| Portrait of Bartolomeo Panciatichi | |
|---|---|
 | |
| Artist | Bronzino |
| Year | c. 1540 |
| Medium | Oil on panel |
| Dimensions | 104 cm× 85 cm(41 in× 33 in) |
| Location | Uffizi, Florence |
The Portrait of Bartolomeo Panciatichi is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1540. It is housed in the Uffizi Gallery of Florence, Italy since 1704. [1]
Bartolomeo Panciatichi was a Florentine humanist and politician. His wife was also portrayed by Bronzino a few years later.
Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian portrait painter of the late Mannerist Florentine school.
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Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Francesco d'Ubertino Verdi, called Bachiacca. He is also known as Francesco Ubertini, il Bacchiacca (1494–1557). He was an Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style.
The Portrait of Eleanor of Toledo and Her Son is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished ca. 1545. One of his most famous works, it is housed in the Uffizi Gallery of Florence, Italy and is considered one of the preeminent examples of Mannerist portraiture. The painting depicts Eleanor of Toledo, the wife of Cosimo I de' Medici, Grand Duke of Tuscany, sitting with her hand resting on the shoulder of one of her sons. This gesture, as well as the pomegranate motif on her dress, referred to her role as mother. Eleanor wears a heavily brocaded dress with black arabesques. In this pose, she is depicted as the ideal woman of the Renaissance. The painting is the first known state-commissioned portrait to include the ruler's heir. By including the child, Cosimo wished to imply that his rule would bring stability to the duchy.
Events from the year 1530 in art.
The Portrait of Cosimo I de' Medici is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1545. In his position as court painter for the Medici, Bronzino was author of several portraits of Grand Duke Cosimo I de' Medici. In this portrait, Cosimo is represented in his younger years, commanding and proud; and to quote Giorgio Vasari, "clad with white armor and a hand over the helmet". It has been identified as having been painted in the Medicis' Villa of Poggio a Caiano in 1545.
The Crossing of the Red Sea, also known as The Crossing of the Red Sea and Moses Appointing Joshua, is a fresco painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1542. It depicts the crossing of the Red Sea by the Israelites, from chapter 14 of the book of Exodus, and is housed in the Palazzo Vecchio, Florence.
The Portrait of Lucrezia Panciatichi is an oil on panel painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1545. It is housed in the Uffizi Gallery in Florence, Italy.
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Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
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The Portrait of Andrea Doria as Neptune is an oil painting on canvas completed by Bronzino for a private collection in either the 1530s or 1540s. It is now in the Pinacoteca di Brera in Milan, Italy. An oil painting on canvas, it measures 199.5 centimetres (78.5 in) by 149 centimetres (59 in). In a conscious revival of the convention in classical sculpture of showing important political figures in heroic nudity, it depicts the Genoan admiral, Andrea Doria, posing as the classical god of the sea, Neptune.
The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the "sale rosse" of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.
Panciatichi Assumption is a painting by Italian Renaissance artist Andrea del Sarto, painted c. 1522-1523. It is housed in the Galleria Palatina of Palazzo Pitti, Florence, Italy.
Bartolomeo Panciatichi (1507–1582) was an Italian humanist and politician.
Portrait of Stefano IV Colonna is an oil on canvas painting completed by the Italian Renaissance painter Bronzino and housed in the Pinacoteca of the Gallerie Nazionali di Arte Antica in Rome, Italy.
The Panciatichi Holy Family or Panciatichi Madonna and Child is a 1541 oil on panel painting by Bronzino, signed on a stone in the bottom left corner. It is now in the Uffizi in Florence, where it was first recorded in the Tribuna in 1704, where it remained until 2010, when it was moved as part of the "New Uffizi" project. Preparatory drawings for the work are in the Uffizi's Gabinetto dei Disegni e delle Stampe and in the Phillips collection in London.
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