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Prometheus Unbound (Ancient Greek : Προμηθεὺς Λυόμενος, Promētheus Lyomenos) is a fragmentary play in the Prometheia trilogy attributed to the 5th-century BC Greek tragedian Aeschylus, thought to have followed Prometheus Bound . Prometheus Unbound was probably followed by Prometheus the Fire-Bringer . It is concerned with the torments of the Greek mythological figure Prometheus who defies the gods and proceeds to give fire to humanity (theft of fire), for which he is subjected to eternal punishment and suffering at the hands of Zeus.
The text of the Unbound survives only in eleven fragments preserved by later authors. [1] Nevertheless, these fragments, combined with prophetic statements made in the first play of the trilogy, allow the reconstruction of a broad outline.
A lengthy fragment translated into Latin by the Roman statesman Cicero indicates that the play would have opened with Prometheus visited by a chorus of Titans. Though Zeus had imprisoned them in Tartarus at the conclusion of the Titanomachy, he has at long last granted them clemency. This perhaps foreshadows Zeus's eventual reconciliation with Prometheus in the trilogy's third installment. Prometheus complains about his torment just as he had to the chorus of Oceanids in Prometheus Bound. As the dramatis personae of Prometheus Bound erroneously lists Gaea, it has been suggested that she is next to visit Prometheus in this play, in a sympathetic role that echoes Oceanus' turn in the first play. Finally, the faulty dramatis personae mentioned above and several fragments indicate that Heracles visits the Titan just as Io had in Prometheus Bound. Heracles kills the eagle that had been torturing Prometheus by eating his regenerating liver every day and frees the Titan. [2] Again mirroring events in the previous play, Prometheus forecasts the travels of Hercules as he concludes his Twelve Labours. The play thus concludes with Prometheus free from the torments of Zeus, but the Titan and Olympian have yet to reconcile.
It inspired the play of the same title by Percy Bysshe Shelley.
Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Heracles, born Alcaeus or Alcides, was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon. He was a descendant and half-brother of Perseus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (Ἡρακλεῖδαι), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. Details of his cult were adapted to Rome as well.
In Greek mythology, Prometheus is one of the Titans and a god of fire. Prometheus is best known for defying the Olympian gods by taking fire from them and giving it to humanity in the form of technology, knowledge and, more generally, civilization.
In Greek mythology, the Titans were the pre-Olympian gods. According to the Theogony of Hesiod, they were the twelve children of the primordial parents Uranus (Sky) and Gaia (Earth), with six male Titans—Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus—and six female Titans, called the Titanides or Titanesses—Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys.
In Greek mythology, Oceanus was a Titan son of Uranus and Gaia, the husband of his sister the Titan Tethys, and the father of the river gods and the Oceanids, as well as being the great river which encircled the entire world.
In Greek mythology, Bia is the personification of force. According to the preface to Fabulae by Gaius Julius Hyginus, Bia's Roman name was Vis. Interestingly, Vis is Latin for force, power, violence, or strength.
In Greek mythology, Coeus, also called Polus, was one of the Titans, one of the three groups of children born to Uranus (Sky) and Gaia (Earth).
In Greek mythology, Kratos, also known as Cratus or Cratos, is the divine personification of strength. He is the son of Pallas and Styx. Kratos and his siblings Nike ('Victory'), Bia ('Force'), and Zelus ('Glory') are all the personification of a specific trait. Kratos is first mentioned alongside his siblings in Hesiod's Theogony. According to Hesiod, Kratos and his siblings dwell with Zeus because their mother Styx came to him first to request a position in his regime, so he honored her and her children with exalted positions. Kratos and his sister Bia are best known for their appearance in the opening scene of Aeschylus' Prometheus Bound. Acting as agents of Zeus, they lead the captive Titan Prometheus on stage. Kratos compels the mild-mannered blacksmith god Hephaestus to chain Prometheus to a rock as punishment for his theft of fire.
Prometheus Bound is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished.
Greek tragedy is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Prometheus Unbound is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical Prometheia, a trilogy of plays attributed to Aeschylus. Shelley's play concerns Prometheus' release from captivity, but unlike Aeschylus' version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released.
Prometheus the Fire-Bringer was probably the final play in the Prometheia trilogy traditionally ascribed to the 5th century BC Greek tragedian Aeschylus.
The Prometheia is a trilogy of plays about the Titan Prometheus. It was attributed in Antiquity to the 5th-century BC Greek tragedian Aeschylus. Though an Alexandrian catalogue of Aeschylean play titles designates the trilogy Hoi Prometheis, in modern scholarship the trilogy has been designated the Prometheia to mirror the title of Aeschylus' only extant trilogy, the Oresteia. Unlike the Oresteia, only one play from this trilogy—Prometheus Bound—survives. Inasmuch as the authorship of Prometheus Bound continues to be debated, the very existence of a Prometheus trilogy is uncertain. To the extent that modern scholars postulate the existence of such a trilogy by a single author, the consensus holds that it comprised Prometheus Bound, Prometheus Unbound, and Prometheus the Fire-Bringer, in that order.
Hercules is a fictional Olympian god in the DC Universe based on the Greek demigod and hero of the same name.
The trick at Mecone or Mekone (Mi-kon) was an event in Greek mythology first attested by Hesiod in which Prometheus tricked Zeus for humanity’s benefit, and thus incurred his wrath. It is unusual among Greek myths for being etiological, i.e. explaining the origins of an object or custom. 'Mecone' or 'Mekone' was identified in Classical times with Sicyon, though it is unknown if Hesiod recognized this identification.
The Fire Thief was written by Terry Deary and is the first book in The Fire Thief Trilogy. It was published in 2005. The book is about Prometheus, the Greek Titan who, in Greek mythology, is said to have stolen fire from the gods and given it to humans.
Themiscyra was an ancient Greek town in northeastern Anatolia; it was situated on the southern coast of the Black Sea, near the mouth of the Thermodon, probably at or near modern Terme.
Flight of the Fire Thief is a novel written by British writer Terry Deary, and is the second installment of The Fire Thief Trilogy. The book continues the story of Prometheus, the Titan who stole fire from the gods.
Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. Influenced by the Greek play, Prometheus: The Friend of Man, Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders, who rendered the eagle. It remained in his possession from 1612 to 1618, when it was traded in a group of paintings completed by Rubens, to Englishman Sir Dudley Carleton in exchange for his collection of classical statues. This work is currently in the collection of the Palais des Beaux-Arts de Lille.
In Greek mythology, Aëtos is an earth-born childhood companion of Zeus, the king of the gods, who served as the origin of the Eagle of Zeus, the most prominent symbol of the god of thunder.