Radical Illustrators was a one-off issue of Illustrators magazine (no. 38). [1] It was edited by George Snow and Robert Mason and published by the Association of Illustrators in England in 1981. [1] This issue of Illustrators magazine is notable capturing a movement in the art form of illustration, in its reactionary and rejection of popular mainstream illustration of the time.
Many contributors of Radical Illustrators were graduates of the Royal College of Art and many have since become established practitioners and teachers in the fields of illustration, moving image, fine art and writing. [2] [3] [4]
In the mid-1980s, George Snow, co-editor of Radical Illustrators referenced the work of Stewart MacKinnon as “perhaps the greatest single influence on today’s Radical Illustrators.” Snow adds, "The formal construction of his work (particularly the figures) established the 'mood', which is so much a part of contemporary radicals' work." [5]
Contributors of Radical Illustrators included:
An illustration is a decoration, interpretation or visual explanation of a text, concept or process, designed for integration in print and digital published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films. An illustration is typically created by an illustrator. Digital illustrations are often used to make websites and apps more user-friendly, such as the use of emojis to accompany digital type. llustration also means providing an example; either in writing or in picture form.
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published in the United States by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
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