Established | 1977 [1] |
---|---|
Location | Melbourne, Victoria, Australia |
Type | public, university |
Director | Helen Rayment [2] |
Owner | RMIT |
Website | rmitgallery |
RMIT Gallery is an Australian public art gallery located in Melbourne, Victoria. It is the main art gallery of the Royal Melbourne Institute of Technology (RMIT).
RMIT Gallery opened on 16 March 1977. [1] It is housed in the historic section of Storey Hall, built in 1887, on RMIT's Melbourne City campus. [3]
The gallery is considered to be one of Melbourne's most vibrant art spaces and has a constantly changing exhibition program of architecture, craft, contemporary art, design, fashion, and fine art. [4] [5] [6] It also presents regular talks, lectures, discussion, and public events and publishes widely on art and design research in partnership with RMIT Publishing. [3] [7] [8]
The gallery is also charged as the caretaker of RMIT's permanent University Art Collection. [9] The collection includes the substantial Linsday Edward Collection of fine art and the invaluable W.E. Macmillan Collection of gold and silver—as well as a number of other sub-collections. The Linsday Edward Collection has a strong focus on Australian art. It holds works by leading Australian artists (many of whom are alumni or former faculty of RMIT) such as: Howard Arkley, John Brack, Leonard French, Roger Kemp, Inge King, Max Meldrum, John Olsen, Lenton Parr, Fred Williams, and others. [10]
A history of the art collection is documented in the publication A Skilled Hand and Cultivated Mind: A Guide to the Architecture and Art of RMIT.
The Royal Melbourne Institute of Technology is a public research university located in the city of Melbourne in Victoria, Australia. Established in 1887 by Francis Ormond, the university is a founding member of the Australian Technology Network (ATN), and a member of Universities Australia (UA). RMIT is ranked 15th in the world for art and design subjects in the QS World University Rankings, and is in the top 130 universities globally.
Sir Roy Burman Grounds was an Australian architect. His early work included buildings influenced by the Moderne movement of the 1930s, and his later buildings of the 1950s and 1960s, such as the National Gallery of Victoria and the adjacent Victorian Arts Centre, cemented his legacy as a leader in Australian architecture.
Peter Russell Corrigan was an Australian architect and was involved in the completion of works in stage and set design.
The Melbourne City campus of the Royal Melbourne Institute of Technology is located in the city centre of Melbourne in Victoria, Australia. It is sometimes referred to as "RMIT City" and the "RMIT Quarter" of the city in the media.
Gareth Sansom is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.
Sam Leach is an Australian contemporary artist. He was born in Adelaide, South Australia. Leach worked for many years in the Australian Tax Office after completion of a degree in Economics. He also completed a Diploma of Art, Bachelor of Fine Art degree and a Master of Fine Art degree at RMIT in Melbourne, Victoria. Leach currently resides in Melbourne. Leach's work has been exhibited in several museum shows including "Optimism" at the Queensland Art Gallery and "Neo Goth" at the University of Queensland Art Museum in 2008, in 2009 "the Shilo Project" at the Ian Potter Museum of Art and "Horror Come Darkness" at the Macquarie University Art Gallery and "Still" at Hawkesbury Regional Gallery in 2010. His work is held in public collections of regional galleries of Geelong, Gold Coast, Coffs Harbour, Newcastle and Gippsland and the collections of La Trobe University and the University of Queensland.
RMIT's School of Architecture and Urban Design is an Australian tertiary education school within the College of Design and Social Context at the Royal Melbourne Institute of Technology, located in Melbourne, Victoria.
The RMIT School of Art is an Australian university art school located in Melbourne, Victoria, which is responsible for undergraduate and postgraduate education and research in fine art and photography at RMIT University. Established in 1917, it is the top art school in Australia and 11th in the world, according to the 2020 QS World University Rankings.
Percy Edgar Everett,, was appointed chief architect of the Victorian Public Works Department in 1934 and is best known for the striking Modernist / Art Deco schools, hospitals, court houses, office buildings and technical colleges the department produced over the next 20 years.
Klytie Pate was an Australian studio potter who emerged as an innovator in the use of unusual glazes and the extensive incising, piercing and ornamentation of earthenware pottery. She was one of a small group of Melbourne art potters which included Marguerite Mahood and Reg Preston who were pioneers in the 1930s of ceramic art nationwide. Her early work was strongly influenced by her aunt, the artist and printmaker, Christian Waller.
The RMIT Design Hub is a research, archive, exhibition, and studio space of the Royal Melbourne Institute of Technology in Melbourne, Australia located on the historic Carlton & United Breweries site.
Harriet Edquist is an Australian historian and curator, and Professor Emerita in the School of Architecture and Urban Design at RMIT University in Melbourne. Born and educated in Melbourne, she has published widely on and created numerous exhibitions in the field of Australian architecture, art and design history. She has also contributed to the production of Australian design knowledge as the founding editor of the RMIT Design Archives Journal and is a member of the Design Research Institute at RMIT University.
Karen Burns is an Australian architectural historian and theorist. She is currently a senior lecturer in architecture at the Melbourne School of Design, University of Melbourne.
Oakden, Addison and Kemp was an Australian architectural firm in Melbourne, Victoria. While it was short lived, existing from only 1887 to 1892, they designed a number of outstanding projects, and all three members designed many more notable projects in earlier and later partnerships.
Lindsay M. Edward (1919–2007) was an Australian abstract artist, mosaicist and teacher. He was born in Victoria on 26 August 1919.
Kate Just is an American-born Australian feminist artist. Just is best known for her inventive and political use of knitting, both in sculptural and pictorial form. In addition to her solo practice, Just often works socially and collaboratively within communities to create large scale, public art projects that tackle significant social issues including sexual harassment and violence against women.
Julia deVille is a New Zealand-born artist, jeweller and taxidermist, who only uses subjects in her taxidermy that have died of natural causes. She lives and works in Australia.
Sanné Mestrom is an Australian experimental and conceptual artist who works mainly in the mediums of installation and sculpture. Mestrom has a research-based practice and incorporates notions of "play" into social aspects of urban design. Since 2011, Mestrom has remade and reinterpreted motifs from the twentieth century modernist art canon. She has earned many grants and has been commissioned to execute public art, sculptures in situ. She has studied in Korea and Mexico, and is a senior lecturer at Sydney College of Art.
Jon Cattapan is an Australian visual artist best known for his abstract oil paintings of cityscapes, his service as the 63rd Australian war artist and his work as a professor of visual art at the University of Melbourne in the Faculty of Fine Arts and Music at the Victorian College of the Arts. Cattapan's artworks are held in several major galleries and collections, including the National Gallery of Victoria, the Art Gallery of New South Wales, Queensland Art Gallery, and the National Gallery of Australia.
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