Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian painter of the late Mannerist Florentine school.
Lucrezia Borgia was an Italian noblewoman of the House of Borgia who was the illegitimate daughter of Pope Alexander VI and Vannozza dei Cattanei. She reigned as the governor of Spoleto, in her own right, a position usually held by Cardinals.
Lorenzo Lotto was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Filippo Lippi, also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Jacopo Ligozzi (1547–1627) was an Italian painter, illustrator, designer, and miniaturist. His art can be categorized as late-Renaissance and Mannerist styles.
Francesco Salviati or Francesco de' Rossi was an Italian Mannerist painter who lived and worked in Florence, with periods in Bologna and Venice, ending with a long period in Rome, where he died. He is known by various names, usually the adopted one of Francesco Salviati or Il Salviati, after an early patron, but also Francesco Rossi and Cecchino del Salviati.
Francesco d'Ubertino Verdi, called Bachiacca. He is also known as Francesco Ubertini, il Bacchiacca (1494–1557). He was an Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style.
The Portrait of Eleanor of Toledo and Her Son is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished ca. 1545. One of his most famous works, it is housed in the Uffizi Gallery of Florence, Italy and is considered one of the preeminent examples of Mannerist portraiture. The painting depicts Eleanor of Toledo, the wife of Cosimo I de' Medici, Grand Duke of Tuscany, sitting with her hand resting on the shoulder of one of her sons. This gesture, as well as the pomegranate motif on her dress, referred to her role as mother. Eleanor wears a heavily brocaded dress with black arabesques. In this pose, she is depicted as the ideal woman of the Renaissance. The painting is the first known state-commissioned portrait to include the ruler's heir. By including the child, Cosimo wished to imply that his rule would bring stability to the duchy.
Lucrezia de' Medici was a member of the House of Medici and by marriage Duchess consort of Ferrara, Modena and Reggio from 1558 to 1561.
The Portrait of Bartolomeo Panciatichi is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1540. It is housed in the Uffizi Gallery of Florence, Italy since 1704.
Bartolomeo Veneto was an Italian painter who worked in Venice, the Veneto, and Lombardy. During his time in Venice, he studied under Gentile Bellini. The little information available about Bartolomeo's life has been derived from his signatures, dates, and inscriptions. His best-known works are portraits or pictures with portrait-like character. Bartolomeo's later works, and especially those done on commission in Milan, indicate an influence from the artist Leonardo da Vinci.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altarpieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the "sale rosse" of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.
Panciatichi Assumption is a painting created c. 1522–1523 by the Italian Renaissance artist Andrea del Sarto. It is housed in the Galleria Palatina of Palazzo Pitti, Florence, Italy.
Allegory of Happiness is an oil on copper painting by Bronzino, probably first produced for the Studiolo of Francesco I, signed BROZ. FAC. and now in the Uffizi in Florence. It is now in a fluted and gilded 17th century wooden frame. Most art historians date it to around 1567, and it is first mentioned in the Uffizi inventory in 1635/8.
The Panciatichi Holy Family or Panciatichi Madonna and Child is a 1541 oil on panel painting by Bronzino, signed on a stone in the bottom left corner. It is now in the Uffizi in Florence, where it was first recorded in the Tribuna in 1704, where it remained until 2010, when it was moved as part of the "New Uffizi" project. Preparatory drawings for the work are in the Uffizi's Gabinetto dei Disegni e delle Stampe and in the Phillips collection in London.
Portrait of a Young Man as Saint Sebastian is an oil painting on panel of c. 1533 by the Italian artist Agnolo di Cosimo, known as Bronzino, in the Museo Thyssen-Bornemisza in Madrid. It entered that museum's collection in 1984 from a private collection in Rieti. The work has been related to the very similar figure of Saint Matthew from the four tondi in the Capponi Chapel, on which Bronzino collaborated with Pontormo, and to a study for it which is now in the Uffizi.
Portrait of Cosimo the Elder is an oil on panel painting by Pontormo, executed c. 1519–1520, now in the Uffizi, Florence.
