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Juliane "Liane" Haid was an Austrian actress and singer. She has often been referred to as Austria's first movie star.
Schwarzwaldmädel is a 1917 operetta in three acts by German composer Leon Jessel. The libretto is by August Neidhart, and the operetta premiered on 25 August 1917 at the old Komische Oper Berlin. It is the most popular operetta written in Germany.
Fred Louis Lerch was an Austrian actor who was a star of German films. From 1951 till 1961 he worked again for German cinema as a production manager.
Lady Hamilton is a 1921 German silent historical film directed by Richard Oswald and starring Liane Haid, Conrad Veidt and Werner Krauss. The film depicts the love affair between the British Admiral Lord Nelson and Lady Emma Hamilton. It was based on two novels by Heinrich Vollrath Schumacher. A copy of the film exists in a Russian film archive.
Typhoon is a 1933 German drama film directed by Robert Wiene and starring Liane Haid, Viktor de Kowa and Valéry Inkijinoff. It was based on the 1911 play Typhoon by the Hungarian writer Melchior Lengyel. It was the last German film made by Wiene, who had been a leading director of German silent cinema.
The Black Forest Girl is a 1929 German silent romance film directed by Victor Janson and starring Liane Haid, Fred Louis Lerch and Walter Janssen.
Lucrezia Borgia is a 1922 German silent historical film directed by Richard Oswald and starring Conrad Veidt, Liane Haid, Paul Wegener, and Albert Bassermann. It was based on a novel by Harry Sheff, and portrayed the life of the Renaissance Italian aristocrat Lucrezia Borgia (1480–1519). Botho Hoefer and Robert Neppach worked as the film's art directors, designing the period sets needed. It was shot at the Tempelhof Studios in Berlin. Karl Freund was one of the cinematographers. Famed French director Abel Gance remade the film in 1935.
Fire of Love is a 1925 German silent film directed by Paul L. Stein and starring Liane Haid, Alfons Fryland, and Walter Rilla.
My Cousin from Warsaw is a 1931 German comedy film directed by Carl Boese and starring Liane Haid, Tala Birell, and Fritz Schulz.
The Men Around Lucy is a 1931 American drama film directed and produced by Alexander Korda and starring Liane Haid, Walter Rilla and Oskar Karlweis. Made at the Joinville Studios in Paris, it is one of several multi-language versions of the 1930 film Laughter, with distribution in Germany by UFA as part of the Parufamet agreement. The movie is considered lost.
Spy of Madame Pompadour is a 1928 German silent film directed by Karl Grune and starring Liane Haid, Fritz Kortner and Alfred Gerasch. It portrays the life of the eighteenth century figure Marquis d'Eon.
Fair Game is a 1928 German silent drama film directed by Holger-Madsen and starring Evelyn Holt, Fred Louis Lerch and Bruno Kastner. The film was adapted from the Arthur Schnitzler play.
The Island of Dreams is a 1925 German silent film directed by Paul L. Stein and starring Liane Haid, Harry Liedtke, and Alfons Fryland.
The Immortal Vagabond is a 1930 German musical film directed by Gustav Ucicky and Joe May and starring Liane Haid, Gustav Fröhlich and Hans Adalbert Schlettow.
Grock is a 1931 German drama film directed by Carl Boese and starring Grock, Liane Haid, and Betty Bird. Grock, a famous circus performer, appears as himself.
Twice Married is a 1930 German comedy film directed by E. W. Emo and starring Liane Haid, Ralph Arthur Roberts, and Lucie Englisch.
The Family without Morals is a 1927 Austrian silent film directed by Max Neufeld and starring Anna Kallina, Colette Brettel, and Carmen Cartellieri.
The Castle in the South is a 1933 German comedy film directed by Géza von Bolváry and starring Liane Haid, Viktor de Kowa, and Paul Kemp. On a film shooting in the Adriatic, an actress falls for a film extra who turns out to be a Prince. A separate French-language version Château de rêve was also produced and released by UFA's French subsidiary.
Circus Life is a 1931 German mystery drama film directed by Heinz Paul and starring Liane Haid, Oscar Marion and Trude Berliner. It was shot at the Babelsberg Studios in Berlin and at the Zirkus Busch in the city. It was released in America in 1932.
