Radius Ensemble is a classical music chamber group based in Cambridge, Massachusetts. The mission of Radius Ensemble is to reinvigorate classical music for a new generation.
Accessibility is a fundamental philosophy of Radius. The group eschews the stuffiness and elitism often associated with chamber music and seeks to attract a new, generally younger and more informal, audience to its performances. The ensemble's primary performance venue is MIT's Killian Hall with occasional outreach concerts at various locations in the Greater Boston area. Radius Ensemble also performs one free family-oriented concert every spring.
Radius was founded in 1999 by Jennifer Montbach who (as of the 2008–2009 season) continues as the group's artistic director and oboist.
There are nine core members of the Radius Ensemble. The core personnel for the 2008–2009 season are Sarah Bob on piano, Miriam Bolkosky on violoncello, Sarah Brady on flute, Eran Egozy on clarinet, Anne Howarth on French horn, Jae Young Cosmos Lee on violin, Jennifer Montbach on oboe, and Gregory Newton on bassoon. The ninth core position (viola) is not filled for the 2008–2009 season. Additional musicians are engaged as the repertoire demands.
Radius Ensemble plays a diverse blend of standard repertoire and more modern music, occasionally venturing into realms that could be classified as experimental. Further variety and flexibility is added to each performance by using a range of ensembles: solo instruments, smaller ensembles, and larger groups are regularly included in the same concert.
Radius further enhances its artistic diversity by promoting works of living and younger local composers. A composer in residence program has featured Jonathan Bailey Holland (2008-2009 season) and Curtis K. Hughes (2007-2008 season).
Guest artists have contributed to the increasing popularity of Radius Ensemble. For the 2008–2009 season guest artists include Robin Young (of radio station WBUR) as narrator for the Holocaust-inspired There is wind and there are ashes in the wind by Osvaldo Golijov, Robert D. Levin on piano for the Mozart Quintet in E-flat major for piano and winds, K.452, Marcus Thompson on viola for the Brahms String quintet in F, Op. 88, and Fenwick Smith on flute for Shulamit Ran's Mirage for Five Players.
Radius Ensemble has received positive reviews and accolades over its 10-year history from The Boston Globe [1] , [2] Harvard Magazine, [3] The Boston Musical Intelligencer, [4] and other publications.
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part. However, by convention, it usually does not include solo instrument performances.
A quintet is a group containing five members. It is commonly associated with musical groups, such as a string quintet, or a group of five singers, but can be applied to any situation where five similar or related objects are considered a single unit.
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The New York Philomusica Chamber Ensemble is a musical ensemble founded in 1971 by A. Robert Johnson in New York City. The group presents an annual concert series of chamber music in New York City, Rockland County, and occasionally performs on tour. The ensemble owns the New York Philomusica Records label, which they use to sell albums of their music.
In music, a decet—sometimes dectet, decimette, or even tentet—is a composition that requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet.
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Victoria Ellen Bond is an American conductor and composer in New York City.
Valerie Coleman is an American composer and flutist as well as the creator of the wind quintet Imani Winds. Coleman is a distinguished artist of the century who was named Performance Today's 2020 Classical Woman of the year and was listed as “one of the Top 35 Women Composers” in the Washington Post. In 2019, Coleman's orchestral work, Umoja, Anthem for Unity, was commissioned and premiered by the Philadelphia Orchestra. Coleman's Umoja is the first classical work by a living African American woman that the Philadelphia Orchestra has performed.
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Musicians of the Old Post Road (MOPR) is a chamber music ensemble based in the Boston area that specializes in period instrument performance. The ensemble often performs "rediscovered" works from the Baroque, Classical, and Romantic periods. The ensemble, founded by Artistic Directors Suzanne Stumpf and Daniel Ryan, performs in historical buildings along the Boston Post Road, which was a trade and travel route between Boston and New York City from the late 17th through mid-19th centuries. MOPR's repertoire spans these dates. The group has produced seven CDs, toured throughout Europe and North America, and received numerous awards, including the Noah Greenberg Award from the American Musicological Society in 1998.
Capricorn was a mixed chamber ensemble based in London and active in the 1970s, 1980s and 1990s. Founded by the cellist Timothy Mason, clarinettist Anthony Lamb and pianist Julian Dawson-Lyell, the original lineup was augmented by the violinist Monica Huggett to perform Messiaenʼs Quartet for the End of Time which featured in their London debut concert at Wigmore Hall in January 1974.