Galatea is a name popularly applied to the statue carved of ivory by Pygmalion of Cyprus, which then came to life in Greek mythology. In modern English, the name usually alludes to that story.
Die schöne Galathée is an operetta in one act by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' .*
In Greek mythology, Pygmalion was a legendary figure of Cyprus, who was a king and a sculptor. He is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.
John Baldwin Buckstone was an English actor, playwright and comedian who wrote 150 plays, the first of which was produced in 1826.
William Hunter Kendal was an English actor and theatre manager. He and his wife Madge starred at the Haymarket in Shakespearian revivals and the old English comedies beginning in the 1860s. In the 1870s, they starred in a series of "fairy comedies" by W. S. Gilbert and in many plays on the West End with the Bancrofts and others. In the 1880s, they starred at and jointly managed the St. James's Theatre. They then enjoyed a long touring career.
Dame Madge Kendal, was an English actress of the Victorian and Edwardian eras, best known for her roles in Shakespeare and English comedies. Together with her husband, W. H. Kendal , she became an important theatre manager.
Mary Anderson was an American theatre actress.
The Palace of Truth is a three-act blank verse "Fairy Comedy" by W. S. Gilbert first produced at the Haymarket Theatre in London on 19 November 1870, adapted in significant part from Madame de Genlis's fairy story, Le Palais de Vérite. The play ran for approximately 140 performances and then toured the British provinces and enjoyed various revivals even well into the 20th century. There was also a New York production in 1910.
Charity is a drama in four acts by W. S. Gilbert that explores the issue of a woman who had lived with a man as his wife without ever having married. The play analyses and critiques the double standard in the Victorian era concerning the treatment of men and women who had sex outside of marriage, anticipating the "problem plays" of Shaw and Ibsen. It opened on 3 January 1874 at the Haymarket Theatre in London, where Gilbert had previously presented his 'fairy comedies' The Palace of Truth, Pygmalion and Galatea, and The Wicked World. Charity ran for about 61 performances, closing on 14 March 1874, and received tours and revivals thereafter.
Sweethearts is a comic play billed as a "dramatic contrast" in two acts by W. S. Gilbert. The play tells a sentimental and ironic story of the differing recollections of a man and a woman about their last meeting together before being separated and reunited after 30 years.
The Wicked World is a blank verse play by W. S. Gilbert in three acts. It opened at the Haymarket Theatre on 4 January 1873 and ran for a successful 145 performances, closing on 21 June 1873. The play is an allegory loosely based on a short illustrated story of the same title by Gilbert, written in 1871 and published in Tom Hood's Comic Annual, about how pure fairies cope with a sudden introduction to them of "mortal love."
Galatea, or Pygmalion Re-Versed is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play Pygmalion and Galatea. The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz.
Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village. Though now rarely performed, it was one of the first ever melodramas. It is formed of spoken monodrama with instrumental musical interludes and thus can be credited with spreading a new theatrical genre, especially in German-speaking areas of Europe. He wrote it in 1762, with music by Horace Coignet. It was first performed at the Hôtel de Ville, Lyon in 1770. The work is considered a turning point for its author, who also wrote The Social Contract that same year.
Henrietta Hodson was an English actress and theatre manager best known for her portrayal of comedy roles in the Victorian era. She had a long affair with the journalist-turned-politician Henry Labouchère, later marrying him.
Amy Roselle, born Amy Louise Roselle Hawkins was an English actress who performed in Britain, the US and Australia. She specialised in Shakespearean roles but also played parts in contemporary dramas. She married Arthur Dacre, and the two toured together with their own theatre company, eventually traveling to Australia. In a murder-suicide pact, her husband shot her dead in 1895.
Caroline Lucreza Brook Hill was an English actress. She began acting as a child in the company of Samuel Phelps and soon joined the company of J. B. Buckstone at the Haymarket Theatre. There she created roles in several new plays, including some by W. S. Gilbert, in whose plays she continued to act later in her career. She played at various London and provincial theatres in the 1870s. Hill married actor Herbert Kelcey in 1883, with whom she had begun to appear on stage. The couple played mostly in New York City in the 1880s, and, mostly in England, Hill continued to act through the 1890s.
May Fortescue was an actress, singer and actor-manager of the Victorian era and a protégée of playwright W. S. Gilbert. She was a member of the D'Oyly Carte Opera Company from 1881 to 1883, when she left the company following her engagement to a nobleman, young Arthur Cairns, Lord Garmoyle. Cairns soon broke off the engagement under pressure from his friends, and Fortescue returned to the stage in leading roles.
La Vivandière; or, True to the Corps! is a burlesque by W. S. Gilbert, described by the author as "An Operatic Extravaganza Founded on Donizetti's opera, La figlia del regimento." In the French or other continental armies a vivandière was a woman who supplied food and drink to troops in the field.
The Pretty Druidess; Or, The Mother, The Maid, and The Mistletoe Bough is an operatic burlesque by W. S. Gilbert. It was produced at the opening of the new Charing Cross Theatre on 19 June 1869 and ran until September of that year.
Pygmalion and Galatea is an 1898 French short silent trick film directed by Georges Méliès, based on the ancient Pygmalion myth.
