Portrait of Muhammad Dervish Khan | |
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Artist | Élisabeth Vigée Le Brun |
Year | 1788 |
Portrait of Muhammad Dervish Khan is an oil-on-canvas portrait painting by Elisabeth Vigee-Lebrun, from 1788.
It featured in the 2004 exhibition Encounters: the Meeting of Asia and Europe 1500-1800 at the Victoria and Albert Museum where it first received international attention as an unusually monumental portrait of a man from Mysore. Muhammad Dervish Khan was one of three ambassadors to the French court sent by Tipu Sultan. The portrait was never sold, though Vigée Le Brun fled Paris and left it behind when the city was mobbed.
The portrait of Mahomet Dervisch-Kam, premier ambassadeur de Typpo-Sultan was shown in the Paris salon of 1789 in her absence, along with an even taller monumental portrait of Mahomet Usman-Kam, second ambassadeur de Typpo-Sultan that she painted (whereabouts unknown). [1] Both paintings were admired greatly, partly because the ambassadors themselves had made quite a spectacle the year before. All three ambassadors returned to India without achieving the sought-for alliance and their heads were chopped off by order of the sultan, giving both paintings even more allure for their grim symbolism.
It was sold by Sotheby's for $7,185,900 in 2019. [2]
Élisabeth Louise Vigée Le Brun, also known as Louise Élisabeth Vigée Le Brun or simply as Madame Le Brun, was a French painter who mostly specialized in portrait painting, in the late 18th and early 19th centuries.
Tipu Sultan, commonly referred to as Sher-e-Mysore or "Tiger of Mysore", was an Indian ruler of the Kingdom of Mysore based in South India. He was a pioneer of rocket artillery. He expanded the iron-cased Mysorean rockets and commissioned the military manual Fathul Mujahidin. He deployed the rockets against advances of British forces and their allies during the Anglo-Mysore Wars, including the Battle of Pollilur and Siege of Srirangapatna.
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Madame Grand is a 1783 oil-on-canvas painting by the French artist Louise Élisabeth Vigée Le Brun. It is in the collection of the Metropolitan Museum of Art, in New York.
Comtesse de la Châtre is a 1789 painting by Élisabeth Vigée Le Brun which is in the collection of the Metropolitan Museum of Art in New York.
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Portrait of Princess Maria Christina is an oil-on-canvas painting executed c. 1790 by Élisabeth Vigée Le Brun. Vigée Le Brun had taken refuge in Naples after fleeing Paris in 1789 during the French Revolution. The portrait is now in the National Museum of Capodimonte, in Naples.
Marie Antoinette with a Rose, also known as Marie-Antoinette with the Rose, is an oil painting by the French artist Élisabeth Vigée Le Brun. It was painted in 1783, and is in the collection of the Palace of Versailles. As of November 2022, it is hanging in the ante-dining room of the Petit Trianon.
Marie Antoinette and Her Children, also known as Marie Antoinette of Lorraine-Habsburg, Queen of France, and Her Children is an oil painting by the French artist Élisabeth Vigée Le Brun, painted in 1787, and currently displayed at the Palace of Versailles. Its dimensions are 275 by 216.5 cm.
Jean-Baptiste-Pierre Le Brun was a French painter, art collector and art dealer. Simon Denis was his pupil.
Self-Portrait in a Straw Hat is a self-portrait by the French painter Élisabeth Vigée Le Brun, painted after 1782, in oil on linen, measuring 97.8 by 70.5 centimetres. It has belonged to the collection of the National Gallery in London since 1897.
Female self-portrait in painting is the representation of a person of the female gender painted by herself.