Marie Polly Cuninghame (ca. 1785, Bordeaux – 9 April 1837, De Bilt), known after her marriage as Polly de Heus, was a Dutch ballet dancer.
After ballet training in Bordeaux she danced briefly in Paris and Brussels. She was then contracted by the Stadsschouwburg Amsterdam, where she danced from 1801 until 1823, making this period a high point for ballet in Amsterdam. [1]
In 1807 she married a widower and manufacturer 20 years her senior, Hendricus de Heus.
Marie Taglioni, Comtesse de Voisins was a Swedish-born ballet dancer of the Romantic ballet era partially of Italian descent, a central figure in the history of European dance. She spent most of her life in the Austrian Empire and France. She was one of the most celebrated ballerinas of the romantic ballet, which was cultivated primarily at Her Majesty's Theatre in London and at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet. She is credited with being the first ballerina to truly dance en pointe.
Maria Tallchief (born Elizabeth Marie Tall Chief was a Plains Indian ballerina. She was America's first major prima ballerina and the first Osage Tribe member to hold the rank. Together with choreographer George Balanchine, she is widely considered to have revolutionized ballet.
There is great variety in dance in the Netherlands. The traditional dance is the Dutch folk dance; however, this is hardly practiced anymore. Many Dutch practice ballroom dancing, but also tango has a large following.
Wilhelmine of Prussia was the first Queen consort of the Netherlands as the first wife of King William I of the Netherlands. She had a modest public role but acted as a patron of the arts.
The Stadsschouwburgof Amsterdam is the name of a theatre building at the Leidseplein in Amsterdam, Netherlands. The building is in the neo-Renaissance style dating back to 1894, and is the former home of the National Ballet and Opera.
Maria Johanna Kleine-Gartman was a Dutch stage actress and drama teacher.
Maria Francisca Bia known as Mimi Bia and as Mimi Engelman-Bia and Mimi de Vries-Bia was a Dutch ballet dancer, opera singer (soprano) and dramatic stage actress. Starting her career as a ballet dancer, she had a parallel career as both a soprano opera singer as well as a dramatic stage actress at the Amsterdamse Schouwburg, where she had a dominant role within the Dutch theatre world. She was the manager director and owner of the theatre Utrechtse Schouwburg in Utrecht in 1875-1880.
Anna Maria de Bruyn was a leading Dutch stage actress and ballet dancer.
Susanna van Lee was a Dutch stage actor and ballet dancer.
Marie-Claude Georgette Yvonne Pietragalla is a French dancer and choreographer.
Michaela Mabinty DePrince was a Sierra Leonean–American ballet dancer who danced with the Boston Ballet, the Dance Theatre of Harlem, and the Dutch National Ballet.
Marie Jonas de la Motte was a Dutch art model, prostitute and procurer. She is known as the model of the artist Dirck Bleker. A prostitute from at least 1652, she was a procurer and the madam of a brothel from 1665 onward.
Caste is a comedy drama by T. W. Robertson, first seen in 1867. The play was the third of several successes by Robertson produced in London's West End by Squire Bancroft and his wife Marie Wilton. As its name suggests, Caste concerns distinctions of class and rank. The son of a French nobleman marries a ballet dancer and then goes to war. When word arrives that he has been killed in action, his mother tries to wrest the child from his penniless widow.
The important place of women in dance can be traced back to the origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start. In the Middle Ages, what has become known as ballet had its beginnings in Italian court festivals when women frequently played the parts of men. It was however in late 17th-century France that the Paris Opera produced the first celebrated ballerinas. While women began to dominate the ballet scene in the 18th century, it was with the advent of Romantic ballet in the 19th century that they became the undisputed centre of attraction with stars playing the leading roles in the works of Marius Petipa, appearing in theatres across Europe from Milan's La Scala to the Mariinsky Theatre in Saint Petersburg. More recently, women have played a leading role in developing various forms of modern dance including flamenco and expressionist dance.
Johanna Rosine Snoek, known as Hans Snoek, was a Dutch dancer, choreographer and ballet director. She founded the Scapino Ballet.
Hikaru Kobayashi is a Japanese ballet dancer who was a first soloist with The Royal Ballet in London.
Anna-Marie Holmes is a Canadian-born ballet dancer, educator and choreographer. Holmes received an Emmy Award in 2000 for her staging of Le Corsaire for PBS. She was the founder and co-artistic director for the International Academy of Dance Costa do Sol in Portugal.
Josefa Durán y Ortega, known by the stage name Pepita de Oliva, was a Romani Spanish dancer who performed across Europe, popularizing Spanish flamenco dancing and costumes. Despite her official marriage with her dance teacher Juan Antonio Gabriel de la Oliva in 1851, the following year she established a partnership with the British diplomat Lionel Sackville-West with whom she had five children. Her daughter Victoria gave birth to the English writer Vita Sackville-West, who in 1937 published a biography of her grandmother titled Pepita.
Marie Henriëtte Heineken was a Dutch painter mainly known for flower still lifes. Her paintings are characterised as impressionist.
Jakoba Wouters was a Dutch stage actor, ballet dancer and opera singer.