In ancient Greek religion and mythology, Artemis is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. In later times, she was identified with Selene, the personification of the Moon. She was often said to roam the forests and mountains, attended by her entourage of nymphs. The goddess Diana is her Roman equivalent.
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside and nature, hunters, wildlife, childbirth, crossroads, the night, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter and Latona, and a twin brother, Apollo, though she had an independent origin in Italy.
In ancient Greek mythology and religion, Leto is a goddess and the mother of Apollo and Artemis. She is the daughter of the Titans Coeus and Phoebe, and the sister of Asteria.
Britomartis was a Greek goddess of mountains and hunting, who was primarily worshipped on the island of Crete. She was sometimes believed to be an oread, or a mountain nymph, but she was often conflated or syncretized with Artemis and Aphaea, the "invisible" patroness of Aegina. She is also known as Dictynna or as a daughter of Dictynna.
Eileithyia or Ilithyia was the Greek goddess of childbirth and midwifery, and the daughter of Zeus and Hera. In the cave of Amnisos (Crete) she was related with the annual birth of the divine child, and her cult is connected with Enesidaon, who was the chthonic aspect of the god Poseidon. It is possible that her cult is related with the cult of Eleusis. In his Seventh Nemean Ode, Pindar refers to her as the maid to or seated beside the Moirai (Fates) and responsible for the creation of offspring. Her son was Sosipolis, who was worshiped at Elis.
Bendis was a Thracian goddess associated with hunting and the moon. Worship of the goddess seems to have been introduced into Attica around 430 BC. Some writers identified Bendis in Attica with the goddess Artemis, but the temple of Bendis at Piraeus which was near the temple of Artemis, clearly display that the two goddesses were distinct. She was a huntress, like Artemis, but was often accompanied by dancing satyrs and maenads, as represented on a fifth-century red-figure stemless cup at Verona.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Brauron was one of the twelve cities of ancient Attica, but never mentioned as a deme, though it continued to exist down to the latest times. It was situated on or near the eastern coast of Attica, between Steiria and Halae Araphenides, near the river Erasinus. Brauron is celebrated on account of the worship of Artemis Brauronia, in whose honour a festival was celebrated in this place. This site includes the remains of a temple, a stoa, and a theatre, providing insights into the religious practices and social life of ancient Greece. Its significance as a religious and cultural site can be further understood through the exploration of its archeological remains and historical accounts.
The Temple of Aphaia or Afea is an Ancient Greek temple located within a sanctuary complex dedicated to the goddess Aphaia on the island of Aegina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, the Doric temple is now recognized as having been dedicated to the mother-goddess Aphaia. It was a favourite of Neoclassical and Romantic artists such as J. M. W. Turner. It stands on a c. 160 m peak on the eastern side of the island approximately 13 km east by road from the main port.
The Diana of Versailles or Artemis, Goddess of the Hunt is a slightly over-lifesize marble statue of the Roman goddess Diana with a deer. It is currently located in the Musée du Louvre, Paris. The statue is also known as Diana with a Doe, Diana Huntress, and Diana of Ephesus. It is a partially restored Roman copy of a lost Greek bronze original attributed to Leochares, c. 325 BC.
The Artemision Bronze is an ancient Greek sculpture that was recovered from the sea off Cape Artemision, in northern Euboea, Greece. According to most scholars, the bronze represents Zeus, the thunder-god and king of gods, though it has also been suggested it might represent Poseidon. The statue is slightly over lifesize at 2.09 meters, and would have held either a thunderbolt, if Zeus, or a trident if Poseidon. The empty eye-sockets were originally inset, probably with bone, as well as the eyebrows, the lips, and the nipples. The sculptor is unknown. The statue is a highlight of the collections in the National Archaeological Museum of Athens.
Despoina or Despoena was the epithet of a goddess worshiped by the Eleusinian Mysteries in Ancient Greece as the daughter of Demeter and Poseidon and the sister of Arion. Surviving sources refer to her exclusively under the title Despoina alongside her mother Demeter, as her real name could not be revealed to anyone except those initiated into her mysteries and was consequently lost with the extinction of the Eleusinian religion. Writing during the second century A.D., Pausanias spoke of Demeter as having two daughters; Kore being born first, before Despoina was born, with Zeus being the father of Kore and Poseidon as the father of Despoina. Pausanias made it clear that Kore is Persephone, although he did not reveal Despoina's proper name.
The Brauroneion was the sanctuary of Artemis Brauronia on the Athenian Acropolis, located in the southwest corner of the Acropolis plateau, between the Chalkotheke and the Propylaea in Greece. It was originally dedicated during the reign of Peisistratos. Artemis Brauronia, protector of women in pregnancy and childbirth, had her main sanctuary at Brauron, a demos on the east coast of Attica.
The Archaeological Museum of Piraeus contains mainly sculptures, discovered in Piraeus and in the area of the Attic coast from Bronze Age to Roman times,
In Greek mythology, Eucleia or Eukleia was the female personification of glory and good repute.
Worshipers of Artemis were found all over the Ancient Greek world. One of the most famous worshiping sites for Artemis was in Attica at Brauron. Artemis is said to have presided over all the biological transitions of females from before puberty to the first childbirth. "Young girls began to prepare for the event of the first childbirth at an early age. Even before menarche young girls danced for Artemis, in some places playing the role of animals. At the Attic site, or Brauron, in the rite called arkteia, girls representing the polis of Athens imitated she-bears, arktoi." "The initiation ritual for girls was called the Brauronia, after the location of Artemis' shrine at Brauron, in Attica, where the ritual, performed by girls before they reached puberty, took place." Brauron is the site where Iphigenia, Agamemnon’s daughter, is said to have established a temple to Artemis by decree of Athena, as told in Euripides’ Iphigenia in Tauris.
The Piraeus Athena is a bronze statue dated to the fourth century BCE. It currently resides in the Archaeological Museum of Piraeus.
The Dedication of Nikandre is a Greek marble sculpture, made approximately around 650 BCE, held in the National Archaeological Museum, Athens, Greece. Nikandre, a woman from the island of Naxos, dedicated the statue in the temple of Artemis at Delos, the birthplace of Apollo and Artemis. The statue, which was found during archaeological excavation in the 19th century, is one of the earliest surviving korai, or statues of women, and displays one of the oldest inscriptions of Ancient Greek in stone. Its representation and its placement within the existing stylistic periods of Greek sculpture have become the subject of extensive scholarship.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The Diana of Gabii is a statue of a woman in drapery which probably represents the goddess Artemis and is traditionally attributed to the sculptor Praxiteles. It became part of the Borghese collection and is now conserved in the Louvre with the inventory number Ma 529.
