Rajkamal Kahlon is an American artist based in Germany whose work draws on legacies of colonialism, often using the material culture, documentary material, and aesthetics of Western colonial archives. [1]
Kahlon was raised in California, the child of Pakistani-born Sikhs from India. [2]
Kahlon holds an MFA from the California College of Art, where she was a Senior Lecturer in Fine Arts, and a BA from the University of California, Davis. She also studied at the Skowhegan School of Painting and Sculpture and the Whitney Independent Study Program. [3]
Her work has been shown internationally at the Queens Museum, the Oakland Museum of California, the Bronx Museum of the Arts, the Taipei Biennial, the Haus der Kulturen der Welt, and more. [3] [4]
She is best known for her work "Did You Kiss the Dead Body?," a series of works based on autopsy reports and death certificates of Afghan and Iraqi men who died in American military prisons abroad which she obtained through an American Civil Liberties Union (ACLU) Freedom of Information Act request. The title for the project comes from Harold Pinter's poem "Death," which he recited upon receiving his 2005 Nobel Prize. [2] She drew bodies and body parts on each report, then marbled the papers with ink, recalling, for her, microscopic human cells, and for others, the process of waterboarding. [5] [6] Kahlon's work illuminates and overlaps histories of science and medicine, imperialism, colonialism, and terror, and draws parallels between seemingly disparate moments in time and knowledge. [6] The work was created while Kahlon was an artist-in-residence at the ACLU's New York headquarters. [7]
Kahlon is one of a number of artists working with the documents and ethnographic materials related to the War on Terror, including artist Jenny Holzer and Index of the Disappeared (a collaborative project of Chitra Ganesh and Mariam Ghani). [8] [9] [10]
Four of her works, including "Ten thousand wiles and a hundred thousand tricks" from the "Did You Kiss the Dead Body?" series, are in the permanent collection of the Museum of Contemporary Art, Antwerp. [11] [12]
Miriam Oesterreich and Reinhard Spieler edited a critical monograph entitled Double Vision to accompany her 2012 eponymous exhibition at Rudolf-Scharpf-Galerie. [10]
Catherine Sue Opie is an American fine-art photographer and educator. She lives and works in Los Angeles, as a professor of photography at University of California at Los Angeles.
Kiki Smith is a West German-born American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State.
Betye Irene Saar is an African-American artist known for her work in the medium of assemblage. Saar is a visual storyteller and an accomplished printmaker. Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political, as she challenged negative ideas about African Americans throughout her career; Saar is best known for her art work that critiques American racism toward Blacks.
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion."
Jean Connernée Sandstedt is an American artist.
Shu Lea Cheang is a Taiwanese-American artist and filmmaker who lived and worked in New York City in the 1980s and 90s, until relocating to the EuroZone in 2000. Cheang received a BA in history from the National Taiwan University in 1976 and an MA in Cinema Studies from New York University in 1979. Since the 1980s, as a multimedia and new-media artist, she has navigated topics of ethnic stereotyping, sexual politics, and institutional oppression with her radical experimentations in digital realms. She drafts sci-fi narratives in her film scenario and artwork imagination, crafting her own “science” fiction genre of new queer cinema. From homesteading cyberspace in the 1990s to her current retreat to post net-crash BioNet zone, Cheang takes on viral love, bio hack in her current cycle of works.
Hayv Kahraman is an Iraqi-American-Swedish artist of Kurdish descent, who was born in Baghdad and fled to Sweden with family during the Gulf War, studied in Florence, and is currently based in Los Angeles. She is primarily a painter. Hayv Kahraman’s work explores the transformation of agency undergone by the colonial subject. Her figures are placed in seemingly impossible poses akin to circus performers or contortionists, attracting the voyeuristic gaze through an eroticisation and fetishisation of the ‘other’. Yet their faces stare plainly back at us; the gaze is tolerated. This interplay of gazes allows for the subjects to be both looked at and to look back at, subverting the coloniser’s power, and calling attention to the dehumanisation of the colonised. Kahraman’s freak show acts, like immigrants and refugees, occupy a space of both invisibility and visibility - they are relegated to certain subsections of society and ignored, while remaining naturally visible. Though her figures are vulnerable, they present themselves deliberately, showing that otherness is presented as a construct and not a given.
Pippi Anne Zornoza is an American interdisciplinary artist working in visual art, performance art, and music, and co-founder of the Providence-based artist collective Dirt Palace and Hive Archive.
Mark Cagaanan Aguhar was an American activist, writer and multimedia fine artist known for her multidisciplinary work about gender, beauty and existing as a racial minority, while being body positive and transgender femme-identified. Aguhar was made famous by her Tumblr blog that questioned the mainstream representation of the "glossy glorification of the gay white male body".
Deana Lawson (1979) is an American artist, educator, and photographer based in Brooklyn, New York. Her work is primarily concerned with intimacy, family, spirituality, sexuality, and Black aesthetics.
Morehshin Allahyari is an Iranian media artist, activist, and writer based in New York. She is most noted for her projects Material Speculation: ISIS (2015–2016), which is a series of 3D-printed sculptural reconstructions of ancient artifacts destroyed by ISIS (2015–2016); She Who Sees The Unknown (2017–2020), The 3D Additivist Manifesto and Cookbook (2015–2016). As a 2017 Research Resident at Eyebeam, Allahyari also worked on the concept of "Digital Colonialism"; a term she has coined since 2015.
Jaishri Abichandani is a Brooklyn-based artist and curator. Her interdisciplinary practice focuses on the intersection of art, feminism, and social practice. Abichandani was the founder of the South Asian Women's Creative Collective, with chapters in New York City and London, and director from 1997 until 2013. She was also the Founding Director of Public Events and Projects from at the Queens Museum from 2003-2006.
Elia Alba (1962) was born in Brooklyn, New York. She is a multidisciplinary artist who lives and works in Queens, New York. Alba's ongoing project The Supper Club depicts contemporary artists of color in portraits, and presents dinners where a diverse array of artists, curators, historians and collectors address topics related to people of color and to women.
Paula Wilson is an African-American "mixed media" artist creating works examining women's identities through a lens of cultural history. She uses sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock. In 2007 Wilson moved from Brooklyn, New York, to Carrizozo, New Mexico, where she currently lives and works with her woodworking partner Mike Lagg.
Cara Romero is a Chemehuevi photographer from the United States. She is known for her dramatic digital photography that examines Indigenous life through a contemporary lens. She lives in both Santa Fe, NM and the Mojave Desert.
Chloë Bass is an American conceptual artist who works in performance and social practice. Bass' work focuses on intimacy. She was a founding co-lead organizer of Arts in Bushwick from 2007-2011, the group that organizes Bushwick Open Studios. She is an Assistant Professor of Art and Social Practice at Queens College, CUNY, and holds a BA from Yale University and an MFA from Brooklyn College. Bass was a regular contributor to Hyperallergic until 2018.
Clarity Haynes is a queer feminist American artist and writer. She currently lives and works in New York, NY. Haynes is best known for her unconventional painted portraits of torsos, focusing on queer, trans, cis female and nonbinary bodies. She is a former member of the tART Collective and the Corpus VI Collective.
The Shenzhen speed was a term originally used during the early stages of Chinese economic reform to describe the fast construction of Guomao Building in Shenzhen, China. Being the tallest building in China at the time, Guomao Building boasts an efficient construction progress in which the completion of every storey took a mere three days.
Ayana M. Evans, is an African-American performance artist and educator based in New York City and an adjunct professor of visual art at Brown University. She also serves as editor-at-large of Cultbytes, an online art publication.
Sherry Brody was an American artist and pioneering member of the feminist art movement. Brody is known for her work on the Womanhouse project. Her sculpture, The Dollhouse, is in the Smithsonian Museum of American Art collection.
{{cite web}}
: CS1 maint: archived copy as title (link)