Pornography in Brazil with explicit sex scenes began in the modern era after the lifting of the censorship of the military regime in Brazil.
During the period of censorship, there was an erotic genre pornochanchada, a genre that was compared to the porn genre but did not have explicit sex scenes due to censorship during the time of the military regime in Brazil. After the political opening, there were more explicit sex scenes, and pornochanchada went bankrupt.
During the 1970s and 1980s, pornochanchada had a significant impact on the Brazilian cinema. This genre featured prominent actresses such as Vera Fischer, Helena Ramos , Adriana Prieto, among others. [1] Generally, this genre was produced in the Boca do Lixo, a place where films like Mulher, Mulher , Os Paqueras and A Dama da Zona , among others, were produced without any explicit sex scenes. [2]
This genre received support from the military government, which created the National Cinema Institute in 1966, succeeded by Embrafilme in 1969, and was also supported by organizations such as CONCINE, created in 1973, and laws aimed at stimulating and protecting national cinema. [2]
The genre declined due to the economic crisis in the 1980s, which put producers of this genre in a complicated financial situation. The military regime reduced censorship on films, and foreign companies, seeing this, exported their films to Brazil. These films attracted male audiences, and Brazilian companies mass-produced films of this genre, which did not attract Brazilian audiences as much as foreign films did. [2]
The situation of Brazilian cinema worsened with the Collor Era, with the end of laws that incentivized national film production and the dissolution of organizations like Embrafilme and CONCINE. [2]
There are Brazilian companies like Brasileirinhas and Sexxxy World that produce pornographic films in Brazil. Brasileirinhas is the largest film producer in Brazil and features actresses such as Júlia Paes and Monica Mattos, among others. [3]
In November 2013, Brasileirinhas stopped releasing DVDs and started selling films exclusively online. One of the reasons was the sharp decline in sales since 2007. Other brands, such as Explícita Vídeos, Sexxxy, Buttman, and Planet Sex, ceased production to avoid bankruptcy. This is due to the growth of online pornography, and as a result, companies must consider an internet-based market and the possibilities of a portable platform. [4]
In 1992, about eight million copies of pornographic magazines were believed to be sold in Brazil, while one in four Brazilians of both sexes had watched an explicit sex movie. In a 1994 survey, this number increased slightly for women and doubled for men. [5]
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s, it was known as iê-iê-iê, the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You".
Cinema Novo, is a genre and movement of film noted for its emphasis on social equality and intellectualism that rose to prominence in Brazil during the 1960s and 1970s. Cinema Novo formed in response to class and racial unrest both in Brazil and the United States. Influenced by Italian neorealism and French New Wave, films produced under the ideology of Cinema Novo opposed traditional Brazilian cinema, which consisted primarily of musicals, comedies and Hollywood-style epics. Glauber Rocha is widely regarded as Cinema Novo's most influential filmmaker. Today, the movement is often divided into three sequential phases that differ in tone, style and content.
Tizuka Yamasaki is a Brazilian film director.
Pornochanchada is the name given to a genre of sex comedy films produced in Brazil that was popular from the late 1960s after popularity of commedia sexy all'italiana. By the 1980s, with the wide availability of hardcore pornography through clandestine video cassettes, the genre suffered a considerable decline. The name, combined pornô (porn) and chanchada, which itself combined comedy and erotica.
Cinema da Boca do Lixo is the collective name for a film genre associated with the Boca do Lixo downtown area of São Paulo, Brazil. On par with French Nouvelle Vague, Hong Kong "Category III" movies, and American slasher films, films of this genre are exploitational and often considered B movies. These films often feature eroticism.
Brasileirinhas is a Brazilian pornographic film studio founded in the late 1990's by Luis Alvarenga.
Um Crime no Parque Paulista is a 1921 Brazilian mystery film directed by Arturo Carrari and starring Nicola Tartaglione in his first role. It would also be the first film cinematographer José Carrari would work on beginning a decade long collaboration between the two until Arturo Carrari's final film Anchieta Entre o Amor e a Religião in 1932.
O Trem da Morte is a 1924 Brazilian film directed by José del Picchia, and starring Olga Navarro. It was produced by Hélios Filme. It is a semidocumentary film, which use real scenes, of the Revolution of 1924—a lieutenant revolt in São Paulo.
Alexandre Frota de Andrade is a Brazilian politician and a former model and porn star. A former member of the Social Liberal Party (PSL), Frota was elected Federal Deputy by the state of São Paulo in the 2018 general elections.
Matilde Raspa Mastrangi is a Brazilian actress.
André Klotzel is a Brazilian film director, producer and screenwriter. Born in São Paulo, Klotzel always enjoyed photography and thus studied it at the School of Communications and Arts at the University of São Paulo in 1973. In the following year, he took an internship to work with Anibal Massaini at the Boca do Lixo and also directed a short film. He worked on several functions, having worked in almost 15 films in the period he was in the college. In 1985, he directed his first feature film, A Marvada Carne, which won the Best Film, Best Screenplay, and Best Director at the Gramado Film Festival. He won the same awards at the same festival film in 2001 for Memórias Póstumas.
Cinédia was a Brazilian film studio established on 15 March 1930 in Rio de Janeiro, and remained in continual operation until 1951.
Barro Humano is a 1929 Brazilian film directed by Adhemar Gonzaga, starring Gracia Morena, Lelita Rosa, Carlos Modesto and Eva Schnoor in the main roles. Carmen Miranda would have appeared as an extra in a scene.
Ugo César Giorgetti (born 1942 in São Paulo) is a Brazilian filmmaker.
Josip Bogoslaw Tanko was a Croat filmmaker who directed O Trapalhão nas Minas do Rei Salomão, one of the biggest cinematic hits in Brazil of all time. He also founded JBTV - J. B. Tanko Filmes Ltda.
Cinedistri was a Brazilian film studio and distributor, created in 1949 by Oswaldo Massaini at Rua do Triunfo, where Boca do Lixo would later be established. The company initially acted only as a distributor of national titles between the year of its foundation and 1953, when it decided to also act in the field of cinematographic production. His star was due to be the film Rua sem sol, a melodrama directed by Alex Viany that ended up being a great commercial failure. Depois disso, a Cinedistri resolved to invest naquilo that used to distribute, or seja, musical or chanchada films. Between 1955 and 1961, the company produced or co-produced 35 films, among which stand out Fuzileiro do amor, Cala a Boca, Etelvina, Absolutamente Certo and Dona Xepa. Nessa phase, a Cinedistri associated on several occasions with filmmakers from Atlântida Cinematográfica and also constituted its own star system, with names such as Ankito, Costinha, Dercy Gonçalves, Grande Otelo, Mazzaropi, Odete Lara, among other national stars.
Bacalhau is a 1976 Brazilian comedy film written and directed by Adriano Stuart. It is a pornochanchada—or Brazilian sex comedy film—and a parody of the 1975 American thriller film Jaws. Whereas the plot of Jaws concerns a man-eating great white shark, Bacalhau centers around a killer codfish, known as bacalhau in Portuguese.
Tereza Nicole Puzzi Ferreira is a Brazilian actress, model and television presenter. One of the popular Brazilian sex symbols of the late 1970s and early 1980s, she is considered as a key figure of the Pornochanchada film genre of Brazil.
Carolina Jabor is a Brazilian director and producer.