Ronald Alan Waldron | |
---|---|
Born | Teignmouth, Devon, England | 9 January 1927
Occupation | Author |
Nationality | British |
Genre | Medieval literature |
Notable awards | Sir Israel Gollancz Memorial Lecture (1988) [1] |
Ronald Alan Waldron (born 9 January 1927) is an English medievalist, considered a pre-eminent expert in the field of early English literature. He wrote many books and was a lecturer at the University of Aarhus in Denmark and King's College London. He made an especial focus on the poem Sir Gawain and the Green Knight . [2]
Waldron was born and raised in Teignmouth in south Devon, attending Teignmouth Grammar School. After leaving school he worked as a clerk at Teignmouth Electric Company before being called up for national service late in World War II. After the war under the governmental Further Education and Training Scheme programme he attended the University College of the South West of England and graduated in 1951, then did postgraduate work at Royal Holloway College of the University of London, graduating in 1953. He was married to Mary (née Mary Margaret Dodd) in 1955 and they had three children. His first book, published by the Oxford University Press in 1967, was Sense and Sense Development, a non-technical work on semantics.
King Arthur is a legendary king of Britain, and a central figure in the medieval literary tradition known as the Matter of Britain. In Welsh sources, Arthur is portrayed as a leader of the post-Roman Britons in battles against Anglo-Saxon invaders of Britain in the late 5th and early 6th centuries. He first appears in two early medieval historical sources, the Annales Cambriae and the Historia Brittonum, but these date to 300 years after he is supposed to have lived, and most historians who study the period do not consider him a historical figure. His name also occurs in early Welsh poetic sources such as Y Gododdin. The character developed through Welsh mythology, appearing either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh otherworld Annwn.
Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel; it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian stories in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other tales featuring Gawain as the central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Patience is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the "Pearl Poet" or "Gawain-Poet", also appears, on the basis of dialect and stylistic evidence, to be the author of Sir Gawain and the Green Knight, Pearl, and Cleanness and may have composed St. Erkenwald. This is thought to be true because the techniques and vocabulary of regional dialect of the unknown author is that of Northwest Midlands, located between Shropshire and Lancashire.
The "Gawain Poet", or less commonly the "Pearl Poet", is the name given to the author of Sir Gawain and the Green Knight, an alliterative poem written in 14th-century Middle English. Its author appears also to have written the poems Pearl, Patience, and Cleanness; some scholars suggest the author may also have composed Saint Erkenwald. Save for the last, all these works are known from a single surviving manuscript, the British Library holding 'Cotton MS' Nero A.x. MS Nero A X. This body of work includes some of the most highly-regarded poetry written in Middle English.
Pearl is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and dream vision genre, the poem is written in a North-West Midlands variety of Middle English and highly—though not consistently—alliterative; there is a complex system of stanza linking and other stylistic features.
Cleanness is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the Pearl poet or Gawain poet, also appears, on the basis of dialect and stylistic evidence, to be the author of Sir Gawain and the Green Knight, Pearl, and Patience, and may have also composed St. Erkenwald.
The Green Knight is a character from the 14th-century Arthurian poem Sir Gawain and the Green Knight and the related medieval work The Greene Knight. His true name is revealed to be Bertilak de Hautdesert in Sir Gawain, while The Greene Knight names him "Bredbeddle". The Green Knight later features as one of Arthur's greatest champions in the fragmentary ballad "King Arthur and King Cornwall", again with the name "Bredbeddle".
The Dialogue on Translation between a Lord and a Clerk, or Dialogus inter dominum et clericum, was written by John Trevisa. Along with the dedicatory Epistle, it forms the introduction to his 1387 translation of the Polychronicon of Ranulf Higden, commissioned by Trevisa's patron, Lord Berkeley. Written in Middle English, it consists of a series of arguments made by the clerk on why books should not be translated from learned languages such as Latin, each one followed by a rebuttal from the lord. The clerk eventually agrees, and the exchange concludes with a prayer for guidance in the translation.
Jessie Laidlay Weston was an English independent scholar, medievalist and folklorist, working mainly on mediaeval Arthurian texts.
Perceval, the Story of the Grail is the unfinished fifth verse romance by Chrétien de Troyes, written by him in Old French in the late 12th century. Later authors added 54,000 more lines to the original 9,000 in what are known collectively as the Four Continuations, as well as other related texts. Perceval is the earliest recorded account of what was to become the Quest for the Holy Grail but describes only a golden grail in the central scene, does not call it "holy" and treats a lance, appearing at the same time, as equally significant. Besides the eponymous tale of the grail and the young knight Perceval, the poem and its continuations also tell of the adventures of Gawain and some other knights of King Arthur.
Celtic literature is the body of literature written in one of the Celtic languages, or else it may popularly refer to literature written in other languages which is based on the traditional narratives found in early Celtic literature.
The Wedding of Sir Gawain and Dame Ragnelle is a 15th-century English poem, one of several versions of the "loathly lady" story popular during the Middle Ages. An earlier version of the story appears as "The Wyfe of Bayths Tale" in Geoffrey Chaucer's The Canterbury Tales, and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. The author's name is not known, but similarities to Le Morte d'Arthur have led to the suggestion that the poem may have been written by Sir Thomas Malory.
Nationality words link to articles with information on the nation's poetry or literature.
Lady Bertilak are names given by some modern critics to a character in the medieval poem Sir Gawain and the Green Knight, though the poem itself only ever calls her "the lady". She is ordered by her husband, Sir Bertilak de Hautdesert, alias the Green Knight, to test Sir Gawain's purity.
Malcolm Andrew is an author, teacher and scholar who was previously Professor of English Language and Literature at Queen's University Belfast. He started teaching at Queen's in 1985, before which he had worked at the University of East Anglia. He retired in 2007. He also served as Head of School (1986–92), Dean of Humanities (1992–98), and Pro-Vice-Chancellor (1998–2002).
Marie Edith Borroff was an American poet, translator, and the Sterling Professor of English emerita at Yale University.
Sir Gawain and the Carle of Carlisle is a Middle English tail-rhyme romance of 660 lines, composed in about 1400. A similar story is told in a 17th-century minstrel piece found in the Percy Folio and known as The Carle of Carlisle. These are two of a number of early English poems that feature the Arthurian hero Sir Gawain, the nephew of King Arthur, in his English role as a knight of the Round Table renowned for his valour and, particularly, for his courtesy.
John Massey is one conjectured name of the Gawain Poet, author of Sir Gawain and the Green Knight and probably of several other 14th-century Middle English poems. Internal evidence from the text of the poems and marginalia of the manuscript suggests the name "John Massey" or similar; contemporary records of people of the name who might have been poets include one from the village of Cotton in Cheshire.
The beheading game is a literary trope found in Irish mythology and medieval chivalric romance. The trope consists of a stranger who arrives at a royal court and challenges a hero to an exchange of blows: the hero may decapitate the stranger, but the stranger may then inflict the same wound upon the hero. The supernatural nature of the stranger, which makes this possible, is only revealed when he retrieves his decapitated head. When the hero submits himself to the return blow, he is rewarded for his valor and is left with only a minor wound. The hero is seen as coming of age by undergoing the exchange of blows, and his symbolic death and rebirth is represented by the feigned return blow. Originating in the Irish legend of the Fled Bricrenn, the beheading game appears in several Arthurian romances, most notably Sir Gawain and the Green Knight.