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Blake Edwards was an American film director, producer, screenwriter, and actor.
Alan Smithee is an official pseudonym used by film directors who wish to disown a project. Coined in 1968 and used until it was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when directors, dissatisfied with the final product, proved to the satisfaction of a guild panel that they had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the movie or even to acknowledge being the project's director.
A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script, coordinating writing, directing, editing, and arranging financing.
The Directors Guild of America (DGA) is an entertainment guild that represents the interests of film and television directors in the United States motion picture industry and abroad. Founded as the Screen Directors Guild in 1936, the group merged with the Radio and Television Directors Guild in 1960 to become the modern Directors Guild of America.
In a motion picture, television program or video game, the opening credits or opening titles are shown at the very beginning and list the most important members of the production. They are now usually shown as text superimposed on a blank screen or static pictures, or sometimes on top of action in the show. There may or may not be accompanying music. When opening credits are built into a separate sequence of their own, the correct term is a title sequence.
A television producer is a person who oversees one or more aspects of video production on a television program. Some producers take more of an executive role, in that they conceive new programs and pitch them to the television networks, but upon acceptance they focus on business matters, such as budgets and contracts. Other producers are more involved with the day-to-day workings, participating in activities such as screenwriting, set design, casting, and directing.
Billing is a performing arts term used in referring to the order and other aspects of how credits are presented for plays, films, television, or other creative works. Information given in billing usually consists of the companies, actors, directors, producers, and other crew members.
Residuals are financial compensations that are paid to the actors, film or television directors, and others involved in making TV shows and movies in cases of the cable reruns, syndication, DVD release, or licensing to streaming media. Residuals are calculated and administered by industry trade unions like SAG-AFTRA, the Directors Guild of America, and the Writers Guild of America. The word is typically used in the plural form.
Jeremy Paul Kagan is an American film and television director, screenwriter, and television producer.
Bryan Gordon is an American film and television director, writer, actor and producer who is primarily known for directing comedy television shows.
Paris K. C. Barclay is an American television director, producer, and writer. He is a two-time Emmy Award winner and is among the busiest single-camera television directors, having directed nearly 200 episodes of television to date, for series such as NYPD Blue, ER, The West Wing, CSI, Lost, The Shield, House, Sons of Anarchy, In Treatment and Glee; and more recently Dahmer – Monster: The Jeffrey Dahmer Story, The Watcher, and American Horror Story: NYC. He also serves as an Executive Producer on many of the shows he directs, and occasionally as a writer or co-creator as well. From 2013 to 2017, Barclay served two terms as the President of the Directors Guild of America.
In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor. They work closely with the line producer. Sometimes the line producer is the UPM. A senior producer may assign a UPM more than one production at a time.
Alain Silver is an American film producer, director, and screenwriter; music producer; film critic, film historian, DVD commentator, author and editor of books and essays on film topics, especially film noir, the samurai film, and horror films. Filmmakers about whom he has written include David Lean, Robert Aldrich, Raymond Chandler, Roger Corman, and James Wong Howe.
Guy Ferland is an American film and television director.
Jesús Salvador Treviño is an American television director of Mexican descent.
Carlo Burton is a film producer, director, actor, screenwriter, and cinematographer. He is a member of the Screen Actors Guild, the Directors Guild of America and a signatory producer at both Guilds.
Jay D. Roth is an American lawyer who for over two decades served as the National Executive Director of the Directors Guild of America (DGA), the 17,000 member entertainment guild representing the economic and creative rights of directors and members of the directorial team working in film, television, documentaries, news, sports, commercials and new media throughout the world. Following his long-planned retirement in May 2017, Roth began a new role with the Guild as Senior Advisor.
Known as 48FILM
The DGA Lifetime Achievement Award for Distinguished Achievement in Motion Picture Direction is an American film award presented by the Directors Guild of America (DGA) honoring career achievement in feature film direction. Formerly called D.W. Griffith Award, it was first awarded at the 5th Directors Guild of America Awards in 1953. The award is considered the Directors Guild's highest honor and its recipients are selected by the present and past presidents of the DGA.
African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline.
References
- ↑ Directors Guild of America Magazine, Possessory Credit Timeline, 28(6), February 2004
