Prerana Deshpande | |
---|---|
Nationality | Indian |
Citizenship | Indian |
Education | Indian classical dance, Mathematics |
Alma mater | Pune University |
Occupation(s) | Classical Dancer, choreographer, researcher |
Organization | Nrityadham |
Style | Kathak |
Awards | Devadasi National Award (see all) |
Prerana Deshpande is a recognized Indian exponent of Kathak dance. [1]
She started to study Kathak under Sharadini Gole when she was seven years old. Her first performance was when she was fifteen years old. [2] Then she studied Kathak under Guru-Shishya Parampara tradition from Rohini Bhate, [2] of Lucknow and Jaipur gharanas for twenty two years. [3] She is known for her graceful movements, and for mastery over various aspects of Kathak, such as abhinaya (expression) [4] and command over the laya (rhythm). [5]
Prerana Deshpande received her formal education at the Centre of Performing Arts of Pune University (Lalit Kala Kendra), India. She completed her master's degree in Kathak and stood first in the university. She also completed a bachelor's degree in Mathematics, [2] and applies this formal mathematical knowledge to her dance. [6]
In dedication to her art, Deshpande established Nrityadham, an institute for Kathak dance in Pune, where she teaches students from India and abroad, [7] [8] and has a stable group of advanced performers who participate in shows and festivals. [9]
Prerana is married with the prominent tabla soloist Shri Supreet Deshpande. [10] [11] They have an only daughter, Ishwari Deshpande, who is also one of her advanced students in Nrityadham. Ishwari started to dance when she was three years old, around 1999, [10] and she has stood out as a kathak dancer at least since her twelve years old. [12]
Creative collaboration named 'Mharo Pranam' on the life and lyrics of Meera Bai, conceptualized by Pt. Hemant Pendse with Kathak choreography by Prerana Deshpande. [13] [8]
In 2007, Prerana Deshpande collaborated with famous Odissi dancer Sujata Mohapatra in a Kathak - Odissi collaboration inspired by the World Heritage Site of Ajanta & Ellora. The production titled Ajanta Comes Alive - Tribute to Ajanta & Ellora premiered in the cultural capital of Maharastra, Pune, on 18 February 2007. Presented by dance scholar Sunil Kothari, this collaboration was subsequently staged in various cities of the country. [14] [15]
In 2010, Prerana and Sujata continued performing together. [16] In 2018, Prerana premiered Space: Taal-mala, a long piece performed by the interpreters of Nrityadham, based on the rhythmic work of the dancer Pt. Mohanrao Kallianpurkar. For that premiere Ratikant Mohapatra was invited with his Odissi company. [17]
Odissi, also referred to as Orissi in old literature, is a major ancient Indian classical dance that originated in the temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism through songs written and composed according to the ragas & talas of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu Gods Shiva and Surya, as well as Hindu Goddesses (Shaktism).
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship.
Indian classical dance or Shastriya Nritya is an umbrella term for various performance arts rooted in Hindu musical theatre styles, whose theory and practice can be traced to the Sanskrit text Natya Shastra. The number of classical dances range from eight to more, depending on the source and scholar. The Sangeet Natak Academy recognizes eight – Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Additionally, the Indian Ministry of Culture includes Chhau in its classical list. These dances are traditionally regional. They consist of compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, or any other Indian language and they represent a unity of core ideas in a diversity of styles, costumes and expression. Currently, there are 9 official classical dances in India.
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