 | |
| Author | Elizabeth Wood, Gary C. Thomas, Philip Brett |
|---|---|
| Genre | Music |
| Publisher | Routledge |
Publication date | 1993 |
| ISBN | 9780415907538 |
Queering The Pitch: The New Gay and Lesbian Musicology is a 1994 book edited by Philip Brett, Elizabeth Wood, and Gary C. Thomas. [1] [2] It was published in the United States by Routledge and focuses on the impact of factors such as sexuality or race has on a musician's music. [3]
The book's chapters examines how sexuality in the American Musicological Society (AMS) as well as the differences on how the musician's sexuality and the sexuality defines the musician's music along with gender, race, class and nationality.
The book has received reviews from multiple outlets, [4] [5] [6] which includes the Journal of the American Musicological Society, [7] The Chronicle of Higher Education , [8] Musicology Australia, [9] and Notes . [10]
Musicology is the scholarly study of music. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science.
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Susan Kaye McClary is an American musicologist associated with "new musicology". Noted for her work combining musicology with feminist music criticism, McClary is professor of musicology at Case Western Reserve University.
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Bisexual theory is a field of critical theory, inspired by queer theory and bisexual politics, that foregrounds bisexuality as both a theoretical focus and as an epistemology. Bisexual theory emerged most prominently in the 1990s, in response to the burgeoning field of queer theory, and queer studies more broadly, frequently employing similar post-structuralist approaches but redressing queer theory's tendency towards bisexual erasure.
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