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The Pinacoteca Civica Fortunato Duranti is a museum in Montefortino, Italy.
The 19th-century painter Fortunato Duranti donated hundreds of items or art and furniture he had collected to the town of Montefortino. The remainder of the collection is displayed in the museum.
| Label | Painter | Work | Date | Link |
|---|---|---|---|---|
| 1 | Pietro Alemanno | Ecce Homo with instruments of passion | 15th century | |
| 2 | Pietro Alemanno | Madonna with Child, St. Sebastian, and St. Cosma | 15th century | |
| 3 | Pietro Alemanno | St. Lucy | 15th century | |
| 4 | Madonna with Child and two angels | 15th century | ||
| 5 | Francesco Botticini | Madonna with Child | 15th century | |
| 6 | Nativity | 16th century | ||
| 7 | Carlo Dolci | Christ crowned with thorns | 17th century | |
| 8 | Flemish or Dutch school | Man with turban lights a pipe | 17th century | |
| 9 | Lombard/Veneto school | Woman with standard (St. Ursula?) | 17th century | |
| 10 | Still life of fruits | 16th–18th centuries | ||
| 11 | Still life of fruits | 17th century | ||
| 12 | Cristoforo Munari | Still life of fruits with lute and musical score | 18th century | |
| 13 | Giovanni Paolo Castelli (lo Spadino) | Still life of fruits with glassware and biscotti | 18th century | |
| 14 | Giovanni Paolo Castelli (lo Spadino) | Still life of fruits | 18th century | |
| 15 | Giovanni Paolo Castelli (lo Spadino) | Still life of fruits | 18th century | |
| 16 | Giovanni Paolo Castelli (lo Spadino) | Still life of fruits | 18th century | |
| 17 | Giovanni Paolo Castelli (lo Spadino) | Still life of fruits with two pigeons | 18th century | |
| 18 | Giovanni Paolo Castelli (lo Spadino) | Still life of fruits with decorative bowl, two bottles, & wine-glass | 18th century | |
| 19 | Roman School | Still life of fruits with pink flowers | 16th–18th centuries | |
| 20 | Neapolitan School | Still life with fish | 16th–18th centuries | |
| 21 | Central Italian School | Still life with flower vase | 17th century | |
| 22 | Roman School | Veduta of Piazza del Popolo (Rome) | 16th–18th centuries | |
| 23 | Roman School | Veduta of the Pantheon with belltowers | 18th century | |
| 24 | Alessio de Marchis (attributed) | Landscape, rocky and with pedestrians | 18th century | |
| 25 | Alessio de Marchis (attributed) | Landscape of river with pedestrians | 18th century | |
| 26 | Pietro da Cortona | Madonna with Child and St. Martina | 17th century | |
| 27 | School of Emilia | Holy Family | 17th century | |
| 28 | Madonna with Child | 18-20th centuries | ||
| 29 | Holy Family | 18th century | ||
| 30 | Corrado Giaquinto | Circe (?) | 18th century | |
| 31 | Corrado Giaquinto | Birth of the Virgin Mary | 18th century | |
| 32 | Corrado Giaquinto | St. Nicolas blesses warriors | 18th century | |
| 33 | Corrado Giaquinto | Hagar and Ishmael | 18th century | |
| 34 | Corrado Giaquinto | Mosè receives commandments | 18th century | |
| 35 | Corrado Giaquinto | Trinity | 18th century | |
| 36 | Roman School | Alexander the Great in temple of Jerusalem | 18th century | |
| 37 | Roman School | St. John evangelist contemplates Virgin Mary's coronation | 18th century | |
| 38 | Roman School | Education of Virgin Mary and angels | 18th century | |
| 39 | Unknown | Putto with skull | 17th century | |
| 40 | Unknown | Putto with plume and palette | 17th century | |
| 41 | Faun/ girl with mirror/ sleeping girl | 18th century | ||
| 42 | Roman School | Holy Family and St. John | 18th century | |
| 43 | Cristoforo Unterberger | St Ponziano in Lion’s den | 18th century | |
| 44 | Cristoforo Unterberger | Saints Ignatius & Filippo Neri | 18th century | |
| 45 | Cristoforo Unterberger | St. Ubaldo intercedes with Madonna and Child for the orphans | 18th century | |
| 46 | Cristoforo Unterberger | St. Sebastian & maidens | 18th century | |
| 47 | Cristoforo Unterberger | Christ at prayer in garden (Gesthemane) | 18th century | |
| 48 | Cristoforo Unterberger | Flagellation of Christ | 18th century | |
| 50 | Cristoforo Unterberger | Assumption of the Madonna | 18th century | |
| 51 | Cristoforo Unterberger | Madonna at the foot of cross | 18th century | |
| 52 | Cristoforo Unterberger | Madonna at foot of cross and angel with instruments of the Passion | 18th century | |
| 53 | Ignazio Unterberger | Triumph of Bacchus | 18th century | |
| 54 | Roman School | St. Anthony of Padua & Madonna with Child | 18th century | |
| 55 | Roman School | Christ: Deposition from the Cross | 18th century | |
| 56 | Fortunato Duranti | Self-portrait | 19th century | |
| 57 | Fortunato Duranti | Madonna with Child ' | 19th century | |
| 58 | Fortunato Duranti | Holy Family with St. John | 19th century | |
| 59 | Fortunato Duranti | Holy Family | 19th century | |
| 60 | Nicola d'Ancona | St. Lucy, St. Anthony of Padua, and St. Bernard of Siena | 14th–16th centuries | |
| 61 | Pier Francesco Fiorentino | Madonna with child, San Michael Archangel, and St. Raphael with Tobias | 15th century | |
| 62 | Marchigian School | Madonna with Child Blessing e San Michele Archangel (fragment) | 15th century (?) | |
| 63 | Praneda Ludovico | Madonna | 19th century | |
| 64 | Unknown | Madonna reading prayer book | ||
"The Cask of Amontillado" is a short story by the American writer Edgar Allan Poe, first published in the November 1846 issue of Godey's Lady's Book. The story, set in an unnamed Italian city at carnival time, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative follows a person being buried alive – in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective.
Fortunato Depero was an Italian futurist painter, writer, sculptor, and graphic designer.
URB597 (KDS-4103) is a relatively selective and irreversible inhibitor of the enzyme fatty acid amide hydrolase (FAAH). FAAH is the primary degradatory enzyme for the endocannabinoid anandamide and, as such, inhibition of FAAH leads to an accumulation of anandamide in the CNS and periphery where it activates cannabinoid receptors. URB597 has been found to elevate anandamide levels and have activity against neuropathic pain in a mouse model.
Bolognola is a comune (municipality) in the Province of Macerata in the Italian region Marche, located about 70 kilometres (43 mi) southwest of Ancona and about 40 kilometres (25 mi) southwest of Macerata.
Montefortino is a comune (municipality) in the Province of Fermo in the Italian region Marche, located about 80 kilometres (50 mi) south of Ancona, about 35 kilometres (22 mi) northwest of Ascoli Piceno and about 45 kilometres (28 mi) west of Fermo.
A winged helmet is a helmet decorated with wings, usually on both sides. Ancient depictions of the god Hermes, Mercury and of Roma depict them wearing winged helmets, and in the 19th century the winged helmet became widely used to depict the Celts. It was also used in romantic illustrations of legendary Norse gods and heroes. The motif, along with the horned helmet, became a clichéd signifier of the Northern warrior.
Fortunato Duranti was an Italian painter and collector.
The Montefortino helmet was a type of Celtic, and later Roman, military helmet used from around 300 BC through the 1st century AD with continuing modifications. This helmet type is named after the region of Montefortino in Italy, where a Montefortino helmet was first uncovered in a Celtic burial. The Montefortino helmet originated in the 4th century BCE and was influenced by Etruscan and Celtic helmets. The helmet was brought to Italy by the Senones and it was the most popular helmet amongst the Roman army during the Republican period. The Montefortino helmet remained the most popular Roman helmet until the first century CE. Although in the Roman military it was replaced by the Coolus helmet, it continued to be used by the Praetorian guard.
Giovanni Paolo Castelli (1659–1730) was an Italian painter, active in Rome painting still-life paintings of bowls of fruit and flowers. Over half a dozen works are collected in the Pinacoteca Civica Fortunato Duranti.
Hyalinobatrachium duranti is a species of frog in the family Centrolenidae. It is endemic to the Cordillera de Mérida, Venezuela. In Spanish it is known as ranita de cristal de Durant. Its natural habitats are montane cloud forests where it occurs along cascading mountain streams. Its status is insufficiently known.
Aromobates duranti is a species of frog in the family Aromobatidae. It is endemic to Venezuela where it is known from near La Culata in the Cordillera de Mérida. Its natural habitats are clear, fast-flowing streams in Andean cloud forest and sub-páramo shrubland. The male protects the eggs that are laid on land. After hatching, the male carries the tadpoles on his back to water where they develop further.
Pietro Alemanno was an Italian-Austrian painter of the Renaissance period.
Christopher Unterberger, also Christoph or Cristoforo was an Italian painter of the early-Neoclassical period.
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The archival bond is a concept in archival theory referring to the relationship that each archival record has with the other records produced as part of the same transaction or activity and located within the same grouping. These bonds are a core component of each individual record and are necessary for transforming a document into a record, as a document will only acquire meaning through its interrelationships with other records.
Aldebaran is a 1935 Italian drama film directed by Alessandro Blasetti and starring Gino Cervi, Evi Maltagliati and Gianfranco Giachetti. The film was a naval melodrama, an attempt by Blasetti to make a more commercial film following the difficulties encountered with the propagandist The Old Guard (1934).
Francesca Duranti is an Italian writer.
Luciana Duranti is an archival theorist and professor of archival science and diplomatics at the School of Library, Archival and Information Studies, University of British Columbia in Vancouver, Canada. She is a noted expert on diplomatics and electronic records. Since 1998, she has been the director of the electronic records research project, InterPARES. She has disclosed the concept of the archival bond originally initiated by Italian archivist Giorgio Cencetti in 1937.
Giulio Vergari was an Italian painter of the Renaissance period, active in the Marche in the early 16th century.
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