Portrait of a Young Man with a Book (Bronzino)

Last updated
Portrait of a Young Man with a Book
Bronzino (Agnolo di Cosimo di Mariano) - Portrait of a Young Man - The Metropolitan Museum of Art.jpg
Artist Agnolo Bronzino
Year1530s
Typeoil on wood
Dimensions95,6 cm× 74,9 cm(376 in× 295 in)
Location Metropolitan Museum, New York

The Portrait of a Young Man with a Book is an oil on board painting by Agnolo Bronzino, dated to the 1530s. [1] It likely depicts a literary friend of the artist holding open a collection of poetry. It entered the Metropolitan Museum of Art in New York in 1929, where it is still held.

Contents

Related Research Articles

<span class="mw-page-title-main">Edgar Degas</span> French Impressionist artist (1834–1917)

Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.

<span class="mw-page-title-main">Willem Drost</span> Dutch painter

Willem Drost was a Dutch Golden Age painter and printmaker of history paintings and portraits.

<span class="mw-page-title-main">The Cloisters</span> Museum in New York City

The Cloisters, also known as the Met Cloisters, is a museum in the Washington Heights neighborhood of Upper Manhattan, New York City. The museum, situated in Fort Tryon Park, specializes in European medieval art and architecture, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913, and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer.

<span class="mw-page-title-main">Lorenzo Lotto</span> Italian painter (c. 1480–1556/57)

Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.

Andrea Solari (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.

<span class="mw-page-title-main">Petrus Christus</span> Flemish painter (c.1410–1475)

Petrus Christus was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. He was influenced by van Eyck and Rogier van der Weyden and is noted for his innovations with linear perspective and a meticulous technique which seems derived from miniatures and manuscript illumination. Today, some 30 works are confidently attributed to him. The best known include the Portrait of a Carthusian (1446) and Portrait of a Young Girl ; both are highly innovative in the presentation of the figure against detailed, rather than flat, backgrounds.

<span class="mw-page-title-main">Giovanni Antonio Boltraffio</span> Italian painter (1467-1516)

Giovanni Antonio Boltraffio was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.

<span class="mw-page-title-main">Henry Inman (painter)</span> American painter

Henry Inman was an American portrait, genre, and landscape painter.

<span class="mw-page-title-main">Rineke Dijkstra</span> Dutch photographer

Rineke Dijkstra HonFRPS is a Dutch photographer. She lives and works in Amsterdam. Dijkstra has been awarded an Honorary Fellowship of the Royal Photographic Society, the 1999 Citibank Private Bank Photography Prize and the 2017 Hasselblad Award.

<i>The Young Sailor II</i> Painting by Henri Matisse

The Young Sailor II is a painting by Henri Matisse from 1906. It is in the collection of the Metropolitan Museum of Art, New York.

<span class="mw-page-title-main">Hans Maler zu Schwaz</span> German painter

Hans Maler zu Schwaz (1480/1488–1526/1529) was a German painter born in Ulm and active as portraitist in the village of Schwaz, near Innsbruck. Maler may have trained with the German artist Bartholomäus Zeitblom, who was chief master of the School of Ulm between 1484 and 1517. He painted numerous portraits of members of the Habsburg court at Innsbruck as well as of wealthy merchants such as the Fuggers.

<i>Study of a Young Woman</i> 1665–1667 painting by Johannes Vermeer

Study of a Young Woman is a painting by the Dutch artist Johannes Vermeer, completed between 1665 and 1667, and now in the Metropolitan Museum of Art, New York.

<i>Portrait of a Man</i> (Velázquez) Painting by Diego Velazquez

Portrait of a Man is an oil painting by Diego Velázquez, measuring 68.6 × 55.2 cm, and painted c. 1630–1635. The painting is in the collection of the Metropolitan Museum of Art in New York City. Long the subject of uncertainty regarding its authorship, Portrait of a Man was in 2009 re-attributed to Diego Velázquez.

<i>Self-Portrait</i> (Rembrandt, Altman)

Self-Portrait is a 1660 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt. Painted when the artist was fifty-four, it has been noted as a work in which may be seen "the wrinkled brow and the worried expression the troubled condition of his mind". Part of the Benjamin Altman Collection, it has been in the Metropolitan Museum of Art since 1913.

<span class="mw-page-title-main">Dora Wheeler Keith</span> American painter (1856–1940)

Dora Wheeler Keith, also known as Mrs. Boudinot Keith, was a portrait artist, muralist, designer and illustrator of books and magazines, and designer of tapestries for her mother Candace Wheeler's firm, the Associated Artists.

<span class="mw-page-title-main">Aramenta Dianthe Vail</span> American painter

Aramenta Dianthe Vail (1820–1888) was an American painter of miniatures.

<i>Portrait of a Man, probably a Member of the Van Beresteyn Family</i> 1632 painting by Rembrandt

Portrait of a Man, probably a Member of the Van Beresteyn Family is an oil-on-canvas 1632 portrait painting by Rembrandt. It shows a man with a lace collar, which was a new fashion in the 1630s replacing older-styled millstone collars. It is pendant to Portrait of a Woman, probably a Member of the Van Beresteyn Family, and both are in the collection of the Metropolitan Museum of Art.

<i>Portrait of a Man</i> (Rembrandt, New York) c. 1657 painting by Rembrandt

Portrait of a Man is a c. 1657 portrait painting painted by Rembrandt. It is an oil on canvas and is in the collection of the Metropolitan Museum of Art.

<i>Equestrian Portrait of Cornelis and Michiel Pompe van Meerdervoort with Their Tutor and Coachman</i> 17th-century painting by Dutch painter Aelbert Cuyp

Equestrian Portrait of Cornelis and Michiel Pompe van Meerdervoort with Their Tutor and Coachman, also known as Starting for the Hunt, is an oil-on-canvas painting executed ca. 1652–53 by Aelbert Cuyp, now in the Metropolitan Museum of Art in New York.

<i>Dr. Pozzi at Home</i> Painting by John Singer Sargent

Dr Pozzi at Home is an 1881 oil painting by the American artist John Singer Sargent. The portrait of the French gynaecologist and art collector Samuel Jean de Pozzi was Sargent's first large portrait of a male subject: it measures 201.6 cm × 102.2 cm. It was the first work that Sargent exhibited at the Royal Academy in London. It was acquired by Armand Hammer in 1967, and has been held by the Hammer Museum in Los Angeles since 1991.

References

  1. Metropolitan Museum of Art.

Bibliography