| Police Gazette | |
|---|---|
 | |
| Artist | Willem de Kooning |
| Year | 1955 |
| Dimensions | 110 cm× 127.5 cm(43 in× 50.2 in) |
| Location | Private collection |
Police Gazette is a 1955 abstract painting by Willem de Kooning, [1] which is currently in private hands.
| Police Gazette | |
|---|---|
| | |
| Artist | Willem de Kooning |
| Year | 1955 |
| Dimensions | 110 cm× 127.5 cm(43 in× 50.2 in) |
| Location | Private collection |
Police Gazette is a 1955 abstract painting by Willem de Kooning, [1] which is currently in private hands.
Police Gazette is a landscape painted on canvas using abstract elements, and colors such as yellow, green and red. [2] It is a painting with simple geometric forms, creating a contrast between the formal elements that compose the artwork. It was this painting that promoted Willem de Kooning amongst the most important contemporary abstract painters.
Police Gazette was sold in 1965 for the first time for $37,000. [3]
In 1973, the Swiss art dealer Ernst Beyeler paid US$180,000, setting a new record for the artist. [4]
Since then, the painting went through the hands of known art collectors, such as Sidney Janis, Eugene V. Thaw and Mrs. Scull.
In 2006, it was bought by Steven A. Cohen for US$63.5 million. [5]
Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris.
Willem de Kooning was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried.
Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.
Leo Castelli was an Italian-American art dealer who originated the contemporary art gallery system. His gallery showcased contemporary art for five decades. Among the movements which Castelli showed were Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Conceptual Art, and Neo-expressionism.
The 9th Street Art Exhibition of Paintings and Sculpture is the official title artist Franz Kline hand-lettered onto the poster he designed for the Ninth Street Show. Now considered historic, the artist-led exhibition marked the formal debut of Abstract Expressionism, and the first American art movement with international influence. The School of Paris, long the headquarters of the global art market, typically launched new movements, so there was both financial and cultural fall-out when all the excitement was suddenly emanating from New York. The post-war New York avant-garde, artists like Willem de Kooning and Jackson Pollock, would soon become "art stars," commanding large sums and international attention. The Ninth Street Show marked their "stepping-out," and that of nearly 75 other artists, including Harry Jackson, Helen Frankenthaler, Joan Mitchell, Grace Hartigan, Robert De Niro Sr., Philip Guston, Elaine de Kooning, Lee Krasner, Franz Kline, Ad Reinhardt, David Smith, Milton Resnick, Joop Sanders, Robert Motherwell, Barnett Newman and many others who were then mostly unknown to an art establishment that ignored experimental art without a ready market.
Thomas E. Ammann was a leading Swiss art dealer in Impressionist and twentieth century art, and a collector of post-war and contemporary art.
The Willem de Kooning Academy is a Dutch academy of media, art, design, leisure and education based in Rotterdam. It was named after one of its most famous alumni, Dutch fine artist Willem de Kooning.
New York Figurative Expressionism is a visual arts movement and a branch of American Figurative Expressionism. Though the movement dates to the 1930s, it was not formally classified as "figurative expressionism" until the term arose as a counter-distinction to the New York-based postwar movement known as Abstract Expressionism.
The Beyeler Foundation or Fondation Beyeler with its museum in Riehen, near Basel (Switzerland), owns and oversees the art collection of Hildy and Ernst Beyeler, which features modern and traditional art. The Beyeler Foundation museum includes a space for special exhibitions staged to complement the permanent collection. In 2006, approximately 340,000 persons visited the museum. The number of visitors in 2016 was 332,000. The Beyeler Foundation is the most visited museum of art in all of Switzerland. The museum is properly funded, and it receives annual grants from the cantons of Basel City and Basel County and the commune of Riehen. Major partners of the Foundation are Bayer AG, Novartis and Swiss bank UBS.
Joop Sanders is a Dutch-American painter, educator, and founding member of the American Abstract Expressionist group. He is the youngest member of the first generation of the New York School.
Ernst Beyeler was a Swiss art dealer and collector, who became "Europe’s pre-eminent dealer in modern art", according to The New York Times, and "the greatest art dealer since the war", according to The Daily Telegraph. In 1982, he and his wife founded the Beyeler Foundation to show his private collection, which on his death was valued at US$1.85 billion.
The year 2010 in art involves some significant events.
Erased de Kooning Drawing (1953) is an early work of American artist Robert Rauschenberg. This conceptual work presents an almost blank piece of paper in a gilded frame. It was created in 1953 when Rauschenberg erased a drawing he obtained from the Abstract Expressionist and American artist Willem de Kooning. Rauschenberg's friend and fellow artist, Jasper Johns, later framed it in a gilded frame and added a written caption to mimic the framing style of the Royal Academy and monogramming found on Renaissance drawings and prints. The caption reads: "Erased de Kooning Drawing, Robert Rauschenberg, 1953.” It has been in the collection of the San Francisco Museum of Modern Art (SFMOMA) since 1998. SFMOMA describes the work as a "drawing [with] traces of drawing media on paper with a label and gilded frame."
Woman VI is an abstract work of art painted by Willem de Kooning, which was first displayed at the Sidney Janis Gallery in Manhattan. Since the 1955 Carnegie International Exhibition, Woman VI has been on view at the Carnegie Museum of Art as part of the Postwar Abstraction collection. The Woman paintings of the early 1950's are widely considered to be de Kooning’s most important works for their significance to postwar American cultural history and social events, such as the mid-century Feminist Movements; Many of the paintings are speculated to be abstracted portraits of Marilyn Monroe. Woman VI is notable within the series for its brighter palette of green and red employed in larger fields of color.
George David Thompson was an American investment banker, industrialist, and modern art collector, based in Pittsburgh. He started as a banker, but by 1945 was running four steel mills. In 1959 Pittsburgh's Carnegie Museum of Art rejected his offer of over 600 artworks, unwilling to build a gallery bearing his name, and he gradually sold much of his collection, including 88 works by Paul Klee and 70 by Alberto Giacometti, although he left the Carnegie Museum over 100 artworks when he died in 1965.
Milton Resnick was an American artist noted for abstract paintings that coupled scale with density of incident. It was not uncommon for some of the largest paintings to weigh in excess three hundred pounds, almost all of it pigment. He had a long and varied career, lasting about sixty-five years. He produced at least eight hundred canvases and eight thousand works on paper and board.
Interchange, also known as Interchanged, is an abstract expressionist oil painting on canvas by Dutch-American painter Willem de Kooning (1904–1997). Like Jackson Pollock, de Kooning was one of the early artists of the abstract expressionism movement, the first American modern art movement. The painting measures 200.7 by 175.3 centimetres and was completed in 1955. It marked the transition of the subjects of de Kooning's paintings from women to abstract urban landscapes. It reflects a transition in de Kooning's painting technique due the influence of artist Franz Kline, who inspired de Kooning to paint with quickly made gestural marks as opposed to violent brush strokes. The painting features a fleshy pink mass at its center, representing a seated woman.
The Daros Collection is a Swiss private collection of modern art owned by the Stephan Schmidheiny family. At its core are comprehensive groups of work by Andy Warhol, Brice Marden, Cy Twombly, Willem de Kooning and Gerhard Richter.
Woman I is an Abstract Expressionist painting by American artist Willem de Kooning. The work is in the collection of the Museum of Modern Art, in New York.
Lee Hall was an American painter, writer, educator, and a university president. She was an abstract landscape painter. She served as the 13th president of Rhode Island School of Design (RISD). In 1993, Hall wrote a controversial book on the artists Willem de Kooning and Elaine de Kooning.