In television and film, a plot point is any incident, episode, or event that "hooks" into the action and spins it around into another direction. [1]
Noted screenwriting teacher Syd Field discusses plot points in his paradigm, popularized in his book Screenplay: The Foundations of Screenwriting (1979). He proposes that a well-structured movie has two main plot points within a three-act structure. [2] [3]
The first major plot point occurs 20–30 minutes into the film (assuming a standard 120-minute running time), and the second major one occurs 80–90 minutes into the film. The first plot point ends Act I and propels the story into Act II; similarly, the second plot point ends Act II and propels the story into the final act, Act III. [4]
Plot points serve an essential purpose in the screenplay. They are a major story progression and keep the story line anchored in place. Plot points do not have to be big dynamic scenes or sequences. They can be quiet scenes in which a decision is made. [5]
A plot point is whatever the screenwriter chooses it to be. It could be a long scene or a short one, a moment of silence or of action. It simply depends upon the script being written. It is the choice of the screenwriter, but it is always an incident, episode, or event dictated by the needs of the story. [6] There are many plot points in a screenplay, but the ones that anchor the story line in place are plot points I and II. [7]
When the screenplay is completed, it may contain as many as 10–15 plot points, most of which will be in Act II. How many the screenplay has depends upon the story. The purpose of a plot point is to move the story forward, toward the resolution. [8]
Richard David Bach is an American writer. He has written numerous flight-related works of fiction and non-fiction. His works include Jonathan Livingston Seagull (1970) and Illusions: The Adventures of a Reluctant Messiah (1977), both of which were among the 1970s' biggest sellers.
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or imbroglio.
A screenplay, or script, is a written work produced for a film, television show, or video game by screenwriters. A screenplay written for television is also known as a teleplay. Screenplays can be original works or adaptations from existing pieces of writing. A screenplay is a form of narration in which the movements, actions, expressions and dialogue of the characters are described in a certain format. Visual or cinematographic cues may be given, as well as scene descriptions and scene changes.
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture. In a play or work of theatre especially, this can be called dramatic structure, which is presented in audiovisual form. Story structure can vary by culture and by location. The following is an overview of various story structures and components that might be considered.
Sydney Alvin Field was an American author and speaker who wrote several books on screenwriting, the first being Screenplay: The Foundations of Screenwriting. He led workshops and seminars about producing salable screenplays. Hollywood film producers use Field's ideas on structure to measure the potential of screenplays.
Ernest Paul Lehman was an American screenwriter and film producer. He was nominated six times for Academy Awards for his screenplays during his career, but did not win. At the 73rd Academy Awards in 2001, he received an Honorary Academy Award in recognition of his achievements and his influential works for the screen. He was the first screenwriter to receive that honor.
Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.
Millard Kaufman was an American screenwriter and novelist. His works include the Academy Award-nominated Bad Day at Black Rock (1955). He was also one of the creators of Mr. Magoo.
Jeffrey David Boam was an American screenwriter and film producer. He is known for writing the screenplays for The Dead Zone, Indiana Jones and the Last Crusade, Innerspace, The Lost Boys, and Lethal Weapon 2 and 3. Boam's films had a cumulative gross of over US$1 billion. He was educated at Sacramento State College and UCLA. Boam died of heart failure on January 26, 2000, at age 53.
Script coverage is a filmmaking term for the analysis and grading of screenplays, often within the "script development" department of a production company. While coverage may remain entirely oral, it usually takes the form of a written report, guided by a rubric that varies from company to company. Criteria include, but are not limited to:
A spec script, also known as a speculative screenplay, is a non-commissioned and unsolicited screenplay. It is usually written by a screenwriter who hopes to have the script optioned and eventually purchased by a producer, production company, or studio.
A scriptment is a written work by a movie or television screenwriter that combines elements of a script and treatment, especially the dialogue elements, which are formatted the same as in a screenplay. It is a more elaborate document than a standard draft treatment. Some films have been shot using only a scriptment.
The three-act structure is a model used in narrative fiction that divides a story into three parts (acts), often called the Setup, the Confrontation, and the Resolution. It was popularized by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting. Based on his recommendation that a play have a "beginning, middle, and end," the structure has been falsely attributed to Aristotle, who in fact argued for a two-act structure consisting of a "complication" and "dénouement" split by a peripeteia.
Blake Snyder was an American screenwriter, consultant, author and educator based in Los Angeles. His screenplays include the comedies Stop! Or My Mom Will Shoot (1992) and Blank Check (1994).
A script market is the system in which a screenwriter and producer engage in the buying and selling of a script for the film and television industries. The process of selling a script may begin with the pitch, however since the end of the 1980s the ability to pitch a film to producers has greatly depended on the notoriety of the screenwriter. One reason attributed to this effect is that studios are looking for the next big hit, but scared to take a chance on a script that doesn’t meet a pre-established formula guaranteed to make money since no one knows what will work. The majority of scripts are read by studio interns and others, who give the scripts a “consider”, “pass”, or “recommend” status, with most scripts receiving a “pass” rating. However, an agent who's signed the Artists-Managers Agreement drawn up by the Writers Guild of America can submit scripts to producers directly. Agents try to create buzz in the script market using spec script. With everyone in the entertainment industry trying to pursue the million-dollar dream, and Hollywood so desperate for new material ideas, the script market functions and business practices have been pursued in the spec script manner.
Screenplay: The Foundations of Screenwriting is a non-fiction book and filmmaking guide written by Syd Field. First published in 1979, Screenplay covers the art and craft of screenwriting. Considered a bestseller shortly after its release, to date it has sold millions of copies. It has served as a reference for Judd Apatow, James Cameron, Frank Darabont, Tina Fey and many other professional screenwriters. Now translated into more than a dozen languages, Screenplay is considered the "bible" of the screenwriting craft.
Anna Hamilton Phelan is an American screenwriter. She was nominated for two Writers Guild of America Awards for the films Mask (1985) and Gorillas in the Mist (1988), the latter of which also earned her an Academy Award nomination.
The Triangle of Knowledge is a writing technique to create and amplify tension in a screenplay, teleplay or stage play identified by Eric R. Williams. The Triangle represents ‘three minds’ that contain knowledge within a scene: the Protagonist, the audience, and any other Character in the scene. According to Williams, tension is created or enhanced when one of the three corners of the triangle is deprived knowledge in the scene.
Save the Cat! The Last Book on Screenwriting You'll Ever Need is a 2005 non-fiction book on screenwriting by spec-screenwriter Blake Snyder, exploring plot structure in mainstream film. Snyder's approach has been widely adopted throughout the film industry and the book has remained a bestseller since publication, though it has received criticism for sexism and for offering what is perceived as an overly formulaic view of structure.