| Portrait of a Young Man with a Book | |
|---|---|
 | |
| Artist | Agnolo Bronzino |
| Year | 1530s |
| Type | oil on wood |
| Dimensions | 95,6 cm× 74,9 cm(376 in× 295 in) |
| Location | Metropolitan Museum, New York |
The Portrait of a Young Man with a Book is an oil on board painting by Agnolo Bronzino, dated to the 1530s. [1] It likely depicts a literary friend of the artist holding open a collection of poetry. It entered the Metropolitan Museum of Art in New York in 1929, where it is still held.
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.
John Singer Sargent was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida.
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The Cloisters, also known as the Met Cloisters, is a museum in the Washington Heights neighborhood of Upper Manhattan, New York City. The museum, situated in Fort Tryon Park, specializes in European medieval art and architecture, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913, and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer.
Lorenzo Lotto was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Andrea Solari (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.
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The Young Sailor II is a painting by Henri Matisse from 1906. It is in the collection of the Metropolitan Museum of Art, in New York.
Company style, also known as Company painting is a term for a hybrid Indo-European style of paintings made in British India by Indian artists, many of whom worked for European patrons in the East India Company or other foreign Companies in the 18th and 19th centuries. The style blended traditional elements from Rajput and Mughal painting (predominately) with a more Western treatment of perspective, volume and recession. Most paintings were small, reflecting the Indian miniature tradition, but the natural history paintings of plants and birds were usually life size.
Hans Maler zu Schwaz (1480/1488–1526/1529) was a German painter born in Ulm and active as portraitist in the village of Schwaz, near Innsbruck. Maler may have trained with the German artist Bartholomäus Zeitblom, who was chief master of the School of Ulm between 1484 and 1517. He painted numerous portraits of members of the Habsburg court at Innsbruck as well as of wealthy merchants such as the Fuggers.
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Portrait of a Man, probably a Member of the Van Beresteyn Family is an oil-on-canvas 1632 portrait painting by Rembrandt. It shows a man with a lace collar, which was a new fashion in the 1630s replacing older-styled millstone collars. It is pendant to Portrait of a Woman, probably a Member of the Van Beresteyn Family, and both are in the collection of the Metropolitan Museum of Art.
Portrait of a Man is a c. 1657 portrait painting painted by Rembrandt. It is an oil on canvas and is in the collection of the Metropolitan Museum of Art.
Dr Pozzi at Home is an 1881 oil painting by the American artist John Singer Sargent. The portrait of the French gynaecologist and art collector Samuel Jean de Pozzi was Sargent's first large portrait of a male subject: it measures 201.6 cm × 102.2 cm. It was the first work that Sargent exhibited at the Royal Academy in London. It was acquired by Armand Hammer in 1967, and has been held by the Hammer Museum in Los Angeles since 1991.
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