Portrait of Mink with Violet Shawl

Last updated
Portrait of Mink with Violet Shawl
Max Beckmann - Portrait of Mink with violet shawl (1910).jpg
Artist Max Beckmann
Year1910
Medium Oil on canvas
Dimensions136.5 cm× 100.5 cm(53.7 in× 39.6 in)
Location Saint Louis Art Museum, Saint Louis

Portrait of Mink with Violet Shawl is an oil-on-canvas portrait by German painter Max Beckmann. It depicts his first wife, the opera singer Minna Beckmann-Tube, and was executed in 1910. It is held in the collection of the Saint Louis Art Museum. [1]

Contents

Description and analysis

The painting depicts Minna, also known as Mink, seated in a chair, wearing a black dress, with a violet shawl covering her shoulders and arms, her hands folded, while she looks quietly to her left. The background appears in a bluish colour.

The portrait was executed during the painter's twenties, when he was openly critical of the more modern contemporary art tendencies, such as expressionism, fauvism and cubism. Beckmann still follows German impressionism, reflecting the influence of Max Liebermann, in particular in his somber tonalities, but without his brushwork, or the brilliance of Lovis Corinth. His style is more conservative and still close to realism. [2]

Provenance

The painting was bequested by Morton D. May to the Saint Louis Art Museum in 1983. [3]

Related Research Articles

<span class="mw-page-title-main">Otto Dix</span> German painter and printmaker (1891–1969)

Wilhelm Heinrich Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.

<span class="mw-page-title-main">John Singer Sargent</span> American painter (1856–1925)

John Singer Sargent was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida.

<span class="mw-page-title-main">Eugène Delacroix</span> French painter (1798–1863)

Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

<span class="mw-page-title-main">Philipp Veit</span> German Romantic painter

Philipp Veit was a German Romantic painter and one of the main exponents of the Nazarene movement. It is to Veit that the credit of having been the first to revive the nearly forgotten technique of fresco painting is due.

<span class="mw-page-title-main">Max Beckmann</span> German painter, draftsman, printmaker, sculptor and writer

Max Carl Friedrich Beckmann was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity, an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of nazism in Germany.

<span class="mw-page-title-main">Saint Louis Art Museum</span> Art museum in Saint Louis, Missouri

The Saint Louis Art Museum (SLAM) is one of the principal U.S. art museums, with paintings, sculptures, cultural objects, and ancient masterpieces from all corners of the world. Its three-story building stands in Forest Park in St. Louis, Missouri, where it is visited by up to a half million people every year. Admission is free through a subsidy from the cultural tax district for St. Louis City and County.

<span class="mw-page-title-main">Bernard van Orley</span> Flemish artist

Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.

<span class="mw-page-title-main">Thyssen-Bornemisza Museum</span> Art museum in Madrid, Spain

The Thyssen-Bornemisza National Museum, or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofía it concerns Impressionists, Expressionists, and European and American paintings from the 20th century.

<span class="mw-page-title-main">Stephan Reimertz</span>

Stephan Reimertz is a German poet, essayist, novelist and art historian.

<span class="mw-page-title-main">Self-portrait</span> Portrait of an artist made by that artist

A self-portrait is a portrait of an artist made by themselves. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.

<span class="mw-page-title-main">Francesco Bonsignori</span> Italian painter

Francesco Bonsignori, also known as Francesco Monsignori, was an Italian painter and draughtsman, characterized by his excellence in religious subjects, portraits, architectural perspective and animals. He was born in Verona and died in Caldiero, a city near Verona. Bonsignori's style in early period was under the influence of his teacher Liberale da Verona. After becoming the portraitist and court artist to the Gonzaga family of Mantua in 1487, his style was influenced by Andrea Mantegna, who also worked for Francesco Gonzaga from the 1480s. They collaborated to execute several religious paintings, mainly with the theme of Madonna and Child. The attribution of theportrait of a Venetian Senator was debatable until the last century because of the similarity in techniques used by Bonsignori and his teacher Mantegna. During the phase of his career in Mantua, there is an undocumented period between 1495 and July 1506 with no official record regarding his activities by the court of Mantua. Bonsignori's late style was decisively influenced by Lorenzo Costa in terms of form and color. He produced his last monumental altarpiece the Adoration of the Blessed Osanna Andreasi in 1519 shortly before his death.

<span class="mw-page-title-main">Perry T. Rathbone</span> American curator (1911–2000)

Perry Townsend Rathbone was one of the leading American art museum directors of the 20th century. As director of the St. Louis Art Museum from 1940 to 1955, and the Museum of Fine Arts, Boston from 1955 to 1972, he transformed these institutions from quiet repositories of art to vibrant cultural centers. Known for his sensitive installations as well as his bold publicity stunts, he increased the membership and attendance figures of both institutions exponentially, and also added significant works to their permanent collections across the board.

<i>Christ and the Woman Taken in Adultery</i> (Beckmann) Painting by Max Beckmann

Christ and the Woman Taken in Adultery is an oil-on-canvas expressionist painting by German artist Max Beckmann, executed in 1917. The painting is in the collection of the Saint Louis Art Museum.

<span class="mw-page-title-main">Minna Beckmann-Tube</span> German painter and opera singer

Minna Beckmann-Tube was a German painter and opera singer. She is best known as the first wife of the painter and draftsman Max Beckmann.

<i>Self-Portrait in Tuxedo</i> 1927 painting by Max Beckmann

Self-Portrait in Tuxedo is an oil-on-canvas painting executed in 1927 by the German artist Max Beckmann. It now hangs in the Busch-Reisinger Museum of the Harvard University Art Museum in Cambridge, Massachusetts.

<i>Self-Portrait with Red Scarf</i> Painting by Max Beckmann

Self-Portrait with Red Scarf is an oil on canvas painting by Max Beckmann, executed in 1917. It is housed at the Staatsgalerie Stuttgart.

The Max Beckmann Gesellschaft is an association dedicated to the promotion of research on the life and work of German painter Max Beckmann. It also includes the Max Beckmann Archive.

<i>Young Men by the Sea</i> Painting by Max Beckmann

Young Men by the Sea is an oil on canvas painting by Max Beckmann, executed in 1905. It his held at the Schloss Weimar, Klassik Stiftung, in Weimar.

<i>Descent from the Cross</i> (Beckmann) Painting by Max Beckmann

Descent from the Cross is an oil-on-canvas painting by German artist Max Beckmann, executed in 1917. It his held at the Museum of Modern Art, in New York.

<i>Self-Portrait Yellow-Pink</i> 1943 painting by Max Beckmann

The Self Portrait Yellow-Pink by the German artist Max Beckmann was painted in 1943 in the Netherlands. In December 2022, it was sold by the auctioneer Grisebach for more than €20 million, making it the most expensive painting sold in Germany to date.

References