Plagiarism and Literary Property in the Romantic Period

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Plagiarism and Literary Property in the Romantic Period
Plagiarism Literary Property Romantic period.jpg
Book cover
Author Tilar J. Mazzeo
CountryUS
SubjectHistory, literature, romantic period, UK
GenreNon-fiction
PublisherUniversity of Pennsylvania Press
Publication date
2007
Media typePrint, ebook
Pages256
ISBN 9780812239676
OCLC 315523301
Website Book Web page

Plagiarism and Literary Property in the Romantic Period is a non-fiction book written by Tilar J. Mazzeo. In the book, Mazzeo shows that Romantic-period ideas surrounding plagiarism are at variance with twentieth-century perceptions. Also, Mazzeo shows that concern about the ethics, legality and morality of plagiarism has its origins during the Romantic era. The book was originally published in 2007 by the University of Pennsylvania Press. [1] [2] [3] At the end of the book is a bibliography, chapter notes, and an index. [4] The book has 115 citations on Google Scholar. [5]

Contents

Chapter titles

The chapter titles are as follows, as derived from the table of contents: [6]

1. Romantic Plagiarism and the Critical Inheritance
2. Coleridge, Plagiarism, and Narrative Mastery
3. Property and the Margins of Literary Print Culture
4. "The Slip-Shod Muse": Byron, Originality, and Aesthetic Plagiarism
5. Monstrosities Strung into an Epic: Travel Writing and the Defense of "Modern" Poetry
6. Poaching on the Literary Estate: Class, Improvement, and Enclosure

About the author

Tilar J. Mazzeo is a cultural historian, [7] American wine author, [8] and author of several bestselling works of narrative nonfiction. She was the Clara C. Piper Associate Professor of English at Colby College in Maine from 2004 to 2019. [9] She is currently Professeure Associée in the Département de Littératures et Langues du Monde at the Université de Montréal in Canada. [10]

In 2006 she released her book Plagiarism and Literary Property in the Romantic Period. Charles McGrath, a reviewer for The New York Times wrote, in part that "...Romantics [as in the Romantic era], [are] supposedly the first generation to conceive of literary ownership in the modern sense, [and] really thought about the issue, according to Tilar J. Mazzeo... In style and methodology, Ms. Mazzeo's new book is an academic wheezer, a retooled dissertation perhaps, but it's also [intelligent] and insightful, and points out that 18th-century writers took a certain amount of borrowing for granted. What mattered was whether you were [underhanded] about it and, even more important, whether you improved upon what you took, by weaving it seamlessly into your own text and adding some new context or insight." [11]

Mazzeo, a U.S.-Canadian dual national, is married to Dr. Robert Miles, a Canadian professor of English. Mazzeo lives in Saanichton, British Columbia. She is the proprietor of and winemaker at Parsell Vineyards. [12] Mazzeo has held previous teaching appointments at the University of Wisconsin, Oregon State University, and the University of Washington. She was the Jenny McKeon Moore Writer in Residence in the Creative Writing and English program at George Washington University from 2010 to 2011. She was the Washington Scholar at Pembroke College, Cambridge, the UK in the late 1990s. She was the editor of digital scholarly editions at Romantic Circles from 2005 to 2019 and has been featured as a preeminent teacher of creative/narrative nonfiction with the Teaching Company / Great Courses.

Related Research Articles

John Keats English Romantic poet (1795–1821)

John Keats was an English poet prominent in the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley, although his poems had been published for only four years when he died of tuberculosis at the age of 25. They were indifferently received, but his fame grew rapidly after his death. By the end of the century he was placed in the canon of English literature and an inspiration for the Pre-Raphaelite Brotherhood, strongly influencing many writers; the Encyclopædia Britannica called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typical of the Romantics, he underlined extreme emotion with natural imagery. Today his poems and letters remain among the most popular and analysed in English literature. Especially acclaimed are "Ode to a Nightingale", "Ode on a Grecian Urn", "Sleep and Poetry" and the sonnet "On First Looking into Chapman's Homer".

Leigh Hunt English critic, essayist and poet

James Henry Leigh Hunt, best known as Leigh Hunt, was an English critic, essayist and poet.

Creative nonfiction Genre of writing

Creative nonfiction is a genre of writing that uses literary styles and techniques to create factually accurate narratives. Creative nonfiction contrasts with other nonfiction, such as academic or technical writing or journalism, which is also rooted in accurate fact but is not written to entertain based on prose style. Many writers view creative nonfiction as overlapping with the essay.

Henry Taylor (dramatist) English playwright and poet

Sir Henry Taylor was an English dramatist and poet, Colonial Office official, and man of letters.

<i>The Cenci</i> 1819 play by Percy Bysshe Shelley

The Cenci, A Tragedy, in Five Acts (1819) is a verse drama in five acts by Percy Bysshe Shelley written in the summer of 1819, and inspired by a real Italian family, the House of Cenci. Shelley composed the play in Rome and at Villa Valsovano near Livorno, from May to August 5, 1819. The work was published by Charles and James Ollier in London in 1819. The Livorno edition was printed in Livorno, Italy by Shelley himself in a run of 250 copies. Shelley told Thomas Love Peacock that he arranged for the printing himself because in Italy "it costs, with all duties and freightage, about half of what it would cost in London." Shelley sought to have the play staged, describing it as "totally different from anything you might conjecture that I should write; of a more popular kind... written for the multitude." Shelley wrote to his publisher Charles Ollier that he was confident that the play "will succeed as a publication." A second edition appeared in 1821, his only published work to go into a second edition during his lifetime.

Mathilda, or Matilda, is the second long work of fiction of Mary Shelley, written between August 1819 and February 1820 and first published posthumously in 1959. It deals with common Romantic themes of incest and suicide. The narrative deals with a father's incestuous love for his daughter.

Nationality words link to articles with information on the nation's poetry or literature.

Betty T. Bennett (1935–2006) was Distinguished Professor of Literature and Dean of the College of Arts and Sciences (1985–1997) at American University. She was previously Dean of the School of Liberal Arts and Sciences and acting provost of Pratt Institute from 1979 to 1985. Among her numerous awards and honors, Bennett was a fellow of the National Endowment for the Humanities and fellow of American Council of Learned Societies. She won the Keats-Shelley Association of America - Distinguished Scholar Award in 1992 and was Founding President, Phi Beta Kappa, Zeta Chapter at American University. Born in Brooklyn, New York, Bennett graduated from Brooklyn College magna cum laude and later received a master's degree (1962) and PhD (1970) in English and American literature from New York University.

The Romantic hero is a literary archetype referring to a character that rejects established norms and conventions, has been rejected by society, and has themselves at the center of their own existence. The Romantic hero is often the protagonist in a literary work, and the primary focus is on the character's thoughts rather than their actions.

<i>Lives of the Most Eminent Literary and Scientific Men</i> Volumes mostly written by Mary Shelley

The Lives of the Most Eminent Literary and Scientific Men comprised ten volumes of Dionysius Lardner's 133-volume Cabinet Cyclopaedia (1829–1846). Aimed at the self-educating middle class, this encyclopedia was written during the 19th-century literary revolution in Britain that encouraged more people to read.

<i>Frankenstein</i> 1818 novel by Mary Shelley

Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.

<i>History of a Six Weeks Tour</i> 1817 book by Mary and Percy Bysshe Shelley

History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

Percy Bysshe Shelley English Romantic poet (1792–1822)

Percy Bysshe Shelley was one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death and he became an important influence on subsequent generations of poets including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem."

Michael ONeill (academic) English poet, and academic

Michael O'Neill was an English poet and scholar, specialising in the Romantic period and post-war poetry. He published four volumes of original poetry; his academic writing was praised as "beautifully and lucidly written".

The Literary Pocket-Book was a collection of works edited by Leigh Hunt and containing material by Hunt, Percy Bysshe Shelley, John Keats, and Bryan Waller Procter. The collection was put together during 1818, and proved so successful that Hunt was able to sell the copyright for £200 a year later. The collection includes written worked, lined pages to write notes on and lists of authors, artists, schools and libraries. It was a public success, bringing new readers to both Shelley and Keats, and served as a model for other collections of poetry written during the Victorian era. Critical reviews were also excellent, with The London Magazine describing it as "for the most part delightfully written", although Keats himself later wrote that the collection was "full of the most sickening stuff you can imagine".

Mary Shelley English writer (1797–1851)

Mary Wollstonecraft Shelley was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and feminist activist Mary Wollstonecraft.

Jeffrey N. Cox is Arts and Sciences Professor of Distinction in English Literature and Humanities and Chair of the Department of English at the University of Colorado Boulder. He is the author or editor of ten books and more than forty scholarly articles. Cox specializes in English and European Romanticism, cultural theory, and cultural studies. He is a leading scholar of late eighteenth- to early nineteenth-century drama and theater; of the Cockney School of poets, which included, among others, John Keats, Percy Shelley, and Leigh Hunt; and of the poetry of William Wordsworth.

Romantic literature in English Era in English-language literature

Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's Lyrical Ballads in 1798 as probably the beginning of the movement, and the crowning of Queen Victoria in 1837 as its end. Romanticism arrived in other parts of the English-speaking world later; in America, it arrived around 1820.

Tilar J. Mazzeo is a cultural historian, American wine writer, and author of several bestselling works of narrative nonfiction. She was the Clara C. Piper Associate Professor of English at Colby College in Maine from 2004-2019. She is currently Professeure Associée in the Département de Littératures et Langues du Monde at the Université de Montréal in Canada.

References

  1. Temple, Kathryn (October 2008). "Book review". American Historical Review. American Historical Association. 113 (4): 1239–1240. doi:10.1086/ahr.113.4.1239. JSTOR   30223390.
  2. Russett, Margaret (Autumn 2007). "Book review". The Wordsworth Circle. University of Chicago Press. 38 (4): 169–170. doi:10.1086/TWC24045297. JSTOR   24045297.
  3. Mandell, Laura (2009). "Book review". Keats-Shelley Journal. Keats Shelley Association of America. 58: 160–162. JSTOR   25735173.
  4. Mazzeo, Tilar J. (January 4, 2013). Plagiarism and Literary Property in the Romantic Period. University of Pennsylvania Press. doi:10.9783/9780812202731. ISBN   9780812202731 via DeGruyter.
  5. Google Scholar. Retrieved January 28, 2020.
  6. Book page. University of Pennsylvania Press. Retrieved May 26, 2020.
  7. "Interview: Tilar Mazzeo". My French Life, September 15, 2011, By Judy MacMahon
  8. "Search Results Napa Valley Wine Writers' « The Wine Economist" . Retrieved May 4, 2019.
  9. "Author Q&A: Tilar Mazzeo’s new book checks into the Hotel Ritz Paris during Nazi occupation". Portland Press-Herald, May 4, 2014. Frank O. Smith.
  10. "Tilar Mazzeo". Centre de recherche interuniversitaire sur les humanités numériques (in French). Retrieved May 4, 2019.
  11. McGrath, Charles (January 7, 2007). "Plagiarism: Everybody Into the Pool". The New York Times. Retrieved May 5, 2019.
  12. "OUR STORY". Parsell Vineyard. Retrieved May 4, 2019.

Further reading