Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.
Doña María Josefa Alonso-Pimentel y Téllez-Giróniure uxorisDuchess of Osuna, suo jure12th Duchess of Benavente, was a Spanish Salonnière, famous as a patron of artists, writers and scientists and an important figure of the Spanish Age of Enlightenment. She was the first female (honorary) member of the royal Sociedad Económica de Amigos del País de Madrid as well as the first president of the royal Junta de Damas de Honor y Mérito.
Maria del Rosario Weiss Zorrilla was a Spanish painter and engraver best known for portraits. She was the goddaughter of Francisco de Goya and lived with him during his final years when her mother was his maid. Over seventy of her drawings, preserved at the Hispanic Society of America, were once attributed to Goya but, in 1956, the art historian José López-Rey demonstrated conclusively that they were hers.
Antonio Carnicero (1748–1814) was a Spanish painter of the Neoclassical style. In addition to his paintings, over the course of his career he also produced prints and engravings as well as creating theatrical decorations.
The Sleep of Reason Produces Monsters or The Dream of Reason Produces Monsters is an aquatint by the Spanish painter and printmaker Francisco Goya. Created between 1797 and 1799 for the Diario de Madrid, it is the 43rd of the 80 aquatints making up the satirical Los caprichos.
The Parasol is one of a cartoon series of oil on linen paintings made by the painter Francisco Goya. This series of paintings was specifically made in order to be transformed into tapestries that would be hung on the walls of the Royal Palace of El Pardo in Madrid, Spain. The tapestries showed serene events in everyday life, which made them a nice addition to the dining room of Prince and Princess of Asturias—the future King Charles IV and Maria Luisa of Parma. The queen called on Goya because she wanted to decorate the dining room with cheerful scenes; The Parasol and the other tapestry paintings were Goya's response to this request. The painting is currently located in the Museo del Prado in Madrid as is another in the series, Blind man's bluff.
Blind Man's Bluff is one of the Rococo oil-on-linen cartoons produced by the Spanish artist Francisco de Goya for tapestries for the Royal Palace of El Pardo. The work shows boys and girls playing the popular pastime "blind man's buff" with one figure in the middle blindfolded and holding a large spoon while trying to entice others dancing around him in a circle.
Witches' Sabbath is a 1798 oil on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid.
The Burial of the Sardine is an oil-on-panel painting by Spanish artist Francisco Goya, usually dated to the 1810s. The title is posthumous, referring to the culminating event of a three-day carnival in Madrid ending on Ash Wednesday. Masked and disguised revellers are seen dancing their way to the banks of the Manzanares, where a ceremonial sardine will be buried. Goya does not illustrate the fish in the painting, nor the large doll made of straw, called a pelele, from which it hung; the centrepiece is the darkly grinning "King of the Carnival".
The Inquisition Tribunal, also known as The Court of the Inquisition or The Inquisition Scene, is an 18x29 inch oil-on-panel painting produced by the Spanish artist Francisco Goya between 1812 and 1819. The painting belongs to a series which also includes Bullfight, The Madhouse and A Procession of Flagellants, all reflecting customs which liberals objected to and wished were abandoned, but their reform was opposed by the absolutist policy of Ferdinand VII of Spain.
The Lázaro Galdiano Museum is a museum located in Madrid, Spain. It houses the art collection of José Lázaro Galdiano. The museum was inaugurated on 27 January 1951.
The Royal Tapestry Factory is a manufacturing plant located in Madrid, Spain, which was founded in 1720.
Eugenio Lucas Villaamil, sometimes called "The Younger" was a Spanish costumbrista painter. Many of his works were painted in the style of Francisco de Goya; and the attributions are sometimes confused.
Boys playing soldiers is a 1778-79 tapestry cartoon by Francisco of Goya conceived for the bedroom of the Princes of Asturias in the Royal Palace of El Pardo. It is presently exhibited in the Museo del Prado. A sketch of the artwork is kept nowadays in the Yanduri Collection of Seville.
The Boar Hunt is a painting of 1775 by Francisco Goya and the earliest surviving tapestry cartoon by the artist. It depicts men with dogs and boar spears killing a boar.
This painting's Spanish title "La Aguadora" has various translations in English, The Water Bearer, Young Woman with a Pitcher, or the Water Carrier. It is an oil on canvas painting by Francisco de Goya, now in the Museum of Fine Arts in Budapest.
Summer or The Threshing Floor is the largest cartoon painted by Francisco de Goya as a tapestry design for Spain's Royal Tapestry Factory. Painted from 1786 to 1787, it was part of his fifth series, dedicated to traditional themes and intended for the heir to the Spanish throne and his wife. The tapestries were to hang in the couple's dining room at the Pardo Palace.
Children in a Chariot is a 1779 painting by Francisco de Goya. It is part of the third series of cartoons he produced for tapestries at the Royal Palace of El Pardo; the tapestry in question was to be positioned over a door. The painting is in the Toledo Museum of Art.
Leocadia Zorrilla, married name Leocadia Weiss, was the old-age companion of Spanish painter Francisco Goya, and mother of the artist Rosario Weiss Zorrilla.
