Marlon Lu’Ree Williams, better known by his stage name Marley Marl, is an American DJ, record producer, rapper and record label founder, primarily operating in hip hop music. Marlon grew up in Queensbridge housing projects located in Queens, New York. He performed in local talent shows during the early days of rap music, further fueling his interest.
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
The Wailing Wailers is the 1965 eponymous debut studio album by the Wailers, later known as Bob Marley and the Wailers. Released on the Studio One label, the album is a compilation of various recordings made between 1964 and 1965 by Neville “Bunny” Livingston, Robert Nesta Marley and Peter McIntosh. It compiles what Clement Coxsone Dodd considered the best Wailers recordings from this period. They were accompanied by the Studio One backing band, The Soul Brothers.
14 Shots to the Dome is the fifth studio album by American hip hop recording artist LL Cool J. It was released on March 30, 1993, via Def Jam Recordings. Recording sessions took place at Marley's House Of Hits, at Cove City Sound Studios and at Unique Recording Studios in New York, and at QDIII Soundlab in Los Angeles, at Bobcat's House in Palmdale, and at Encore Studio in Burbank. Production was handled by Marley Marl, DJ Bobcat, Quincy Jones III, Andrew Zenable and Chris Forte. It features guest appearances from Lords of the Underground and Lieutenant Stitchie.
Bootlegs & B-sides is a compilation studio album by American recording artist Ice Cube. It was released on November 22, 1994 via Priority Records.
"Jingling Baby" is the final single released from LL Cool J's third album, Walking with a Panther. It was released on January 8, 1990 for Def Jam Recordings and was produced by LL Cool J and Dwayne Simon. The single version was remixed by Marley Marl. "Jingling Baby" peaked at #32 on the Hot R&B/Hip-Hop Songs. It was backed by remixed versions of "Illegal Search", a track from LL Cool J's fourth album, Mama Said Knock You Out. The song was later sampled by contemporary hip hop group A Tribe Called Quest on their penultimate album The Love Movement on the track "Against the World", and also by Ludacris in his 2012 single "Jingalin'".
Goin' Off is the debut studio album by American hip hop musician Biz Markie. The album was released by Cold Chillin' Records, and produced by Marley Marl. Big Daddy Kane wrote the lyrics of the album's first five songs. The album also showcased Biz's talent as a human beatbox on the song "Make the Music with Your Mouth, Biz", and his skill in the game of dozens on the track "Nobody Beats the Biz". One of his most widely known songs, "Vapors", was on the album.
Hip Hop Lives is the collaborative studio album by American rapper KRS-One and record producer Marley Marl. It was released on May 22, 2007 via Koch Records. Recording sessions took place at House Of Hits in New York and at Westlake Recording Studios in Los Angeles. Production was handled by Marley Marl himself, except for one track produced with 88 Fingers. It features guest appearances from Blaq Poet, Busy Bee Starski and Magic Juan. The album's title is a response to Nas's 2006 album Hip Hop Is Dead.
We Got It is the third album by R&B boy band Immature that was released on December 5, 1995. The album featured singles "We Got It", "Please Don't Go", "Lover's Groove" and "Feel the Funk".
In Control, Volume 1 is the debut studio album by American hip hop record producer Marley Marl of the Juice Crew. It was released on September 20, 1988 through Cold Chillin' Records with distribution via Warner Bros. Records.
Here Come the Lords is the debut studio album by American hip hop group Lords of the Underground. It was released in 1993 by Pendulum and Elektra Records. It was produced by Marley Marl and K-Def.
Keepers of the Funk is the second studio album by American hip hop group Lords of the Underground. It was released on November 1, 1994 via Pendulum Records. Recording sessions took place at House of Hitz in Chestnut Ridge, New York. Production was handled by Marley Marl, K-Def, Lords of the Underground and Andre Booth. It features guest appearances from Sah-B, Deniece Williams, George Clinton, Brian "Bre" Williamson and Supreme C. The album did gain some success, making it to No. 57 on the Billboard 200 and No. 16 on the Top R&B/Hip-Hop Albums chart. The album is now out of print.
"Stand by Your Man" is a song by American rapper LL Cool J, released as the final single from his fifth studio album, 14 Shots to the Dome. It was released on October 4, 1993 by Def Jam Recordings, and was produced by Marley Marl and LL Cool J. "Stand By Your Man" had the least commercial success of the four singles, only making it to number 67 on the Hot R&B/Hip-Hop Singles & Tracks and 18 on the Hot Rap Tracks. The B-side was "Soul Survivor".
The Biz Never Sleeps is the second studio album by Biz Markie. It was released on October 10, 1989, on Cold Chillin'/Warner Bros. Records and was produced by Biz, his cousin Cool V and producer Paul C, instead of Cold Chillin' in-house producer Marley Marl. The album proved to be a success, peaking at #66 on the Billboard 200 and #9 on the Top R&B/Hip-Hop Albums, as well as producing his most famous song and biggest hit, "Just a Friend," which made it to #9 on the Billboard Hot 100 and #5 on the Hot Rap Singles.
The following is a discography of production credited to Marley Marl.
"Funky Child" is the second single released from the Lords of the Underground's debut album, Here Come the Lords. Produced and mixed by the duo of Marley Marl and K-Def, "Funky Child" was a success for the group, making it to five different Billboard charts, including 74 on the Billboard Hot 100 and 2 on the Hot Rap Singles, where it found the most success.
"Chief Rocka" is the third single released from the Lords of the Underground's debut album, Here Come the Lords. The song was produced and featured scratches by K-Def, with K-Def and Marley Marl mixing it. "Chief Rocka" became the group's most successful single and has become their signature song. It peaked at #55 on the Billboard Hot 100, the group's highest appearance on that chart, and went to #1 on the Hot Rap Singles. The line "I live for the funk, I die for the funk" was sampled for the hook of The Notorious B.I.G. song "Machine Gun Funk" from his 1994 classic Ready to Die. The chorus was also interpolated in Kanye West's "Guilt Trip" on his 2013 Yeezus.
"Flow On (New Symphony)" is the fifth and final single released from the Lords of the Underground's debut album, Here Come the Lords. The original song was produced by Marley Marl and featured verses from the group's affiliates, Kid Deleon and Sah-B, while Pete Rock contributed a remix of the song. "Flow On" peaked at 36 on the Hot Rap Singles and sampled "Float On" by The Floaters.
"Tic Toc" is the lead single released from the Lords of the Underground's second album, Keepers of the Funk. Produced by Marley Marl, with the group's DJ Lord Jazz providing scratches, "Tic Toc" was the Lords' last single to reach the Billboard Hot 100, peaking at 73 on that chart, while also making it to 17 on the Hot Rap Singles chart. The song samples Doug E. Fresh and Slick Rick's "La Di Da Di".
"Faith" is the third and final single released from the Lords of the Underground's second album, Keepers of the Funk. The song was produced by the Lords of the Underground themselves and featured singer, Deniece Williams, as well as sampling her 1976 song, "Free". "Faith" has thus far been the group's final charting single, peaking at 49 on the Hot Rap Singles and 31 on the Dance/Maxi-Singles chart. It was also the group's only charting single not to be produced by either Marley Marl or K-Def.
