Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Ludovico III Gonzaga of Mantua, known as the Turk, also spelled Lodovico was the ruler of the Italian city of Mantua from 1444 to his death in 1478.
Piero del Pollaiuolo, whose birth name was Piero Benci, was an Italian Renaissance painter from Florence. His older brother, by about ten years, was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; according to Vasari, the brothers carried out dissections to improve their knowledge of the subject.
The Republic of Florence, known officially as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany, Italy. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda of Tuscany, who controlled vast territories that included Florence. The Florentines formed a commune in her successors' place. The republic was ruled by a council known as the Signoria of Florence. The signoria was chosen by the gonfaloniere, who was elected every two months by Florentine guild members.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Galeazzo Maria Sforza was the fifth Duke of Milan from 1466 until 1476. He was notorious for being lustful, cruel, and tyrannical.
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
Vincenzo Foppa was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years.
Bonifacio Bembo, also called Bonfazio Bembo, or simply just Bembo, was a north Italian Renaissance artist born in Brescia in 1420. He was the son of Giovanni Bembo, an active painter during his time. As a painter, Bonifacio mainly worked in Cremona. He was patronized by the Sforza family and was commissioned to paint portraits of Francesco Sforza and his wife Bianca Maria Visconti. Scholars have credited him as the artist who produced a tarot card deck for the Visconti-Sforza families, now held in the Cary Collection of Playing Cards at Yale University. In the past century, art historians have begun to question the authenticity of his works, believing his only two secure works to be the portraits of Francesco and Bianca Maria Sforza. He is believed to have died sometime before 1482.
Giovanni Ambrogio de Predis was an Italian Renaissance painter, illuminator and designer of coins active in Milan. Ambrogio gained a reputation as a portraitist, including as a painter of miniatures, at the court of Ludovico Sforza.
Galeazzo Campi was an Italian painter of the Renaissance from Cremona in Lombardy. He was a pupil of Boccaccio Boccaccini. His representation was rather rigid, but careful. His landscapes show influences of Perugino and Giovanni Bellini.
The Magi Chapel is a chapel in the Palazzo Medici Riccardi of Florence, Italy. Its walls are almost entirely covered by a famous cycle of frescoes by the Renaissance master Benozzo Gozzoli, painted around 1459 for the Medici family, the effective rulers of Florence.
Zanetto Bugatto, also known as Zanetto Bugatti, was one of the most well-documented court portraitists of the 1400s. A key painter of the Lombardy region, Bugatto worked for 15 years for the first two Sforza Dukes of Milan, particularly Duke Galeazzo Maria Sforza and his Duchess Bona of Savoy. His work was influenced by northern artists such as Rogier van der Weyden, Andrea Mantegna, and Jean Fouquet, all of whom he met during his travels. Bugatto's work was described by Galeazzo's ambassador Leonardo Botta as being similar to Sicilian painter Antonello da Messina. It is not clear whether Bugatto painted works other than portraits which he typically made on panel and in fresco. He is notable for being one of the first Italian artists, along with Antonello da Messina, to focus on portraiture in the Netherlandish style to such an exclusive extent.
Assassin's Creed: Lineage is a series of three Canadian short films based on the Assassin's Creed video game series, directed by Yves Simoneau. The films are made by Ubisoft Montreal in collaboration with Hybride Technology, and mark Ubisoft's first attempt to step into the film industry. The three short films were released on YouTube to promote Assassin's Creed II, to which they serve as a prequel, describing the history of Ezio Auditore da Firenze and his family before the events of the game. The films primarily revolve around Ezio's father Giovanni, an Assassin from 15th-century Florence, and his investigation of the mysterious murder of the Duke of Milan, Galeazzo Maria Sforza, which leads him to confront a larger conspiracy.
The Diptych of Federico da Montefeltro and Battista Sforza are two oil paintings by Italian artist Piero della Francesca, dated to 1473–1475. This famed double portrait is often mistitled The Duke and Duchess of Urbino—as it appears on the website of the Uffizi Gallery, which owns it. Since Battista Sforza died in 1472 and Federico da Montefeltro was not made duke until 1474, however, Battista never attained the title of duchess.
Portrait of a Boy is a 1495 oil on panel portrait, now in the Uffizi in Florence. In the past it has been attributed to Lorenzo di Credi, Viti, Jacopo Francia, Raphael and others, but Giovanni Morelli's reattribution of it to Perugino is now widely accepted. Although the lack of a landscape background is unusual for this painter, the style is typical of his portrait technique.
Portrait of Cosimo the Elder is an oil on panel painting by Pontormo, executed c. 1519–1520, now in the Uffizi, Florence.
Leonardo is a historical drama television series created by Frank Spotnitz and Steve Thompson. The series was produced by Italian Lux Vide in collaboration with Rai Fiction, Sony Pictures Entertainment, with Frank Spotnitz's Big Light Productions and Freddie Highmore's Alfresco Pictures in association with France Télévisions and RTVE.
