Portrait of Phillis Wheatley | |
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Artist | Scipio Moorhead? |
Year | 1773 |
Portrait of Phillis Wheatley is a lost painting used as the frontispiece for poet Phillis Wheatley's poetry collection Poems on Various Subjects, Religious and Moral , first published in 1773. Wheatley was the United States' first professional African American woman poet and the first African-American woman whose writings were published. She is also the third woman in the United States, regardless of ethnicity, to have her written work published. Copies of the engraving reside in the National Portrait Gallery at the Smithsonian Institution, [1] the Library of Congress, [2] the Beinecke Rare Book & Manuscript Library of the Yale University Library, [3] and the Metropolitan Museum of Art. [4]
The painting depicts a young African American woman, Phillis Wheatley, sitting at a desk. She has a thoughtful look on her face, with her left hand poised against her chin, as if thinking about what she will write next with the quill in right hand. Her right hand sits atop a piece of paper. On the desk is also ink and a small book. She wears a bonnet and an apron over her dress.
The pose which Wheatley makes as she hovers her pen over the paper is reminiscent of the works of John Singleton Copley, who was commissioned to make portraits for many famous Bostonians of the time, and whose works were widely exhibited and shown throughout the city. However, Copley never portrayed a woman in the act of writing. In fact, this portrait appears to be the first portrayal of a woman writing in American history. [5]
Phillis Wheatley failed to have her book published in the United States; therefore, she had her book published in London. To verify that she was indeed African American, the publisher asked that she provide a portrait for the work, which was engraved for the frontispiece. [6] Another, poorer quality, engraving was made for a Boston area almanac in 1781, possibly based on the frontispiece. The fate of the original is unknown, and it is reported that in later years, Wheatley's mistress possessed only the engraving, which was "said to have been a striking representation of the original." [5]
It is believed by some modern scholars that Wheatley commissioned the African American artist Scipio Moorhead to create the portrait. [7] She knew of Moorhead because he was the slave of Reverend John Moorhead in Boston, where she used to live, and wrote a poem in honor of him and his work. [6] Additionally, the painting's unusual depiction of a black woman writing has no parallel among the white artists contemporary to the period. However, despite the fact that 19th-century abolitionists were interested in Wheatley and gathered information and anecdotes about her and other Boston area slaves, there are no sources from the 18th or 19th century that attest to the identity of the artist. [5]
Phillis Wheatley Peters, also spelled Phyllis and Wheatly was an American author who is considered the first African-American author of a published book of poetry. Born in West Africa, she was kidnapped and subsequently sold into slavery at the age of seven or eight and transported to North America, where she was bought by the Wheatley family of Boston. After she learned to read and write, they encouraged her poetry when they saw her talent.
This article contains information about the literary events and publications of 1773.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was suspected to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt. He was father of John Copley, 1st Baron Lyndhurst.
Lucy Terry Prince, often credited as simply Lucy Terry (1733–1821), was an American settler and poet. Kidnapped in Africa and enslaved, she was taken to the British colony of Rhode Island. Her future husband purchased her freedom before their marriage in 1756. She composed a ballad poem, "Bars Fight", about a 1746 incident in which two white families were attacked by Native Americans. It was preserved orally until it was published in 1855. It is considered the oldest known work of literature by an African American.
African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African American writers have been recognized by the highest awards, including the Nobel Prize given to Toni Morrison in 1993. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
Mather Byles was an American clergyman active in British North America.
Scipio Moorhead was an enslaved African-American artist who lived in Boston, Massachusetts. Moorhead is known through the contemporary African-American poet Phillis Wheatley's poem, dedicated "To S. M. a young African Painter, on seeing his Works", published in Poems on Various Subjects, Religious and Moral, 1773. His full name was learned from period marginalia.
Jupiter Hammon was an American writer who is known as a founder of African-American literature, as his poem published in 1761 in New York was the first by an African American man in North America. He subsequently published both poetry and prose. In addition, he was a preacher and a commercial clerk on Long Island, New York.
Margaret Fitzhugh Browne was an American painter of portraits, indoor genre scenes, and still lifes.
Nationality words link to articles with information on the nation's poetry or literature.
Jane Edna Hunter, an African-American social worker, Hunter was born on the Woodburn Farm plantation near Pendleton, South Carolina. She was involved in the NAACP and NAACW. Jane Edna Hunter is widely Known for her work in 1911 when she established the Working Girls Association in Cleveland, Ohio, which later became the Phillis Wheatley Association of Cleveland.
Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published.
Lucy May Stanton was an American painter. She made landscapes, still lifes, and portraits, but Stanton is best known for the portrait miniatures she painted. Her works are in the National Portrait Gallery in Washington, D.C., Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, and the Philadelphia Museum of Art, where Self-Portrait in the Garden (1928) and Miss Jule (1926) are part of the museum's permanent collection.
The Boston Women's Heritage Trail is a series of walking tours in Boston, Massachusetts, leading past sites important to Boston women's history. The tours wind through several neighborhoods, including the Back Bay and Beacon Hill, commemorating women such as Abigail Adams, Amelia Earhart, and Phillis Wheatley. The guidebook includes seven walks and introduces more than 200 Boston women.
The Dying Negro: A Poetical Epistle was a 1773 abolitionist poem published in England, by John Bicknell and Thomas Day. It has been called "the first significant piece of verse propaganda directed explicitly against the English slave systems". It was quoted in The Interesting Narrative of the Life of Olaudah Equiano of 1789.
Charlotte Wilson Jackson was an American artist and activist from Michigan. She was the first African American to attend the School of the Art Institute of Chicago. In 1901, Wilson oversaw the exhibition of African-American artists at the Pan-American Exposition.
Garafilia Mohalbi(y) (Greek: Γαριφαλιά Μιχάλβεη; c. 1817 – March 17, 1830) was a Greek slave that was rescued by an American merchant and sent to live with his family in Boston, Massachusetts. Born to a prominent family on the island of Psara, her parents were killed in 1824 during the Destruction of Psara by the Turks. She arrived in Boston around the same period Samuel Gridley Howe brought John Celivergos Zachos and Christophorus Plato Castanis and other Greek refuges. She died aged thirteen. After her death, she became a popular celebrity in the media and among abolitionists.
Honorée Fanonne Jeffers is an American poet and novelist, and a professor of English at the University of Oklahoma. She has published five collections of poetry and a novel. Her 2020 collection The Age of Phillis reexamines the life of American poet Phillis Wheatley, based on years of archival research; it was longlisted for the 2020 National Book Award for Poetry, and won the 2021 NAACP Image Award for Outstanding Literary Work – Poetry. Her debut novel, The Love Songs of W.E.B. Du Bois, was published by HarperCollins in 2021.
Sarah Parsons Moorhead was an American poet, artist, and polemicist active during the Great Awakening in the 18th century. Her poems critique the itinerant ministers of the Great Awakening and demonstrate the emergence of women's voices during that time.
Obour Tanner, also spelled Abour or Arbour, was an enslaved African woman who lived in Newport, Rhode Island. Tanner was a regular correspondent of poet Phillis Wheatley, and the only correspondent of Wheatley's that was of African descent. Tanner acted as an agent for Wheatley in Newport and made the largest known order of Wheatley's Poems on Various Subjects, Religious and Moral in 1773.
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