Pumla Dineo Gqola | |
---|---|
Born | 3 December 1972 |
Nationality | South African |
Occupation(s) | Academic, writer, gender activist |
Awards | Alan Paton Award (2016) |
Academic background | |
Alma mater |
|
Academic work | |
Discipline | Literature |
Sub-discipline | Postcolonial literature,African literature,African feminism |
Institutions | Nelson Mandela University |
Pumla Dineo Gqola (born 3 December 1972) is a South African academic,writer,and gender activist,best known for her 2015 book Rape:A South African Nightmare,which won the 2016 Alan Paton Award. [1] She is a professor of literature at Nelson Mandela University,where she holds the South African Research Chair in African Feminist Imaginations. [2]
Gqola was born on born 3 December 1972[ citation needed ] and grew up in Alice in the Eastern Cape of South Africa. [2] She has a BA(Hons) and MA from the University of Cape Town, [3] an MA from the University of Warwick,and a DPhil in postcolonial studies from the Ludwig Maximilian University of Munich. [4] [5]
She worked at the University of the Free State from 1997 to 2005,and from 2007 to 2017 she was attached to the University of the Witwatersrand,where she was associate professor,and later full professor,in literary,media and gender studies at the School of Literature and Language Studies. [6] In 2018,she was appointed Dean of Research at the University of Fort Hare. [2] [5] In 2019,she was appointed to the Department of Higher Education Ministerial Task Team responsible for advising on gender-based violence in South African universities. [2] She has also been Chief Research Specialist at the Human Sciences Research Council. [2]
She was a patron of Etisalat Prize for Literature (alongside Billy Kahora,Dele Olojede,Ellah Wakatama,Kole Omotoso and Margaret Busby),launched in 2013 to celebrate first-time African writers of published books of fiction. [7]
In May 2020,she joined the Centre for Women and Gender Studies at Nelson Mandela University,where she is a professor in literature,specialising in African and postcolonial literature,African feminism,and slave memory. In late 2020,she was awarded a National Research Foundation Research Chair in African Feminist Imaginations,dedicated to interdisciplinary gender scholarship. [2] Her articles for public audiences have appeared in publications including the New Frame and the New York Times. [8] [9]
Gqola's first book,What is Slavery to Me?:Postcolonial/Slave Memory in Post-Apartheid South Africa (2010) is an academic,interdisciplinary study of slave memory in South Africa and its significance for contemporary gender and race dynamics. [6] [10] [11] It was longlisted for the 2011 Alan Paton Award. [12] A Renegade Called Simphiwe (2013) is about South African singer Simphiwe Dana,and combines biography with cultural analysis. [13]
Gqola is best known for her two books about rape culture –Rape:A South African Nightmare (2015) and Female Fear Factory:Gender and Patriarchy under Racial Capitalism (2021). She has also published a collection of essays,Reflecting Rogue:Inside the Mind of a Feminist (2018),which was favourably received [14] [15] [16] and longlisted for the 2018 Alan Paton Award. [17]
In Rape (2015),written for public audiences,Gqola examines the history,workings,and social functions of sexual violence in South Africa. She argues that rape is an act of power and violence,rather than a sex act,and in South Africa is normalised and legitimised by various social norms,images,and attitudes. [18] Gqola introduces the notion of the "female fear factory," also the subject of her most recent book,Female Fear Factory (2021), [19] to refer to the social discourses with she claims regulate women's behaviour through "the manufacture of female fear," especially by the subtle but ubiquitous assertion of male ownership over their bodies. [20] She argues that these discourses are strengthened by the public prominence of hyper-masculine figures such as Jacob Zuma,Julius Malema,Kenny Kunene,and Oscar Pistorius,and she dedicates a chapter to analysing the public and media response to the Jacob Zuma rape trial of 2005-6.
Rape received positive reviews, [21] [22] [23] [24] [25] with the Daily Maverick calling it "brilliant and distressing." [26] It won the 2016 Alan Paton Award. [27] Chair of Judges Achmat Dangor said it was "fearless" and "nuanced and cogently argued". [28]
In Female Fear Factory (2019),Gqola explores in detail how female fear is created and maintained around the world by patriarchal cultures in order to control women and other marginalised groups. [29] Her core argument to address the "female fear factory" is confrontation,to “refuse to keep quiet when trivialisation happens in front of us in public”as this “make[s] more cracks in patriarchy’s manufacture of female fear”. [30] Female Fear Factory received positive reviews, [31] [32] [33] with fellow academic Jamie Martin labelling it a "timely and critical contribution" to South African feminist thinking. [31]
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that modern societies are patriarchal—they prioritize the male point of view—and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.
Postcolonial feminism is a form of feminism that developed as a response to feminism focusing solely on the experiences of women in Western cultures and former colonies. Postcolonial feminism seeks to account for the way that racism and the long-lasting political, economic, and cultural effects of colonialism affect non-white, non-Western women in the postcolonial world. Postcolonial feminism originated in the 1980s as a critique of feminist theorists in developed countries pointing out the universalizing tendencies of mainstream feminist ideas and argues that women living in non-Western countries are misrepresented.
Diana E. H. Russell was a feminist writer and activist. Born and raised in Cape Town, South Africa, she moved to England in 1957, and then to the United States in 1961. For the past 45 years she was engaged in research on sexual violence against women and girls. She wrote numerous books and articles on rape, including marital rape, femicide, incest, misogynist murders of women, and pornography. For The Secret Trauma, she was co-recipient of the 1986 C. Wright Mills Award. She was also the recipient of the 2001 Humanist Heroine Award from the American Humanist Association. She was also an organizer of the First International Tribunal on Crimes against Women, in Brussels in March 1976.
Rape culture is a setting, as described by some sociological theories, in which rape is pervasive and normalized due to that setting's attitudes about gender and sexuality. Behaviors commonly associated with rape culture include victim blaming, slut-shaming, sexual objectification, trivializing rape, denial of widespread rape, refusing to acknowledge the harm caused by sexual violence, or some combination of these. It has been used to describe and explain behavior within social groups, including prison rape and in conflict areas where war rape is used as psychological warfare. Entire societies have been alleged to be rape cultures.
South African politician Jacob Zuma – later the President of South Africa – was charged with rape on 6 December 2005. He was prosecuted in the Johannesburg High Court between March and May 2006. On 8 May, the Court dismissed the charges, agreeing with Zuma that the sex act in question had been consensual. During the trial, Zuma admitted to having unprotected sex with his accuser, whom he knew to be HIV-positive, but memorably claimed that he took a shower afterwards to reduce his risk of contracting HIV.
Miriam Tlali was a South African novelist. She was the first black woman in South Africa to publish an English-language novel, Muriel at Metropolitan, in 1975. She was also one of the first to write about Soweto. She also wrote Amandla in 1980 which focuses on the Soweto Uprising in 1976, as well as a collection of short stories called Soweto Stories which was published in 1989. Most of her writing was originally banned by the South African apartheid regime.
African feminism includes theories and movements which specifically address the experiences and needs of continental African women. From a western perspective, these theories and movements fall under the umbrella label of Feminism, but this categorization is misleading for many branches of African "feminism". African women have been engaged in gender struggle since long before the existence of the western-inspired label "African feminism," and this history is often neglected. Despite this caveat, this page will use the term feminism with regard to African theories and movements in order to fit into a relevant network of Wikipedia pages on global feminism. Because Africa is not a monolith, no single feminist theory or movement reflects the entire range of experiences African women have. African feminist theories are sometimes aligned, in dialogue, or in conflict with Black Feminism or African womanism. This page covers general principles of African feminism, several distinct theories, and a few examples of feminist movements and theories in various African countries.
The Sunday Times CNA Literary Awards are awarded annually to South African writers by the South African weekly newspaper the Sunday Times. They comprise the Sunday Times CNA Literary Award for Non-fiction and the Sunday Times CNA Literary Award for Fiction, and are awarded for full-length non-fiction works and novels, respectively. Both winners receive R100 000. Ivan Vladislavic is the only person to have won both the fiction and the non-fiction award.
Corrective rape, also called curative rape or homophobic rape, is a hate crime in which somebody is raped because of their perceived sexual orientation. The common intended consequence of the rape, as claimed by the perpetrator, is to turn the person heterosexual.
The rate of sexual violence in South Africa is among the highest recorded in the world. Police statistics of reported rapes as a per capita figure has been dropping in recent years, although the reasons for the drop has not been analysed and it is not known how many rapes go unreported. More women are attacked than men, and children have also been targeted, partly owing to a myth that having sex with a virgin will cure a man of HIV/AIDS. Rape victims are at high risk of contracting HIV/AIDS owing to the high prevalence of the disease in South Africa. "Corrective rape" is also perpetrated against LGBT men and women.
Masculism or masculinism may variously refer to ideologies and socio-political movements that seek to eliminate sexism against men, or increase adherence to or promotion of attributes regarded as typical of males. The terms may also refer to the men's rights movement or men's movement, as well as a type of antifeminism.
A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought.
Feminist views on BDSM vary widely from acceptance to rejection. BDSM refers to bondage and discipline, dominance and submission, and Sado-Masochism. In order to evaluate its perception, two polarizing frameworks are compared. Some feminists, such as Gayle Rubin and Patrick Califia, perceive BDSM as a valid form of expression of female sexuality, while other feminists, such as Andrea Dworkin and Susan Griffin, have stated that they regard BDSM as a form of woman-hating violence. Some lesbian feminists practice BDSM and regard it as part of their sexual identity.
Penny Siopis is a South African artist from Cape Town. She was born in Vryburg in the North West province from Greek parents who had moved after inheriting a bakery from Siopis maternal grandfather. Siopis studied Fine Arts at Rhodes University in Makhanda, completing her master's degree in 1976, after which she pursued postgraduate studies at Portsmouth Polytechnic in the United Kingdom. She taught Fine Arts at the Technikon Natal in Durban from 1980 to 1983. In 1984 she took up a lectureship at the University of the Witwatersrand in Johannesburg. During this time she was also visiting research fellow at the University of Leeds (1992–93) and visiting professor in fine arts at Umeå University in Sweden (2000) as part of an interinstitutional exchange. With an honorary doctorate from Rhodes University, Makhanda – Siopis is currently honorary professor at Michaelis School of Fine Art, University of Cape Town.
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Isabel Apawo Phiri is a Malawian theologian known for her work in gender justice, HIV/AIDS, and African theology. She has been a Deputy Secretary for the World Council of Churches since 2012.
Sarojini Nadar is a South African theologian and biblical scholar who is the Desmond Tutu Research Chair in Religion and Social Justice at the University of the Western Cape.
Bhekizizwe Peterson was a prominent African intellectual born in Alexandra Township in Johannesburg, South Africa. Until his passing, he was a Professor of African Literature at University of the Witwatersrand. Peterson was also an internationally renowned film writer and producer. He co-founded Natives at Large, a black owned and controlled South African full service Film & Television production company. He co - founded Natives at Large with film-maker Ramadan Suleman.
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