Princess Hijab is an anonymous female [1] street artist working primarily in Paris, France. Her art centres on veiling the main characters of metro advertisements using black paint. [2] [3]
Princess Hijab is an anonymous female [1] street artist working primarily in Paris, France. Her art centres on veiling the main characters of metro advertisements using black paint. [2] [3]
Guerrilla art is innocent and criminal,
ancient and dystopian, intimate and
political. I chose the veil because it
does what art should do: It challenges,
it frightens, and it re-imagines [4]
- Princess Hijab
Princess Hijab is recognized as the founder of "hijabism", a movement based on the "hijabizing" or "hijabization" of advertising images; effectively the painting of veils or hijabs over images of models to make it seem like the model is wearing a veil. [2] As such, she is recognized for her images of veiled girls, boys and courting couples on advertising posters. [5]
One of her works, Diam’s Ma France à Moi, is the portrait of the famous French rapper Diam's, covered with a veil using a black marker pen.
Other works by Princess Hijab include the Lafayette series, depicting a model promoting the French department store Galeries Lafayette, wearing a blue, white and red striped top and a black mask over her mouth, and the Dolche series, a series of Dolce & Gabbana adverts representing male models hijabized by the artist.
Though the artist has rarely appeared in mainstream media, she is featured in the Banksy-produced The Antics Roadshow (the name of which parodies the Antiques Roadshow ). The artist appeared in a bright, feathered, Carnivale-style costume "hijabizing" models in various fashion industry advertisements at Paris metro train stations. The documentary suggested the artist's work was primarily a protest against French Government efforts to ban the burqa in public [1] though the artist herself has denied this. [6]
In modern usage, hijab refers to a variety of head coverings conventionally worn by Muslim women. Similar to the mitpaḥat/tichel or snood worn by religious married Jewish women, certain headcoverings worn by some Christian women, such as the hanging veil, apostolnik and kapp, and the dupatta favored by many Hindu and Sikh women, the hijab comes in various forms.
Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.
The French law on secularity and conspicuous religious symbols in schools bans wearing conspicuous religious symbols in French public primary and secondary schools. The law is an amendment to the French Code of Education that expands principles founded in existing French law, especially the constitutional requirement of laïcité: the separation of state and religious activities.
Mark Roberts is an English streaker who has run naked during numerous international events. Roberts' streaking began when he saw a news report about a female streaker at a 1993 rugby sevens game in Hong Kong. After a bet in a bar, he exposed himself to the crowd the next day.
Fiona Elizabeth Bruce is a British journalist, newsreader, and television presenter. She joined the BBC as a researcher for their current affairs programme Panorama in 1989, and became the first female newsreader on BBC News at Ten, as well as presenting many other flagship programmes for the corporation, including BBC News at Six, Crimewatch, Real Story, Antiques Roadshow, and Fake or Fortune? Since 10 January 2019, she has been the presenter of the BBC One television programme Question Time.
Islamic clothing is clothing that is interpreted as being in accordance with the teachings of Islam. Muslims wear a wide variety of clothing, which is influenced not only by religious considerations, but also by practical, cultural, social, and political factors. In modern times, some Muslims have adopted clothing based on Western traditions, while others wear modern forms of traditional Muslim dress, which over the centuries has typically included long, flowing garments. Besides its practical advantages in the climate of the Middle East, loose-fitting clothing is also generally regarded as conforming to Islamic teachings, which stipulate that body areas which are sexual in nature must be hidden from public view. Traditional dress for Muslim men has typically covered at least the head and the area between the waist and the knees, while women's islamic dress is to conceal the hair and the body from the ankles to the neck. Some Muslim women also cover their face. However, other Muslims believe that the Quran strictly mandate that women need to wear a hijab or a burqa.
The abaya, sometimes also called an aba, is a simple, loose over-garment, essentially a robe-like dress, worn by some women in the Muslim world including most of the Middle East, North Africa, and parts of the Horn of Africa. Traditional abayas are usually black and may either be a large square of fabric draped from the shoulders or head or a long kaftan. The abaya covers the whole body except the head (sometimes), feet, and hands. It can be worn with the niqāb, a face veil covering all but the eyes. Some women also wear long black gloves, so their hands are covered as well. It is common that the abaya be worn on special occasions, such as mosque visits, Islamic holiday celebrations for Eid al-Fitr and Eid al-Adha, and also during the Islamic holy month of Ramadan.
Art intervention is an interaction with a previously existing artwork, audience, venue/space or situation. It is in the category of conceptual art and is commonly a form of performance art. It is associated with Letterist International, Situationist International, Viennese Actionists, the Dada movement and Neo-Dadaists. More latterly, intervention art has delivered Guerrilla art, street art plus the Stuckists have made extensive use of it to affect perceptions of artworks they oppose and as a protest against existing interventions.
In France, there is an ongoing social, political, and legal debate concerning the wearing of the hijab and other forms of Islamic coverings in public. The cultural framework of the controversy can be traced to France's history of colonization in North Africa, but escalated into a significant public debate in 1989 when three girls were suspended from school for refusing to remove their headscarves. That incident, referred to in France as l'affaire du foulard or l'affaire du voile, initially focused the controversy on the wearing of the hijab in French public schools. Because of the wide-ranging social debates caused by the controversy, l'affaire du foulard has been compared to the Dreyfus affair in its impact on French culture.
Jean-Paul Goude is a French graphic designer, illustrator, photographer, advertising film director and event designer. He worked as art director at Esquire magazine in New York City during the 1970s, and choreographed the 1989 Bicentennial Parade in Paris to mark the 200th anniversary of the French Revolution. In addition, over the last three decades, he has created campaigns and illustrations for brands including Perrier, Citroën, Kodak, Chanel, Kenzo, Shiseido, Cacharel, H&M, Galeries Lafayette and Desigual.
Various styles of head coverings, most notably the khimar, hijab, chador, niqab, paranja, yashmak, tudong, shayla, safseri, carşaf, haik, dupatta, boshiya and burqa, are worn by Muslim women around the world, where the practice varies from mandatory to optional or restricted in different majority Muslim and non-Muslim countries.
The French ban on face covering is the result of an act of parliament passed in 2010 banning the wearing of face-covering headgear, including masks, helmets, balaclavas, niqābs and other veils covering the face, and full body costumes and zentais in public places, except under specified circumstances. This ban does not apply to the hijab, as it does not cover the face. The ban does apply to the burqa, a full-body covering, if it covers the face. In April 2011, France became the first European country to impose a ban on full-face veils in public areas.
See No Evil is a collection of works of public art by multiple graffiti artists, located around Nelson Street in Bristol, UK. The artwork was first created in an event in August 2011 that was Europe's largest street art festival at the time. It culminated with a block party. The street was mostly repainted in a repeat event in 2012. The artworks comprise murals of various sizes, in different styles, some painted on tower blocks, including a 10-storey office block. The works were created under a road closure, using scaffolding and aerial work platforms.
Islamic graffiti is a genre of graffiti created by people who usually relate to the Middle East or North Africa, using Arabic or other languages for social or political messages. It is a popular art genre created by "artists, graffiti writers, designers and typographers from the Middle East and around the world who merge Arabic calligraphy with the art of graffiti writing, street art and urban culture."
Brandalism is an activist artist collective founded in 2012 in the United Kingdom which engages in subvertising, culture jamming, and protest art. Brandalism uses subvertising to alter and critique corporate advertising by creating parodies or spoofs to replace ads in public areas. The art is typically intended to draw attention to political and social issues such as consumerism and the environment. Advertisements produced by the Brandalism movement are silk screen printed artworks, and may take the form of a new image, or a satirical alteration to an existing image, icon or logo. The advertisements are often pasted over billboards, or propped under the glass of roadside advertising spaces.
Kissing Coppers is a Banksy stencil that pictures two British policemen kissing. It was originally unveiled on the wall of The Prince Albert pub in Brighton in 2004. It gained significant attention due to Banksy's notoriety as a provocative street artist and activist. Kissing Coppers has frequently been regarded as one of Banksy’s most notable works, so much so that it was selected as the most iconic British piece of art at The Other Art Fair in London.
Islamic feminist views on dress codes include views on issues surrounding women's dress codes in Islam, especially on the hijab and niqāb.
The burqa is worn by women in various countries. Some countries have banned it in government offices, schools, or in public places and streets.
