Stockings are close-fitting, variously elastic garments covering the leg from the foot up to the knee or possibly part or all of the thigh. Stockings vary in color, design, and transparency. Today, stockings are primarily worn for fashion and aesthetics, usually in association with mid-length or short skirts.
The Museum of New Zealand Te Papa Tongarewa is New Zealand's national museum and is located in Wellington. Usually known as Te Papa, it opened in 1998 after the merging of the National Museum of New Zealand and the National Art Gallery. An average of more than 1.5 million people visit every year, making it the 26th-most-visited art gallery in the world. Te Papa operates under a bicultural philosophy, and emphasises the living stories behind its cultural treasures.
A lavalava, sometime written as lava-lava, also known as an 'ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples. It consists of a single rectangular cloth worn similarly to a wraparound skirt or kilt. The term lavalava is both singular and plural in the Samoan language.
A hei matau is a bone or greenstone carving in the shape of a highly stylised fish hook. They represent good luck and safe travel across water.
Tupenu is the Tongan term for a wrapped garment also called a sarong, lungi, or lava-lava, worn through much of South Asia, Southeast Asia, Arabian peninsula, the Horn of Africa and Oceania. It is analogous to the kilt worn in Scotland.
A taʻovala is an article of Tongan dress, a mat wrapped around the waist, worn by men and women, at all formal occasions, much like the tie for men in the Western culture. The ta'ovala is also commonly seen among the Fijian Lau Islands, and Wallis island, both regions once heavily influenced by Tongan hegemony and cultural diffusion.
Māori traditional textiles are the indigenous textiles of the Māori people of New Zealand. The organisation Te Roopu Raranga Whatu o Aotearoa, the national Māori weavers' collective, aims to preserve and foster the skills of making and using these materials.
The ʻAhu ʻula, and the mahiole were symbols of the highest rank of the chiefly aliʻi class of ancient Hawaii. The feathered cloaks and capes provided physical protection, and were believed to provide spiritual protection for their wearers. There are over 160 examples of this traditional clothing in museums around the world. At least six of these cloaks were collected during the voyages of Captain Cook. These cloaks are made from a woven netting decorated with bird feathers and are examples of fine featherwork techniques. One of these cloaks was included in a painting of Cook's death by Johann Zoffany.
Mark Adams is one of New Zealand's most distinguished photographers.
An ʻie tōga is a special finely woven mat that is an important item of cultural value in Samoa. They are commonly referred to in English as "fine mats" although they are never used as mats as they only have a purely cultural value. ʻIe tōga are valued by the quality of the weave and the softness and shine of the material. They are made by women and form an important part of their role, identity and skill in their community.
Joseph Churchward was a Samoan-born New Zealand graphic designer and typographer. He is known for having designed an estimated 690 original typefaces, many of which are in use around the world. His designs were also used in the masthead of The Evening Post newspaper.
Shigeyuki "Yuki" Kihara is an interdisciplinary artist of Japanese and Samoan descent. In 2008, her work was the subject of a solo exhibition at the Metropolitan Museum of Art in New York; it was the first time a New Zealander and the first time a Pacific Islander had a solo show at the institution. Titled Shigeyuki Kihara: Living Photographs, the exhibition opened from 7 October 2008 to 1 February 2009. Kihara's self-portrait photographs in the exhibitions included nudes in poses that portrayed colonial images of Polynesian people as sexual objects. Her exhibition was followed by an acquisition of Kihara's work for the museum's collection.
Thomas Andrew was a New Zealand photographer who lived in Samoa from 1891 until his death in 1939.
Hawaiian feather helmets, known as mahiole in the Hawaiian language, were worn with feather cloaks. These were symbols of the highest rank reserved for the men of the aliʻi, the chiefly class of Hawaii. There are examples of this traditional headgear in museums around the world. At least sixteen of these helmets were collected during the voyages of Captain Cook. These helmets are made from a woven frame structure decorated with bird feathers and are examples of fine featherwork techniques. One of these helmets was included in a painting of Cook's death by Johann Zoffany.
Dame Robin Adair White is a New Zealand painter and printmaker, recognised as a key figure in the regionalist movement of 20th-century New Zealand art.
Lindah Aaron Lepou is a New Zealand-Samoan fashion designer. Her work is included in the permanent collection of Museum of New Zealand Te Papa Tongarewa.
Pounamu is a term for several types of hard and durable stone found in the South Island of New Zealand. They are highly valued in New Zealand, and carvings made from pounamu play an important role in Māori culture.
Joan Allison Talbot was a New Zealand fashion designer and retailer. Her work is held in the permanent collection of the Museum of New Zealand Te Papa Tongarewa.
Robert Hans George Jahnke is a New Zealand artist and educator, well-known for his graphic and sculptural artwork. He is a professor at Massey University, founding Toioho ki Āpiti in 1991, the Māori visual arts degree programme in New Zealand.
