| Young Men by the Sea | |
|---|---|
 | |
| Artist | Max Beckmann |
| Year | 1905 |
| Medium | Oil on canvas |
| Dimensions | 148 cm× 235 cm(58 in× 93 in) |
| Location | Schloss Weimar, Weimar |
Young Men by the Sea is an oil on canvas painting by Max Beckmann, executed in 1905. It his held at the Schloss Weimar, Klassik Stiftung, in Weimar. [1]
The painting, executed when the painter was 21 years old, reflects his academic training, and at the same time, the influence of contemporary post-impressionist painters, like Paul Cézanne and Vincent van Gogh. Beckmann had visited France the previous year and had the chance of knowing personally the work of several contemporary French painters.
The large painting depicts several nude young men, near the sea, of which six appear in the foreground. Four of them are up and two seated in the ground. The boy to the right seems to be playing a musical instrument. Other youngsters at the background seem to be engaging in playful activity and swimming. The work seems to reflect an ideal of male classical beauty, with the boys in the foreground appearing in several poses, giving it the resemblance of an anatomic study, and at the same time illustrates his interest by the sea. The academic training of the young painter is connected to his still recent knowledge of more contemporary artistic tendencies, that would influence him greatly in the future. [2]
The painting was highly appreciated at his time. Beckmann was awarded the Villa Prize and the painting was acquired by the Schloss Weimar, in Weimar, where it still hangs. [3] Karl Scheffler stated back then that Young Men at the Sea, demonstrated "an extraordinary sensitive for the musical human dynamism in older pictures." In 1908, Beckmann admitted that the painting wasn't sufficiently original, because it lacked his own personal stamp. [4]
Max Carl Friedrich Beckmann was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity, an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of nazism in Germany.
Lucas van Leyden, also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very accomplished engraver.
Ferdinand Hodler was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".
Max Peiffer Watenphul was a German artist. Described as a "lyric poet of painting", he belongs to a "tradition of German painters for whom the Italian landscape represented Arcadia." In addition to Mediterranean scenes, he regularly depicted Salzburg and painted many still lifes of flowers. As well as oil paintings, his extensive body of work encompasses watercolours, drawings, enamel, textiles, graphic art, and photographs.
Felix Maria Diogg was a Swiss painter. Born in Andermatt, as an adult he made Rapperswil his home. Diogg is considered the most important Swiss Classicism portraitist.
The Ray of Light, also known as Le Coup de Soleil, is an oil on canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre Museum.
Wooded Dunes, also known as Dune Landscape, Peasant Cottage in a Landscape, Wooded Dunes and Cottage in a Grove is a 1646 oil-on-panel painting by the Dutch Golden Age painter Jacob van Ruisdael. It is in the collection of the Hermitage Museum in St. Petersburg.
View of the Dam and Damrak at Amsterdam, also known as The Damrak in Amsterdam, is a 17th-century oil on canvas painting by the Dutch Golden Age painter Jacob van Ruisdael. Since 1866 it is in the collection of the Museum Boymans van Beuningen in Rotterdam.
Carl Frithjof Smith was a Norwegian portrait and genre painter who spent his career in Germany.
Johann Heinrich Wüest was a Swiss landscape painter in the Romantic style.
Erhard Göpel was a German art historian and high level Nazi agent who acquired art, including looted art, for Hitler’s Führermuseum.
Barbara Göpel, née Barbara Malwine Auguste Sperling was a German art historian.
The Wendelsveg or Der Wendelsveg in German, is an oil-on-canvas painting by Max Beckmann, executed in 1928 in Frankfurt am Main. It depicts a view from a local street and his housed at the Kunsthalle Kiel.
Self-Portrait with Red Scarf is an oil on canvas painting by Max Beckmann, executed in 1917. It is housed at the Staatsgalerie Stuttgart.
Portrait of Mink with Violet Shawl is an oil-on-canvas portrait by German painter Max Beckmann. It depicts his first wife, the opera singer Minna Beckmann-Tube, and was executed in 1910. It is held in the collection of the Saint Louis Art Museum.
Departure is an oil-on-canvas triptych by German artist Max Beckmann begun in Frankfurt in 1932 and completed in Berlin from 1933 to 1935. It was the first of nine triptychs that the artist created. The panels, according to Beckmann, are named The Castle (left), The Homecoming (middle) and The Staircase (right). The paintings have all the same height and the middle panel, with 115 cm, is only slightly wider than the other two, which have 99.5 cm in length. It is one of his best-known triptychs and is held at the Museum of Modern Art, in New York.
The Portrait of a Man in a Wide-Brimmed Hat is a work by the Dutch Golden-Age artist Frans Hals. It was painted in about 1625–1635 and hangs in the Herzogliches Museum, part of the Friedenstein Palace complex at Gotha, Germany. It was stolen in 1979, recovered in 2019, and restored in 2020–2021.
The Concert is an oil on panel painting by the Dutch artist Gerard ter Borch, created c. 1673–1675. The work is held in the Gemäldegalerie, in Berlin.
To Beauty is an oil-and-collage-on-canvas painting executed in 1922 by German painter Otto Dix. It is signed and dated at the lower right. It is held at the Von der Heydt Museum, in Wuppertal.
The Twelve-Year-Old Jesus in the Temple is an oil-on-canvas painting by German painter Max Liebermann, created in 1879. It is held at the Hamburger Kunsthalle.
