Pulpurru Davies

Last updated

Pulpurru Davies
Born
Katapi Pulpurru

c. 1943
near Yankaltjunku,
Western Australia
NationalityAustralian
Occupation Painter
Years active1990–present
Style Western Desert art

Pulpurru Davies (born early 1940s) is an Aboriginal artist from central Australia. Most of her early life was spent living nomadically in the desert, until she and her family were settled at Warburton in the late 1960s. Part of her life in the bush was featured in the documentary People of the Australian Western Desert (1966). She has since become one of the earliest and most successful Ngaanyatjarra artists.

Contents

Life

Pulpurru was born around the early 1940s. [1] She was born near Yankaltjunku, a rockhole in the northeast Gibson Desert. [2] [3] Her family belong to the Ngaanyatjarra people, for whom Yankaltjunku is a sacred place. Pulpurru grew up living a traditional, nomadic way of life in the desert with her family. They moved from waterhole to waterhole in their traditional country. They lived this way up until the 1960s, by which time they were one of the last groups of nomadic people in Australia. [4]

By the mid-1960s, Pulpurru's family were camped at Patjarr, which was only a rockhole at the time. They had been forced to stay in one place because of several years of drought, and Patjarr usually had a reliable supply of water. While they were living there, an English anthropologist named Ian Dunlop came and filmed the family in their daily routines. [4] It was later made into a documentary, titled People of the Australian Western Desert (1966), produced by the Australian Commonwealth Film Unit. [2] Pulpurru was an adult by that time.

We went and lived there at Patjarr rock hole when there was no water. We lived there for a long time. After a long time we saw a white man who came [...] We used to get up in the morning and put our carrying dish on our heads and walk off. He used to film us from behind. That white man filmed us as we gathered fruits, grains, and berries. That other lady and I and the children used to collect food and he used to film us. We would dig for small game, dig the animals from the burrow, kill them, pick them up and walk off. That man making them movie stayed here a long time and later on he went back home.

Pulpurru Davies, [4]

Like most other Ngaanyatjarra groups, Pulpurru and her family were moved out of the desert to settle at Warburton. [4] They were brought there by government patrol officers in the late 1960s. At Warburton, Davies worked several domestic jobs. [2] It was at Warburton that Davies began working in arts and crafts, at the Warburton Arts Project. Alongside other women, she learned to paint using modern Western techniques and how to make glasswork designs. [4]

In the early 1990s, a road was built out to Patjarr, and Davies and her family returned to establish a permanent community there (Karilywara). [4] This is where Davies now lives and paints. [2] She paints for Kayili Artists, the community artists' co-operative.

Art work

Davies paints events and stories from her country, and the Dreaming legends associated with it. Places often depicted in her paintings are Yankaltjunku (where she was born), Kiwarr (where her family used to dig for water), and Mirra Mirra (where one of Pulpurru's sons was born). [3] She works with paints, tjanpi (grass weaving) and punu (wood carving). [2]

Davies' work has been exhibited across Australia since 1990. It was first shown overseas in 1998, as part of a group exhibition at the Australian High Commission in Kuala Lumpur. [2] She also had work featured in a major group exhibition in China in 2011 (called Tu Di Shen Ti / Our Land Our Body). [5]

In 2007, one of her paintings, titled Kiwarr, was chosen as a finalist for the National Aboriginal and Torres Strait Islander Art Award (NATSIAA). It was eventually bought by the Museum and Art Gallery of the Northern Territory as part of its NATSIAA collection. [3]

Other of Davies' work are held in the National Gallery of Victoria, [6] the Queensland Gallery of Modern Art, [7] the National Museum of Australia [8] and the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. [9] Some of her paintings are also displayed in the State Parliament building of Western Australia, and in a few major private galleries in Germany and the United States. [2]

Related Research Articles

Warburton or Warburton Ranges is an Aboriginal Australian community in Western Australia, just to the south of the Gibson Desert and located on the Great Central Road and Gunbarrel Highway. At the 2016 census, Warburton had a population of 576.

Dorothy Napangardi was a Warlpiri speaking contemporary Indigenous Australian artist born in the Tanami Desert and who worked in Alice Springs.

<span class="mw-page-title-main">Ngaanyatjarra</span> Indigenous people in Western Australia

The Ngaanyatjarra, also known as the Nana, are an Indigenous Australian cultural group of Western Australia. They are located in the Goldfields-Esperance region, as well as Northern Territory.

Nyakul Dawson was an Australian Aboriginal tribal elder and artist. He was one of the earliest Ngaanyatjarra artists to achieve success using Western-style painting techniques. Examples of his work are held in the National Gallery of Victoria, and the Art Gallery of New South Wales.

<span class="mw-page-title-main">Makinti Napanangka</span> Indigenous Australian artist from the Western Desert region (c. 1930 – 2011)

Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.

Doreen Reid Nakamarra was an Australian Aboriginal artist and painter. Reid was considered an important artist within the Western Desert cultural bloc. She was a leading painter at the Papunya Tula artist cooperative in Central Australia.

Tjunkiya Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri.

Takariya Napaltjarri is an Indigenous artist from Australia's Western Desert region. She has painted with Papunya Tula artists' cooperative. First exhibited in 1996, her work is held in the collection of the Art Gallery of New South Wales.

Sheila Brown Napaljarri was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. A contributor to major collaborative paintings by Indigenous communities, her works are also held by the Art Gallery of New South Wales and the South Australian Museum.

Maggie Napaljarri Ross is an Aboriginal Australian artist. Her work has been collected by Artbank and the Kluge-Ruhe Museum in the United States.

Jimmy Donegan is an Aboriginal Australian artist. His painting Papa Tjukurpa munu Pukara won the National Aboriginal & Torres Strait Islander Art Award in 2010. He speaks Pitjantjatjara and Ngaanyatjarra. His work is held in several major private galleries in Australia and Europe; the only major public gallery to hold one of his works is the National Gallery of Victoria.

Anmanari Brown is an Australian Aboriginal artist. She was one of the pioneers of the art movement across the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara lands, which began in 2000. Since then, her paintings have gained much success. Her work is held in the National Gallery of Victoria, the Art Gallery of Western Australia, the Queensland Art Gallery, and the National Gallery of Australia.

Tjayanka Woods is an Australian Aboriginal artist. She was one of the pioneers of the art movement across the Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara lands, which began in 2000. She is best known for her paintings, but also a craftswoman who makes baskets and other woven artworks. Her paintings are held in the Art Gallery of Western Australia, National Gallery of Victoria, and the National Gallery of Australia.

Eileen Yaritja Stevens was an Aboriginal artist from central Australia. Although she had brief career of less than four years, she quickly became one of the most successful artists of her generation to paint in the style of the Western Desert. Her work is now held in several major public art collections across Australia.

Maringka Baker is an Aboriginal artist from central Australia. She lives in the Pitjantjatjara community of Kaṉpi, South Australia, and paints for Tjungu Palya, based in nearby Nyapaṟi.Maringka is known for her paintings. Maringka paints sacred stories from her family's Dreaming (spirituality). As well as the important cultural meanings they carry, her paintings are known for being rich in colour and contrast. She often paints the desert landscape in bright green colours, and contrasts it against reds and ochres to depict landforms. She also uses layers of contrasting colours to show the detail of the desert in full bloom.

Yukultji Napangati is an Aboriginal Australian artist. She is a painter of the Papunya Tula group of artists. She is part of a generation of female painters who followed in the footsteps of the original male Papunya Tula artists.

Jenni Kemarre Martiniello is an Australian Aboriginal (Arrernte) glass artist. She is best known for making glass vessels inspired by woven forms traditionally made by indigenous peoples. She is also known for her advocacy for and support of indigenous artists.

Barbara Mbitjana Moore is an Anmatyerre woman who grew up in Ti-Tree in the Northern Territory, moving later to Amata in South Australia's Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. In April 2003, Moore began painting at Amata's Tjala Arts, and, since then, has received widespread recognition. Moore won a National Aboriginal & Torres Strait Islander Art Award in 2012 and has been a finalist in many other years. Moore has also been a finalist for the Wynne Prize.

<span class="mw-page-title-main">Wukun Wanambi</span> Yirrkala Aboriginal artist (1962–2022)

Wukun Wanambi was an Australian Yolngu painter, filmmaker and curator of the Marrakulu clan of northeastern Arnhem Land.

Betty Muffler is an Aboriginal Australian artist and ngangkari (healer). She is a senior artist at Iwantja Arts, in Indulkana in Aṉangu Pitjantjatjara Yankunytjatjara, South Australia, known for a series of works on large linen canvases called Ngangkari Ngura .

References

  1. The exact year of Pulpurru Davies' birth is not known. Most of the estimates recorded in sources is that she was born around 1939 or 1943.
  2. 1 2 3 4 5 6 7 "Details of Pulpurru Davies". Short Street Gallery. Archived from the original on 27 March 2012. Retrieved 4 January 2013.
  3. 1 2 3 "Pulpurru Davies: Kiwarr (2007)". National Aboriginal & Torres Strait Islander Art Award (NATSIAA) Collection. Museum and Art Gallery of the Northern Territory. Archived from the original on 10 April 2013. Retrieved 4 January 2013.
  4. 1 2 3 4 5 6 Acker, Tim; Carty, John (2012). Ngaanyatjarra: Art of the Lands. Sussex Academic Press. pp. 219–221, 237, 253. ISBN   9781742583914.
  5. Laurie, Victoria (25 August 2011). "From Warburton to China: The Aboriginal art exhibition taking China by storm". 720 ABC Perth. Australian Broadcasting Corporation. Retrieved 4 January 2013.
  6. "Pulpurru Davies". Collection Online. National Gallery of Victoria. Retrieved 4 January 2013.
  7. "Davies, Pulpurru". Collection Search. Queensland Art Gallery of Modern Art. Retrieved 4 January 2013.
  8. "Minyma Kutjarra by Pulpurru Davies, 2008". Canning Stock Route collection. National Museum of Australia. Retrieved 4 January 2013.
  9. "Collections". Kluge-Ruhe. Retrieved 13 May 2020.

Further reading