The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
The Countess of Chinchon is an oil-on-canvas portrait painted by the Spanish artist Francisco Goya, c. 1800. It is held in the Museo del Prado, Madrid. The painting depicts María Teresa de Borbón, 15th Countess of Chinchón, who had been encouraged by Queen Maria Luisa of Parma and by opportunism to marry Manuel de Godoy, the Prime Minister, in a marriage of convenience. It does not depict the more famous Countess of Chinchón who became the namesake of the cinchona genus of trees and shrubs responsible for early modern quinine production.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy designed by Giovanni Antonio Medrano. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957.
Sacrificial Scene is a grisaille tempera on canvas painting by Pontormo, produced around 1520 and now in the National Museum of Capodimonte in Naples. It was probably originally produced as part of the decoration of an interior in honour of Cosimo de' Medici.
Charles III's Departure for Spain, Seen from the Sea is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Land are now in the National Museum of Capodimonte in Naples.
Charles III's Departure for Spain, Seen from the Land is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Sea are now in the Museo del Prado in Madrid.
Assumption of the Virgin with Saint John the Baptist and Saint Catherine of Alexandria is an oil-on-panel painting by the Italian Renaissance painter Fra Bartolomeo, created c. 1516, commissioned by the church of Santa Maria in Castello in Prato. To the left of the Virgin's tomb is John the Baptist, whilst to the right is Catherine of Alexandria. It is now in the National Museum of Capodimonte in Naples.
Charles of Bourbon Visiting St Peter's Basilica is an oil-on-canvas painting by Italian artist Giovanni Paolo Pannini, commissioned by its subject Charles of Bourbon in 1746 and completed later that year. It was part of the commission as the same artist's Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale and both works are now in the National Museum of Capodimonte in Naples.
Francis I and His Family is an 1820 oil on canvas painting by Giuseppe Cammarano, now in the National Museum of Capodimonte in Naples.
Portrait of Charles of Bourbon in Hunting Dress is an oil on canvas painting by Antonio Sebastiani, likely produced in the 1730s either whilst Charles was still in the Duchy of Parma and Piacenza or at the latest during the early years of his rule of Naples and Sicily - Sebastiani was the court painter. It is now in Room 32 of the National Museum of Capodimonte in Naples, part of the building's former royal apartments.
Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, from 1799-1800. It was produced as a pendant painting to a portrait of her husband. Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by the couple's daughter Maria Isabella of Spain. They were sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Ferdinand IV is a 1759 painting by Anton Raphael Mengs, now in the National Museum of Capodimonte, in Naples.
Portrait of Philip II is an oil on canvas portrait by Titian of Philip II of Spain wearing the chain of the Order of the Golden Fleece. It is in the collection of the Museo di Capodimonte, in Naples.
Portrait of Joachim Murat is an oil-on-canvas painting created in 1808 by the French painter François Gérard. It depicts general Joachim Murat. It is held in Room 54 of the National Museum of Capodimonte, in Naples.
Equestrian Portrait of Charles of Bourbon is a mid-18th century oil on canvas portrait of Charles of Bourbon, produced by Francesco Liani towards the end of Charles' rule in Naples before becoming Charles III of Spain. Liani also produced a portrait of Charles' wife, Maria Amalia of Saxony. Both works are now in Room 34 of the National Museum of Capodimonte.
Equestrian Portrait of Amalia of Saxony is a mid-18th century portrait of Maria Amalia of Saxony, produced by Francesco Liani towards the end of her and her husband's rule in Naples before he became Charles III of Spain. It shows its subject in male hunting dress and is modelled on Louis Silvestre II's portrait of Maria's father Augustus III of Poland. Liani also produced a pair of her husband - both works are now in Room 34 of the National Museum of Capodimonte in Naples.
The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons. They included a number of kings with a serious interest in the arts, who were patrons of a series of major artists: Charles V and Philip II were patrons of Titian, Philip IV appointed Velázquez as court painter, and Goya had a similar role at the court of Charles IV.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of Cardinal Alessandro Farnese is a c. 1545–46 oil on canvas three-quarter-length portrait of Alessandro Farnese the Younger (1520–1589) by Titian, now in the Museo nazionale di Capodimonte in Naples.
Portrait of Pope Paul III with Camauro is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples.
