Jeanne Elizabeth Crain was an American actress. She was nominated for an Academy Award for Best Actress for her title role in Pinky (1949). She also starred in the films In the Meantime, Darling (1944), State Fair (1945), Leave Her to Heaven (1945), Centennial Summer (1946), Margie (1946), Apartment for Peggy (1948), A Letter to Three Wives (1949), Cheaper by the Dozen (1950), People Will Talk (1951), Man Without a Star (1955), Gentlemen Marry Brunettes (1955), The Fastest Gun Alive (1956), and The Joker Is Wild (1957).
Sword-and-sandal, also known as peplum, is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.
Edmund Cutlar Purdom was an English actor, voice artist, and director. He worked first on stage in Britain, performing various works by Shakespeare, then in The United States on Broadway and in Hollywood, and eventually in Italy. He is perhaps best known for his starring role in 1954's historical epic The Egyptian.
Il Gaucho is a 1964 Italian comedy film directed by Dino Risi. It was co-produced by Clemente Lococo, an Argentinian production company, and in Argentina it was released as Un italiano en la Argentina. For his role in this film Nino Manfredi won a Grolla d'oro for best actor.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
The Merry Widower is a 1950 Italian romance film directed by Mario Mattoli and starring Carlo Dapporto, Isa Barzizza and Amedeo Nazzari. It was shot at the Farnesina Studios in Rome. The film's sets were designed by the art director Piero Filippone.
The Captain's Daughter is a 1947 Italian historical adventure film directed by Mario Camerini and starring Irasema Dilián, Amedeo Nazzari and Vittorio Gassman. It was one of a number of ambitious historical epics made in the wake of the successful 1946 film The Black Eagle. The film's sets were designed by the art director Piero Filippone. It was entered into the 1947 Cannes Film Festival. It is based on the 1836 novel of the same name by Alexander Pushkin, which is set in Russia during the reign of Catherine II. It takes place during the Cossack Rebellion.
Last Meeting is a 1951 Italian melodrama film directed by Gianni Franciolini and starring Alida Valli, Amedeo Nazzari and Jean-Pierre Aumont. It is loosely based on the novel La biondina by Marco Praga.
Who is Without Sin is a 1952 Italian melodrama film by Raffaello Matarazzo and starring Yvonne Sanson, Amedeo Nazzari and Françoise Rosay. It is an adaptation of the novel Geneviève by Alphonse de Lamartine. It was part of a series of romantic melodramas that Nazzari and Sanson appeared in during the 1950s.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
Sleeping Beauty is a 1942 Italian drama film directed by Luigi Chiarini and starring Luisa Ferida, Amedeo Nazzari and Osvaldo Valenti. The film was screened at the 1942 Venice Film Festival. It is based on a 1919 play by Pier Maria Rosso di San Secondo. It belongs to the movies of the calligrafismo style.
The House of Shame is a 1938 Italian "white-telephones" comedy film directed by Max Neufeld and starring Amedeo Nazzari, Assia Noris and Alida Valli.
Men of the Mountain is a 1943 Italian war drama film directed by Aldo Vergano and starring Amedeo Nazzari, Mariella Lotti and Mario Ferrari. Along with The Three Hundred of the Seventh, it was one of a handful of films portraying the Alpini units of the Italian Army.
The Last Dance is a 1941 Italian "white-telephones" comedy film directed by Camillo Mastrocinque and starring Elsa Merlini, Amedeo Nazzari and Renato Cialente. It is considered to be in the tradition of White Telephone films, popular during the Fascist era. It is based on a play by the Hungarian writer Ferenc Herczeg and features Merlini in a dual role as mother and daughter.
The Night of Tricks is a 1939 Italian "white-telephones" comedy film directed by Carlo Campogalliani and starring Amedeo Nazzari, Dria Paola and Maurizio D'Ancora.
Beyond Love is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Amedeo Nazzari and Osvaldo Valenti. It is based on the 1829 novella Vanina Vanini by Stendhal.
Harlem is a 1943 Italian sports crime film directed by Carmine Gallone and starring Massimo Girotti, Amedeo Nazzari and Vivi Gioi. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art director Guido Fiorini. The former world heavyweight champion Primo Carnera appears in a small role. It is also known by the alternative title of Knock Out.
The Taming of the Shrew is a 1942 Italian comedy film directed by Ferdinando Maria Poggioli and starring Amedeo Nazzari, Lilia Silvi and Lauro Gazzolo. It is based on William Shakespeare's play The Taming of the Shrew, with the setting updated to modern-day Rome.
Tomb of the Angels is a 1937 Italian drama film directed by Carlo Ludovico Bragaglia and starring Amedeo Nazzari, Luisa Ferida, and Antonio Gradoli. Roberto Rossellini co-wrote the screenplay and served as assistant director. It was shot on location in the Apuan Alps in Liguria, and is set amidst the marble quarries of the area. It marked an early attempt at realism in Italian cinema, anticipating neorealism of the postwar era. It is similar in style to Walter Ruttmann's Steel of 1933, in it celebrated Italy's industrial strength in line with the propaganda of the Mussolini regime.
Apparition is a 1943 Italian comedy film directed by Jean de Limur and starring Alida Valli, Massimo Girotti and Amedeo Nazzari. It was shot at Cinecittà Studios in Rome. The film's sets were designed by the art director Piero Filippone.
