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Beginning in 1910, Heron staged plays by authors from Carmel-by-the-Sea, California, with local residents as performers, under the name Forest Theater Society. He approached James Franklin Devendorf, co-founder of the Carmel Development Company, and obtained permission to use the space rent-free. He assisted in the clearing the land and building the stage[3] of the 540-seat outdoor amphitheater.[4]
The first theatrical production, David, a six-act biblical drama written by Constance Lindsay Skinner, under the direction of Garnet Holme of Berkeley, inaugurated the Forest Theater on July 9, 1910.[5][6] More than 1,000 theatergoers attended the production.[2][7][8] Heron produced and acted in the play as David, Helen MacGowan Cooke played the character Michal, Joseph W. Hand as Hushai, in a cast of Carmel area residents.[3]
Before electricity was installed at the theater in 1912,[3]limelight floodlights were brought by covered wagon from Monterey to light the stage.[9][3] Two bonfires were also lit in semi-circular stone firepits on opposite ends of the proscenium, a tradition which continues today.[10]
In July 1911, William Shakespeare's Twelfth Night opened the second season at Forest Theater. Garnet Holme was the producer.[3] Forest Theater Society produced several other plays in the next few years, including the 1911 production of the play The Land of Heart's Desire given by the Carmel Arts and Crafts Club,[11] and the 1912 production of The Toad, by Carmel resident Bertha Newberry, the wife of Perry Newberry. That year, the first children's play was staged at Forest Theater, Alice in Wonderland, adapted by Newberry and painter Arthur Honywood Vachell.[2]
Western Drama Society and Carmel Arts and Crafts Club
In 1913 the theatre produced four new productions: a Robin Hood drama, Runnymede; Newberry's play for children, Aladdin; Mary Hunter Austin's Fire starring George Sterling and directed by Austin; and Takeshi Kanno's poem-play Creation-Dawn.[12] A split in the ranks of the Forest Theater Society caused Sterling and Heron to found an alternative theater society, the California (or Western) Drama Society; the factions were eventually reconciled and returned to the Forest Theater.[6] In 1915, a season of 11 productions included Newberry's Junipero Serra premiered, a historical pageant about Father Junípero Serra with Frederick Bechdolt as Serra. Joseph Hand had his farewell appearance on August 7, 1915, in the play The Man from Home, by Harry Leon Wilson and Booth Tarkington.[13] In 1916 two of the productions were Yolanda of Cyprus and The Piper, for which the scenery was painted by Carmel artists William Frederic Ritschel and Laura W. Maxwell, who also appeared in the plays.[14]
Other notable artists acted at, or designed sets for, the theater include Frederick R. Bechdolt, Josephine M. Culbertson, Xavier Martinez, Jo Mora, Ira Mallory Remsen and Herman Rosse.[6] Forest Theater reached its peak production between 1915 and 1924, with 50 plays and musicals staged, including a 1922 production of Shaw's Caesar and Cleopatra, directed by Edward G. Kuster.[15][nb 1] Also in 1922, Carmel's Serra festival featured Garnet Holme's Carmel Mission play Serra at the theater.[17][18] Remsen produced Inchling in 1922 and Mr. Bunt in 1924.[19] The overabundance of plays became a strain on resources, and the quality of theater in Carmel began to decline. In 1924, the competing producing organizations disbanded, and under the auspices of the Carmel Arts and Crafts Club, the Forest Theater Corporation was created to produce and manage the plays staged at Forest Theater.[20][1]
In 1927, the Carmel Arts and Crafts Club and Forest Theater were sold to the Abalone League, and the proceeds were used to pay off the theater's debts.[21] Productions at the Forest Theater became a village affair, with residents volunteering their time to build sets, make costumes and act; the resulting success enabled the Carmel Arts and Crafts Club to buy the land from the Carmel Development Company in 1925.[22]
1930s to 1961 closure
WPA workers rebuilding the Forest Theater in 1939.
During the Great Depression, Forest Theater accumulated debt. In 1934, it celebrated its 100th production, The Man Who Married a Dumb Wife by Anatole France, a comedy directed by Heron.[1][23] In September 1936, Remsen's Inchling was presented again;[24] which, together with a village fair at the theater grounds, helped reduced the theater's debt.[25]
When repairs were needed and no local donors could be found, the theater looked into applying for WPA money. Funds were only available to government entities, and the private non-profit Arts and Crafts Club was not eligible. In 1937, the Club decided to deed the theater to the City of Carmel-by-the-Sea to obtain WPA funds for major renovations, with the stipulation that the facility would be a public park and continue to offer outdoor performances.[26] Forest Theatre was closed during the three years of renovations.[27] In 1937, the property was deeded to the City of Carmel-by-the-Sea to qualify for federal funding, and in 1939 the site became a Works Progress Administration (WPA) project. The WPA rebuilt the outdoor theatre and created an indoor facility beneath the outdoor stage.[28] The site re-opened as The Carmel Shakespeare Festival, with Heron as its director, and, with the exception of the World War II years of 1943–44, the festival continued through the late 1940s. The festival offered Shakespeare, including Macbeth, Hamlet, Julius Caesar and As You Like It, as well as the works of Carmel authors, including the first local production of Robinson Jeffers' The Tower Beyond Tragedy. With the advent of World War II, however, mandatory blackouts were ordered for coastal towns and cities. The residents of Carmel participated and halted all Forest Theater activity, essentially closing the facility in 1943–44, and again in 1946.[22]
Twelfth Night at Forest Theatre, July 1911
From 1947 to 1949, the facility resumed annual productions of Shakespeare and local authors. In 1949, Heron and twenty villagers started the first Forest Theater Guild, a community organization to help the city maintain the theater.[27][29] In 1958, the City Council also instituted an Arts Commission, charged with operation and maintenance of Forest Theater.[27] Heron continued to write, produce, direct, and star in productions. The guild began to produce plays by local authors, Shakespeare, and classic drama. In 1960, Heron finished his 50th year with the theater with his own play, Pharaoh. The guild disbanded in 1961, and Forest Theater ceased most operations in 1961.[30] By the mid-1960s, the Forest Theater Guild had closed and abandoned the facility, and, with a few minor exceptions, no plays were shown on the main stage.[30] The city began to use the site for other purposes, such as Boy Scout camps.[31]
1968 to 2010
From 1968 to 2010, Marcia Hovick's Children's Experimental Theatre (CET) leased the facility's indoor theater. Formed in 1960 by Marcia Hovick to develop "creative confidence" through theatre training, CET had been using space at the Golden Bough Playhouse and Sunset Center, and needed a permanent place for their activities.[32] In 1969, Hovick formed a new production entity called the Staff Players Repertory Company, staging classic drama on the small Indoor Forest Theater stage. In 1971, a second Forest Theater Guild was established by Cole Weston, and the group began producing summer musicals and community plays on the outdoor stage.[33] In 2010, after 50 years, CET ceased operations, and the lease on the school was then given to Pacific Repertory Theatre for its School of Dramatic Arts.[30][34]
The main stage remained unused, and in 1971, the Cultural Commission considered closing the theater for good.[35] Residents of Carmel voiced opposition. A second Forest Theater Guild was created, this time as a nonprofit organization, with former president Cole Weston as the new Guild President.[36] To raise needed funds and draw attention to the possible closure, the new group produced a staged reading of Robinson Jeffers' Medea and The Tower Beyond Tragedy, which featured actress Dame Judith Anderson.[30] In 1971, the guild officially incorporated.[37] Mayor Gunnar Norberg and Weston, recognizing the theater's cultural significance and historical value, rallied the community to a preserve the theatre.[38] In 1972, to raise funds for the Theater's preservation, Norberg and Weston staged their first full production of William Shakespeare's Twelfth Night.[39]
In 1984, Pacific Repertory Theatre (PacRep), originally called GroveMont Theatre, started producing classics, children's theater and musicals on the outdoor stage, beginning with Jeffers' Medea.[40] PacRep reactivated the Carmel Shakespeare Festival in 1990.[41] PacRep continued to stage productions at the Forest Theater every September and October, expanding into August in 2000.[42] Meanwhile, over the last decades of the 20th century, the Forest Theater Guild produced over 20 plays, including Moon for the Misbegotten and Long Day's Journey into Night. In 2005, PacRep presented the theater's highest-attended production, Disney's Beauty and the Beast; more than 10,000 people bought tickets.[43]
In 1997, the guild began Films in the Forest, a series of first-run movies, classic feature films, and documentary film screenings.[44]
2011 to present
In 2011, following the closure of the CET, the City of Carmel awarded the year-round lease of the indoor theater at Forest Theater to PacRep for its educational program, the School of Dramatic Arts.[45][46] On April 23, 2014, the facility was shuttered due to health and safety issues caused by years of deferred maintenance.[47] On May 5, 2014, the city council declared a "cultural community emergency" and planned to reopen the theatre as soon as possible.[48] In January 2015, anticipating delays in the renovations, the city announced that the reopening of the theatre would be postponed until 2016, and the theater companies cancelled their upcoming seasons. After a contentious design period, a two-phase project was approved by the city council. Phase 1 addressed the safety and ADA compliance requirements, while phase 2 was planned to upgrade the concessions and restroom facilities, and make other improvements.[49] In June 2016, the theater reopened and began performances again, including The Wizard of Oz and Twelfth Night.[50]
In 2017, the nearby Sunset Center signed a 30-year lease with the city of Carmel to manage the site.[51][52] In 2019, the Forest Theater Guild, announced that Sunset Center management had drastically cut back the guild's 12-week season, offering only 12 dates at the historic theatre for film presentations, and no dates for their theatrical productions. The Guild asked the city council to intervene.[51] In 2020, the venue was once again closed, this time due to the COVID-19 pandemic.[52] In 2021, the Sunset Center sought an early end to their 30-year lease agreement.[52] The city of Carmel solicited proposals for a new organization to manage the venue.[53] In August 2021, the theater reopened with a seven-week run of Shrek, put on by PacRep.[54]
In early 2022, the city of Carmel entered into a lease with Pacific Repertory Theatre for the nonprofit to manage the venue for the next five years, with a five-year renewal option. The Forest Theater Guild was designated an "historic user".[55] The venue continues to host events produced by the Forest Theater Guild, Pacific Repertory Theatre, the Monterey Symphony, as well as other small arts organizations, films and civic events.[56][57]
Carmel-by-the-Sea, commonly known simply as Carmel, is a town in Monterey County, California, located on the Central Coast of California. As of the 2020 census, the town had a population of 3,220, down from 3,722 at the 2010 census. Situated on the Monterey Peninsula, Carmel is a tourist destination, known for its natural scenery and artistic history.
The Pacific Repertory Theatre, originally known as the GroveMont Theatre, is a non-profit year-round theatre company based in Carmel-by-the-Sea, California, United States. The company presents an annual season of ten to twelve productions, both stage plays and musicals.
Cole Weston was photographer Edward Weston's fourth and youngest son. Although Weston "was born into the tradition of craftsman-produced black-and-white art photography, he was to find his own photographic direction in colour.".
Stephen Moorer is an American stage actor, director, and producer based on the Central California Coast. He founded the GroveMont Theatre in 1982, renaming the non-profit organization Pacific Repertory Theatre in 1994, when the group acquired the Golden Bough Playhouse in Carmel-by-the-Sea, California.
The Golden Bough Playhouse is a three-story theatre in Carmel-by-the-Sea, California on Monte Verde St., between 8th and 9th Avenues. The playhouse occupies the site of the former Carmel Arts and Crafts Club, Carmel's first cultural center and theatre, built in 1906–1907 on Casanova Street, and the Arts and Crafts Hall, built in 1923–1924 on an adjacent lot on Monte Verde Street. Since 1994, the facility has been owned and operated by Pacific Repertory Theatre, Monterey County's only year-round professional theatre company. A two-phase renovation of the aging facility began with an interior building project in 2011. A second phase project, including both interior and exterior renovations, is scheduled for 2023-2024. It is the oldest indoor performing arts venues in Carmel.
Lewis Byington Ford was a Monterey Peninsula real estate developer who developed Pebble Beach and Carmel Woods. Ford established the Carmel Valley Airport, the first airpark of its kind in the United States, and developed a nearby business district. He created the Carmel Realty Company, was a cartoonist, poloist, baseball player, coach in the Carmel Abalone League, and acted in and directed over 45 plays. Ford was involved in the social circle and society of Monterey Peninsula.
The Theatre of the Golden Bough also known as the Golden Bough Theatre, was located on Ocean Avenue in Carmel-by-the-Sea, California. This "Golden Bough" was one of two theaters in Carmel's history. It was destroyed by fire on May 19, 1935. Kuster moved his film operation to the older facility on Monte Verde Street, renamed it the Filmarte and it became the first "art house" between Los Angeles and San Francisco. It later became the Golden Bough Playhouse that still exists today.
The Monterey Peninsula anchors the northern portion on the Central Coast of California and comprises the cities of Monterey, Carmel, and Pacific Grove, and the resort and community of Pebble Beach.
The Sunset Center is located in Carmel-by-the-Sea, California, United States. It is a performing arts center which features concerts, comedy, theatre, and dance. Formerly the Sunset School, the site was purchased by the city of Carmel in 1965 with the plan to develop it into a cultural center. It is home to the Carmel Bach Festival. It was listed on the National Register of Historic Places on January 9, 1998.
The Carmel Arts and Crafts Club was an art gallery, theatre and clubhouse founded in 1905, by Elsie Allen, a former art instructor for Wellesley College.
Herbert "Bert" Heron was an American writer, actor and mayor. Heron is best known for founding the Forest Theater in 1910. He was the mayor of Carmel-by-the-Sea, California, for two terms in the 1930s. He lived in Carmel for 62 years.
Perry Harmon Newberry was an American journalist, writer, actor and producer. After working in Chicago and then in journalism in San Francisco, he moved to Carmel-by-the-Sea, California in 1910. There he became involved as an actor and producer at Forest Theater, and in writing, directing and producing large-scale outdoor historical pageants. In 1922 he became the fifth mayor of Carmel-by-the-Sea, known for his efforts to maintain the rustic atmosphere of Carmel's art colony by resisting infrastructure improvements and to "keep Carmel free from tourists". In 1924 became the editor and co-publisher of the Carmel Pine Cone.
Argyll Campbell was city attorney for Carmel-by-the-Sea, California from 1920 to 1937. He was former chairman of the California Democratic Party to elect governor Culbert Olson.
Edward Gerhard Kuster was a musician and attorney from Los Angeles for twenty-one years before coming to Carmel-by-the-Sea, California, in 1921. He became involved in theater there and established his own theatre and school. He built the Theatre of the Golden Bough in 1924, and a second and third theater, each called Golden Bough Playhouse, the last of which opened in 1952. Kuster directed 85 plays and acted in more than 50 roles in the 35 years he lived in Carmel.
John Conyngham Catlin was an American lawyer and politician. He practiced law for more than thirty years, in Sacramento, San Francisco, and for a short time in Alaska. He was a former mayor of Carmel-by-the-Sea, California from 1932-1934, and served on the Carmel City Council in 1934.
Ira Mallory Remsen , known locally as Rem Remsen, was an American painter, playwright and Bohemian Club member. He was the son of Dr. Ira Remsen chemist and former president of Johns Hopkins University. Remsen was the author of children's plays notably Inchling and Mr. Blunt, he produced at the Forest Theater in Carmel-by-the-Sea, California in the 1920s. His studio on Dolores Street became the permanent home for the Carmel Art Association in 1933.
Ernest Seraphin Schweninger was an American actor, realtor, and grocer in Carmel-by-the-Sea, California. He became owner of Carmel's first Bakery and the Schweninger's Grocery Store. Schweninger was a founding member of the Carmel American Legion Post No. 512 and the Abalone League. He appeared in many of the early plays at the Forest Theater and Theatre of the Golden Bough. He became a partner and sales manager for the Carmel Land Company that helped develop Hatton Fields, southeast of Carmel-by-the-Sea.
Gunnar Norberg, was an American businessman and politician. He served two terms as a city councilman and two terms as mayor of Carmel-by-the-Sea, California.
Hazel Watrous was an American writer who was co-founder of Denny-Watrous Management. The company presented performances in Carmel-by-the-Sea, California. She and Dene Denny played roles in founding the Carmel Music Society, the Carmel Bach Festival, and Monterey's First Theater. They hosted musical concerts and lectures from their home. In addition, they established the Denny-Watrous Gallery.
The First Theater also known as the First theater in California, is a historic adobe and wood building in Monterey, California, United States. It was built in 1846–1847 as a lodging house and tavern for sailors, by English seaman and pioneer Jack Swan. Swan's Saloon staged the inaugural theatrical presentations in California. On January 31, 1934, the building was officially designated a California Historical Landmark #136.
References
1 2 3 Bostick, Daisy F.; Castelhun, Dorothea (1977). Carmel at Work and Play. Seven arts. p.68. Retrieved 2022-04-05.
↑ Monterey Daily Cypress: 29 May 1910, p. 1; 19 June 1910, p. 1; 19 July 1910, p. 1; and Barman, Jean. Constance Lindsay Skinner. University of Toronto Press, 2002.
↑ Letter to Richard N. Palmer from Herbert Heron, June 12, 1963. Harrison Memorial Library, Herbert Heron Collected Papers.
↑ "Written Historical And Descriptive Data"(PDF). Historic American Landscapes Survey Pacific West Regional Office National Park Service. Oakland, California. Retrieved 2022-07-09.
↑ Engle, Ron, Felicia Hardison Londré, and Daniel J. Watermeier. Shakespeare Companies and Festivals: An International Guide, entry on Carmel Shakespeare Festival by Philip Clarkson, Greenwood (1995) ISBN978-0313274343
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