| Portrait of Bartolomeo Panciatichi | |
|---|---|
 | |
| Artist | Bronzino |
| Year | c. 1540 |
| Medium | Oil on panel |
| Dimensions | 104 cm× 85 cm(41 in× 33 in) |
| Location | Uffizi, Florence |
The Portrait of Bartolomeo Panciatichi is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1540. It is housed in the Uffizi Gallery of Florence, Italy since 1704. [1]
Bartolomeo Panciatichi was a Florentine humanist and politician. His wife was also portrayed by Bronzino a few years later.
Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian painter of the late Mannerist Florentine school.
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini.
Panzanella or panmolle is a Tuscan and Umbrian chopped salad of soaked stale bread, onions and tomatoes that is popular in the summer. It often includes cucumbers, sometimes basil and is dressed with olive oil and vinegar.
The Portrait of Eleanor of Toledo and Her Son is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished ca. 1545. One of his most famous works, it is housed in the Uffizi Gallery of Florence, Italy and is considered one of the preeminent examples of Mannerist portraiture. The painting depicts Eleanor of Toledo, the wife of Cosimo I de' Medici, Grand Duke of Tuscany, sitting with her hand resting on the shoulder of one of her sons. This gesture, as well as the pomegranate motif on her dress, referred to her role as mother. Eleanor wears a heavily brocaded dress with black arabesques. In this pose, she is depicted as the ideal woman of the Renaissance. The painting is the first known state-commissioned portrait to include the ruler's heir. By including the child, Cosimo wished to imply that his rule would bring stability to the duchy.
Events from the year 1550 in art.
The Portrait of Cosimo I de' Medici is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1545. In his position as court painter for the Medici, Bronzino was author of several portraits of Grand Duke Cosimo I de' Medici. In this portrait, Cosimo is represented in his younger years, commanding and proud; and to quote Giorgio Vasari, "clad with white armor and a hand over the helmet". It has been identified as having been painted in the Medicis' Villa of Poggio a Caiano in 1545.
The Crossing of the Red Sea, also known as The Crossing of the Red Sea and Moses Appointing Joshua, is a fresco painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1542. It depicts the Israelites crossing the Red Sea from the book of Exodus and Moses commissioning Joshua to lead the Israelites into the Promised Land from the book of Numbers. It is housed in the Palazzo Vecchio, Florence.
The Portrait of Lucrezia Panciatichi is an oil on panel painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1545. It is a pendant to the portrait of her husband, Bartolomeo Panciatichi. Both paintings are in the Uffizi Gallery in Florence, Italy.
The Portrait of Ugolino Martelli is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, executed in 1536 or 1537. It is now in the Gemäldegalerie, Berlin, Germany. The work is signed BRONZO FIORENTINO on the edge of the table top.
Pierino da Vinci, born Pier Francesco di Bartolomeo di Ser Piero da Vinci, was an Italian sculptor, born in the small town of Vinci in Tuscany; he was the nephew of Leonardo da Vinci.
The Barbadori Chapel, later Capponi Chapel, is a chapel in the church of Santa Felicita in Florence, central Italy. It was designed by Filippo Brunelleschi, and was later decorated by a cycle of works by the Mannerist painter Pontormo.
The Portrait of Giovanni de' Medici as a Child is an oil on panel painting by the Florentine artist Agnolo Bronzino. It is currently located at the Galleria degli Uffizi in Florence.
The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the "sale rosse" of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.
Panciatichi Assumption is a painting created c. 1522–1523 by the Italian Renaissance artist Andrea del Sarto. It is housed in the Galleria Palatina of Palazzo Pitti, Florence, Italy.
Bartolomeo Panciatichi (1507–1582) was an Italian humanist and politician.
Flaying of Marsyas is a 1531 painting by the Florentine artist Angelo Bronzino called Bronzino. The painting is held in the Hermitage Museum in Saint Petersburg, Russia. It was acquired from the collection of Antonio Litta in Milan, Italy and entered the Hermitage in 1865.
Allegory of Happiness is an oil on copper painting by Bronzino, probably first produced for the Studiolo of Francesco I, signed BROZ. FAC. and now in the Uffizi in Florence. It is now in a fluted and gilded 17th century wooden frame. Most art historians date it to around 1567, and it is first mentioned in the Uffizi inventory in 1635/8.
The Panciatichi Holy Family or Panciatichi Madonna and Child is a 1541 oil on panel painting by Bronzino, signed on a stone in the bottom left corner. It is now in the Uffizi in Florence, where it was first recorded in the Tribuna in 1704, where it remained until 2010, when it was moved as part of the "New Uffizi" project. Preparatory drawings for the work are in the Uffizi's Gabinetto dei Disegni e delle Stampe and in the Phillips collection in London.
Portrait of a Young Man as Saint Sebastian is an oil painting on panel of c. 1533 by the Italian artist Agnolo di Cosimo, known as Bronzino, in the Museo Thyssen-Bornemisza in Madrid. It entered that museum's collection in 1984 from a private collection in Rieti. The work has been related to the very similar figure of Saint Matthew from the four tondi in the Capponi Chapel, on which Bronzino collaborated with Pontormo, and to a study for it which is now in the Uffizi.
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