Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian painter of the late Mannerist Florentine school.
Jacopo Carucci or Carrucci, usually known as Jacopo (da) Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity.
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Domenico Puligo (1492–1527) was an Italian painter of the Renaissance, active in Florence. His real name was Domenico di Bartolomeo Ubaldini.
Sister Plautilla Nelli (1524–1588) was a self-taught nun-artist and the first ever known female Renaissance painter of Florence. She was a nun of the Dominican convent of St. Catherine of Siena located in Piazza San Marco, Florence, and was heavily influenced by the teachings of Savonarola and by the artwork of Fra Bartolomeo.
The Crossing of the Red Sea, also known as The Crossing of the Red Sea and Moses Appointing Joshua, is a fresco painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1542. It depicts the Israelites crossing the Red Sea from the book of Exodus and Moses commissioning Joshua to lead the Israelites into the Promised Land from the book of Numbers. It is housed in the Palazzo Vecchio, Florence.
The Portrait of Bartolomeo Panciatichi is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1540. It is housed in the Uffizi Gallery of Florence, Italy since 1704.
The Portrait of Lucrezia Panciatichi is an oil on panel painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1545. It is a pendant to the portrait of her husband, Bartolomeo Panciatichi. Both paintings are in the Uffizi Gallery in Florence, Italy.
The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the "sale rosse" of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.
Panciatichi Assumption is a painting created c. 1522–1523 by the Italian Renaissance artist Andrea del Sarto. It is housed in the Galleria Palatina of Palazzo Pitti, Florence, Italy.
The Death of Adonis is a 1512 oil on canvas painting by Sebastiano del Piombo, now in the Uffizi in Florence.
Allegory of Happiness is an oil on copper painting by Bronzino, probably first produced for the Studiolo of Francesco I, signed BROZ. FAC. and now in the Uffizi in Florence. It is now in a fluted and gilded 17th century wooden frame. Most art historians date it to around 1567, and it is first mentioned in the Uffizi inventory in 1635/8.
Portrait of a Young Man as Saint Sebastian is an oil painting on panel of c. 1533 by the Italian artist Agnolo di Cosimo, known as Bronzino, in the Museo Thyssen-Bornemisza in Madrid. It entered that museum's collection in 1984 from a private collection in Rieti. The work has been related to the very similar figure of Saint Matthew from the four tondi in the Capponi Chapel, on which Bronzino collaborated with Pontormo, and to a study for it which is now in the Uffizi.
Saint John the Baptist as a Boy is a c. 1518-1519 oil on canvas painting by the studio of Raphael, now in the Uffizi in Florence.
Noli me tangere is an oil-on-canvas painting by Andrea del Sarto, executed c. 1510, depicting Jesus and Mary Magdalene soon after the resurrection. It was the first painting he produced for the Augustinian San Gallo church in Florence, as recorded by Anonimo Magliabechiano and in Vasari's Lives of the Artists, and he later produced the San Gallo Annunciation and The Disputation on the Trinity for the same church. It is now in the Uffizi.
Porcia is an oil-on-panel painting of Brutus' wife Porcia painted c. 1490–1495 by the Italian artist Fra Bartolomeo, now in the Uffizi in Florence. It forms a pair with Minerva, now in the Louvre.
Last Judgement is a fresco, begun by the Italian Renaissance painter Fra Bartolomeo in 1499 and completed by his colleague Mariotto Albertinelli in 1501. Originally commissioned for a cemetery chapel of Ospedale di Santa Maria Nuova, it is now in the Museo Nazionale di San Marco in Florence. Parts of the composition are illegible as a result of centuries of surface losses. The painting was a key influence on contemporary artists such as Raphael.
Moses Defends Jethro's Daughters is an oil on canvas painting attributed to Italian artist Rosso Fiorentino, created c. 1523–1524, now held in the Uffizi in Florence, which acquired it in 1632. It depicts the Biblical episode when Moses defended the seven daughters of Jethro, who would be his father-in-law.
The Ten Thousand Martyrs is an oil on panel painting by Pontormo, executed c. 1529–1530, produced for the monks of Florence's Spedale degli Innocenti and now in the city's Galleria Palatina. It shows the martyrdom of the eponymous martyrs alongside Saint Maurice. A copy of the left hand side of the work in the Uffizi is attributed to a young Bronzino.
Apparition of the Virgin to St Bernard is an oil-on-wood painting by Italian artist Fra Bartolomeo, datable to 1504–1507. It is held in the Uffizi, in Florence.
