 2.03 m high. It is now indoors in the Museo di Orsanmichele, although a copy fills its original niche.
Madonna della Consolazione is an oil on panel painting by Perugino, datable ca. around 1496–1498. The work, completed in April 1498, was carried out in the Sala delle Udienze of the Collegio del Cambio. Since c. 1820 it is preserved in the National Gallery of Umbria in Perugia.
Crucifixion is a painting of the Crucifixion of Christ, usually attributed to Perugino, with or without assistance from Luca Signorelli. The work's dating and attribution are both uncertain - Venturi and Schmarsow attribute it to a pupil of Perugino, whilst other art historians attribute it to Perugino alone or with assistance from Signorelli. The deep chiaroscuro is comparable to Signorelli's style elsewhere or to the early style of Perugino whilst he was still heavily influenced by Verrochio. The landscape background is typical of Perugino, with mountains and hills in deep perspective.
Miracle of the Snow is a painting in tempera on panel by Pietro Perugino, dating to around 1472–1474 and now in the collection of Polesden Lacey. It shows the miraculous fall of snow which marked the spot for the foundation of Santa Maria Maggiore in Rome in 352. The painting belongs to Perugino's early period and the important commissions he gained during the short time he was active in Florence. Both it and the Nativity of the Virgin are usually identified as one of two surviving parts of the same predella, either from a lost altarpiece of the Virgin Mary or from the Pala di San Martino a Strada by Andrea del Verrocchio's studio. Both predella panels were in the Pucci chapel in Santissima Annunziata in Florence by 1786, when they were bought by John Campbell. They were sold to different owners in London in 1804, with the Miracle entering the Polesden Lacey collection.
Madonna and Child with Two Saints is a tempera on panel painting by Perugino, dating to around 1495. It is now in the Kunsthistorisches Museum in Vienna. The saint to the right is Catherine of Alexandria, whilst the saint to the left is unidentified but may be Rose of Viterbo or Mary Magdalene.
Madonna and Child is a tempera on panel painting of the enthroned Madonna and Child by the Italian late medieval artist Gentile da Fabriano. At its base are small angel musicians. It is now in the Galleria Nazionale dell'Umbria in Perugia.
Portrait of Eleanor of Aragon is a marble sculpture of Eleanor of Aragon, originally carved by Francesco Laurana in 1468 for her tomb but now in the Palazzo Abatellis in Palermo. It is very iconographically similar to Bust of a Princess (Louvre).
Saint Jerome in His Study is a c. 1445–1446 painting by Colantonio, a painter active in Naples between 1440 and around 1470. It shows the strong influence of contemporary Flemish and French art on the painter and originally formed part of a multi-panel altarpiece for the church of San Lorenzo Maggiore, later split up. The painting's dimensions are 151 centimetres (59 in) by 178 centimetres (70 in).
Adoration of the Magi is a c.1516-1519 painting by Cesare da Sesto, produced during his stay in Messina. It was commissioned by the Congrega di San Niccolò dei Gentiluomini as the high altarpiece for that church. After the church was suppressed at the end of the 18th century, it joined the Bourbon collections and was taken to Naples, where it was displayed in the Quadreria of the Palazzo di Capodimonte and later the Real Museo in the former Palazzo degli Studi. It is now in the National Museum of Capodimonte in Naples.
The Madonna of the Baldacchino is a c.1506-1508 oil on canvas holy conversation-style painting by Raphael, now in the Galleria Palatina in Florence.
The Ferrara Cathedral Organ Case was a set of 1469 tempera on canvas paintings by Cosme Tura, originally forming doors for the organ at Ferrara Cathedral but now in the cathedral museum. Originally double-sided, the front and back of each door have now been separated. As originally constructed, the doors showed an annunciation scene when open and Saint George and the Princess when closed.
Saint Matthew and the Angel is an oil on canvas painting by Giovanni Gerolamo Savoldo, executed c. 1530-1535, depicting Saint Matthew, now in the Metropolitan Museum of Art, in New York. It was a major influence on the young Caravaggio.
The Temptation of Saint Anthony or The Torment of Saint Anthony is an oil-on-panel painting executed c. 1521–1525 by the Italian Renaissance artist Giovanni Girolamo Savoldo. It is now in the Timken Museum of Art in San Diego. It may relate to the same artist's The Temptation of Saint Jerome on a similar theme.
The St John Chrysostom Altarpiece is a 1510–1511 oil on canvas painting by Sebastiano del Piombo, that is kept in San Giovanni Grisostomo, Venice. It belongs to the sacra conversazione genre.
Christus Dolens or Christ as the Man of Sorrows is a tempera-on-panel painting by the Italian Renaissance painter and architect Bramantino, executed c. 1490, in the Museo Thyssen-Bornemisza in Madrid. The original Thyssen-Bornemisza Collection acquired it in 1937 from Countess Teresa Soranza-Mocenigo. A similar work by Bramantino is in the Museo della Certosa in Pavia.
Young Couple is a c.1505-1510 Carrara marble relief sculpture by Tullio Lombardo, now in the Kunsthistorisches Museum in Vienna. It was previously known as Bacchus and Ariadne, whilst a recent study by Claudia Kryza-Gersch has suggested the alternative title of The Singing Poet and His Lover.
Holy Trinity with Saints or Saints Jerome, Paula and Eustochium's Vision of the Holy Trinity is a 1453–1454 fresco by Andrea del Castagno, painted for Gerolamo Corboli just after the same artist's Saint Julian the Hospitaller with Christ the Redeemer in the neighbouring chapel and the lost frescoes of Sant'Egidio. It is still in its original position in Santissima Annunziata, Florence, whilst a sinopia of the three saints is now in the Museo del Cenacolo di Sant'Apollonia, also in Florence.