| Power of Evil | |
|---|---|
 | |
| Directed by | Krzysztof Zanussi |
| Written by | Krzysztof Zanussi |
| Cinematography | Sławomir Idziak |
| Music by | Wojciech Kilar |
Release date | 1985 |
| Language | French |
Power of Evil (French : Le pouvoir du mal, Italian : Paradigma, also known as Paradigm) is a 1985 French-German-Italian drama film written and directed by Krzysztof Zanussi. [1] [2] [3]
The cinema of Italy comprises the films made within Italy or by Italian directors. Since its beginning, Italian cinema has influenced film movements worldwide. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been the most important factor in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film as well as 12 Palmes d'Or, one Academy Award for Best Picture and many Golden Lions and Golden Bears.
Salò, or the 120 Days of Sodom is a 1975 horror art film directed and co-written by Pier Paolo Pasolini. The film is a loose adaptation of the 1785 novel The 120 Days of Sodom by the Marquis de Sade, updating the story's setting to the World War II era. It was Pasolini's final film, being released three weeks after his murder.
Video nasty is a colloquial term popularised by the National Viewers' and Listeners' Association (NVALA) in the United Kingdom to refer to a number of films, typically low-budget horror or exploitation films, distributed on video cassette that were criticised for their violent content by the press, social commentators and various religious organisations in the early 1980s. These video releases were not brought before the British Board of Film Classification (BBFC) due to a loophole in film classification laws that allowed videos to bypass the review process. The resulting uncensored video releases led to public debate concerning the availability of these films to children due to the unregulated nature of the market.
A femme fatale, sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.
Irene Papas or Irene Pappas was a Greek actress and singer who starred in over 70 films in a career spanning more than 50 years. She gained international recognition through such popular award-winning films as The Guns of Navarone (1961), Zorba the Greek (1964) and Z (1969). She was a powerful protagonist in films including The Trojan Women (1971) and Iphigenia (1977). She played the title roles in Antigone (1961) and Electra (1962).
Ator 2 – L'invincibile Orion is a film directed by Joe D'Amato. It stars Miles O'Keeffe as Ator, Charles Borromel as Akronos, Lisa Foster as Mila, the daughter of Akronos, and David Brandon as Zor.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City-based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films. Key players in this movement were Zedd, Kembra Pfahler, Tessa Hughes-Freeland, Casandra Stark, Beth B, Tommy Turner, Jon Moritsugu, Manuel DeLanda, David Wojnarowicz, Richard Kern, and Lydia Lunch, who in the late 1970s and mid-1980s began to make very low-budget films using cheap 8 mm cameras.
Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which became characteristic of American cinema between the 1910s and the 1960s. It eventually became the most powerful and pervasive style of filmmaking worldwide. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity.
Liliana Cavani is an Italian film director and screenwriter. She belongs to a generation of Italian filmmakers from Emilia-Romagna that came into prominence in the 1970s, including Bernardo Bertolucci, Pier Paolo Pasolini and Marco Bellocchio. Cavani became internationally known after the success of her 1974 feature film Il portiere di notte. Her films have historical concerns. In addition to feature films and documentaries, she has also directed opera.
Vendetta dal futuro is a 1986 Italian science fiction film directed by Sergio Martino. The film stars Daniel Greene, George Eastman and John Saxon.
Ciak is a popular Italian film magazine published in Milan, Italy. It is the most popular film magazine in Italy. The title is the Italian word (also spelled ciac, for a film clapperboard.
In the film industry, unsimulated sex is the presentation of sex scenes in which actors genuinely perform the depicted sex acts, rather than simulating them. Although it is ubiquitous in films intended as pornographic, it is very uncommon in other films. At one time in the United States such scenes were restricted by law and self-imposed industry standards such as the Motion Picture Production Code. Films showing explicit sexual activity were confined to privately distributed underground films, such as stag films or "porn loops". In the 1960s, social attitudes about sex began to shift, and sexually explicit films were decriminalized in many countries.
Thaïs is a 1917 Italian silent film directed by Anton Giulio Bragaglia. The movie is the sole surviving Italian Futurist film, and currently kept at the Cinémathèque Française. It is not based on the novel of the same name by Anatole France.
The Incredible Invasion, also known as Alien Terror, is a 1968 Mexican science fiction film directed by Luis Enrique Vergara. It stars Boris Karloff, Yerye Beirute and Enrique Guzmán. It is the last film Karloff worked on before his death in 1969. It was filmed in May 1968, but was only released theatrically in 1971, 2 years after Karloff had died.
Flower of Evil is a 1915 silent Italian drama film directed by Carmine Gallone. The film was shown as part of the Silent Divas of the Italian Cinema programme at the 38th New York Film Festival in 2000.
This is a bibliography of books by or about the director and actor Orson Welles.
Hercules, Prisoner of Evil is a 1964 Italian peplum film directed by Anthony Dawson and an uncredited Ruggero Deodato. Deodato, the official assistant director, replaced Margheriti as he was busy with the completion of the film The Fall of Rome. Deodato actually directed most of the film in actuality but Margheriti was credited as the director. The film is filled with a variety of horrific themes and elements, featuring a killer werewolf, and is as much a horror film as it is a peplum.
Exploits of a Young Don Juan is a 1986 French-Italian erotic coming of age film written and directed by Gianfranco Mingozzi.
Evil Senses is a 1986 Italian erotic thriller film written and directed by Gabriele Lavia and starring Monica Guerritore, the same Lavia, and Mimsy Farmer.
Convent of Sinners, is a 1986 Italian nunsploitation erotic film directed by Joe D'Amato. D'Amato directed, photographed and edited the film. The Rene Rivet screenplay was based on the novel "La Religeuse" by Denis Diderot.
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