Chitra Ganesh

Last updated
Chitra Ganesh
Chitra Ganesh Brooklyn Museum.png
Born1975 (age 48–49)
Brooklyn, New York, U.S.
Education Brown University
Columbia University
StyleMultimedia
Partner Mariam Ghani
Website http://www.chitraganesh.com/

Chitra Ganesh (born 1975 in Brooklyn, New York) is a visual artist based in Brooklyn. Her work across media includes charcoal drawings, digital collages, films, web projects, photographs, and wall murals. Ganesh draws from mythology, literature, and popular culture[ which? ] to reveal feminist and queer narratives from the past and to imagine new visions of the future. [1] [2]

Contents

Early life and education

Early life and influences

Chitra Ganesh is the daughter of Indian immigrant parents, born and raised in Brooklyn. [3] Growing up, she was indulged in the visual representation of Bollywood posters, comics, and literature. For the artist, "visual languages in Bollywood's orbit became conduits for expressing an expanded sense of the real, heightening the fantastical and symbolic via a hybrid use of graphics and paint." [4]

Growing up in a diaspora community, Ganesh read Amar Chitra Katha (ACK), a famous Indian comic series based on religious and mythological narratives. It was one of her daily visual references, both at home in New York City and during summer trips in India. These comics have taught children in India and the diaspora about their religious, historical, and cultural heritage. [5]

Ganesh's interest in ACK is crucial as many of her works reinterpret and redefine the comic. She was fascinated by the history of ACK and its portrayal of women. When she read the comic as an adult, she realized how often information was presented as timeless, trans-historical, and authentic. However, "the comic actually came with its own arguments, prescribed codes of conduct that maintain hierarchies of gender, skin color, and caste among others." [6] Hence, she had a range of experiences rereading the comics, as reading them with adult eyes made her realize how they had been submerged in her memory.

Ganesh describes learning how to sew, embroider, and draw kolams from a young age, which she later realized were 'gendered forms of creativity.' [2] Her parents encouraged her to pursue art as a hobby and enrolled her in art classes at a young age; however this was never seen as a viable career option, as the field was considered to be financially unstable.

Education

Ganesh graduated from the Saint Ann's School, and from Brown University with a BA in Comparative Literature and Art Semiotics. She attended the Skowhegan School of Painting and Sculpture in 2001 and received her MFA in Visual Arts from Columbia University, New York in 2002. [7] Ganesh's studies in literature, semiotics, and social theory paved a way for her to become steadily engaged with narrative and deconstruction that animates her work.

During her time at Brown as an undergraduate student, she was passionate about semiotics, feminism, post-coloniality, poetry, and translation. After graduating and moving to New York, Ganesh encountered artists like Jaishri Abichandani, DJ Rekha, and other women from the South Asian Women's Creative Collective (SAWCC), which is an organization for South Asians who are interested in the arts. [2] [8] The late 1990s was an essential time for Ganesh because she was influenced by the interactions with South Asian female artists, and by her involvement in a number of progressive communities. [2]

After her mother's death in 1998, Ganesh became hesitant about becoming an artist. The profession was nearly non-existent in her community. [9] Also, she thought becoming an artist was "an option for the wealthy folks or people from a family of artists." [2]

At Columbia University in New York, she focused on finding images that reflected her subjectivity in mainstream art and culture that often meant "reckoning with the anthropological colonial lens that prevail in both the selection and contextualization of art objects, alongside disturbing mass mediated repetitions of South Asian subjects circulated in America." As an artist and a scholar, she realized how important it was for her to articulate her own thoughts and approaches to object making and the cultural histories that informed them. She noticed a distinct absence in representation of South Asian culture, art history, and contemporary art in her curriculum, and took additional classes in anthropology and South Asian studies to "fill in some of these gaps." [2]

Career and inspirations

After graduating from Brown, Ganesh decided to get a job teaching junior high school in Washington Heights and continued to work in education (notably teaching English, and Social Studies). However, when her mother died, her life took a drastic turn, and she began teaching at junior high and kept painting in her apartment; she declared her career as an artist and realized the life is indeed very short. [10] [2]

Inspirations

Ganesh is inspired by non-canonical narratives and figures, botched love stories, present-day imperialism, lesser-known Hindu/Buddhist icons, nineteenth-century European fairy tales, girl rock, and contemporary visual culture, such as Bollywood posters, anime, and comic books. [11] Her early 24-page comic book, Tales of Amnesia (2002–2007), appropriates scenes from Amar Chitra Katha; the original work's male warrior heroes were replaced with women, through whom Ganesh offer new female subjectivities. [12]

The Unknowns

Ganesh's series, The Unknowns — a series of mixed-media works on canvas — explore “the relationship between anonymity, mass-mediated images, and the monumental, in the construction of a feminine iconography.” [13] The series brings to mind large subway advertisements and posters and utilize various techniques including painting, collage, and commercial printing processes.

In “Knowing ‘The Unknowns’: The Artwork of Chitra Ganesh,” Svati P. Shah encourages viewers to consider the formal elements of Ganesh’s work instead of simply viewing them as existing in opposition to the art history canon. Shah describes the origins of the subjects’ of The Unknowns as coming from the “margins of a mythic history” and Ganesh's ability to interrogate "the gaze" through this series. [14]

Other works and publications

Another project by Ganesh that sheds light on the construction of feminine iconography is Eyes of Time, a 4.5-by-12 ft multimedia mural conceived for the Brooklyn Museum in New York. There are three figures in the mural that shows "the iteration of feminine power and the cyclical relationship of time." The artist explores the South Asian traditions of Saki, a divine female empowerment, and sacred Indian portrayals of the Greatest Goddess Kali. She not only paints the mural but also associates her work with the collection objects of Brooklyn Museum, which are accompanied with her wall mural. [15] [16]

Ganesh has also contributed to publications such as the anthology Juicy Mother 2, which was a finalist for the Lambda Literary Awards and was edited by Jennifer Camper. She has held residencies at the Lower Manhattan Cultural Council, New York University, Headlands Center for the Arts, Smack Mellon Studios, and the Skowhegan School of Painting and Sculpture, among others.

In 2020, Ganesh created a large-scale installation on the facade of the Leslie-Lohman Museum of Art in New York. [17] Titled A City Will Share Her Secrets If You Know How To Ask, the artist's massive installation covers many of the museum's windows in vinyl prints of the artist's iconic humanoid hybridizations. [18]

In 2024, Ganesh designed Coherence, a series of animated works in Penn Station's Moynihan Train Hall in New York, which further explores "femininity, sexuality, and power" through the emphasis on breathing practices. [19] Later that year, Ganesh's Regeneration was unveiled under the Art at Amtrak program. This work illustrates numerous flora such as the Rose of Jericho and Welwitschia from Southwest Africa, among others, to draw viewers into the vibrancy of nature. [20]

Awards and honors [7]

Selected exhibitions

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References

  1. 1 2 "Brooklyn Museum". www.brooklynmuseum.org. Retrieved 2018-03-21.
  2. 1 2 3 4 5 6 7 Vadera, Jaret (2017-04-04). "Between, Beneath, and Beyond". South Asian American Digital Archive (SAADA). Retrieved 2018-03-21.
  3. ↑ Ken Pratt (May 2008). "Chitra Ganesh - Breathing between the lines". Wound Magazine . 1 (3). London: 278. ISSN   1755-800X. Archived from the original on 2008-04-18. Retrieved 2018-11-30.{{cite journal}}: CS1 maint: unfit URL (link)
  4. ↑ "Chitra Ganesh on Utopia, Futurity, and Dissent". ocula.com. 2020-11-25. Retrieved 2020-11-25.
  5. ↑ Landrus, Mallica (2011). Tradition Trauma Transformation. David Winton Bell Gallery, Brown University: Brown University. pp. 13, 14, 15, 16. ISBN   978-0-933519-52-7.
  6. ↑ Das, Kavita (May 26, 2015). "Drawing Inspiration: A conversation with Visual Artist Chitra Ganesh". Gallery Wendi Norris.
  7. 1 2 3 4 5 "Chitra Ganesh > About > About Chitra Ganesh". www.chitraganesh.com. Archived from the original on 2015-12-08. Retrieved 2015-11-07.
  8. ↑ "About – South Asian Women's Creative Collective" . Retrieved 2019-03-20.
  9. ↑ Memories, New York Desi Artist Shares; says, Inspiration-Voices of NY (2015-05-26). "Drawing Inspiration: A Conversation With Visual Artist Chitra Ganesh". The Aerogram. Retrieved 2019-03-20.
  10. ↑ Zafiris, Alex (2014-12-15). "Chitra Ganesh: Of This Time". Guernica. Retrieved 2019-03-20.
  11. ↑ Gopinath, Gayatri (2009). "Chitra Ganesh's Queer Re-visions" (PDF). GLQ: A Journal of Lesbian and Gay Studies. 15 (3): 469–480. doi:10.1215/10642684-2008-032. S2CID   143689037. Archived from the original (PDF) on 2014-12-17.
  12. ↑ "Chitra Ganesh". Ocula. 5 September 2022.
  13. ↑ "The Unknowns – Chitra Ganesh". www.chitraganesh.com. Retrieved 2018-09-05.
  14. ↑ Shah, Svati P. (2011). "Knowing "The Unknowns": The Artwork of Chitra Ganesh". Feminist Studies. 37 (1): 111–126. doi:10.1353/fem.2011.0001. JSTOR   23069886. S2CID   146712467.
  15. ↑ "Chitra Ganesh: Eyes of Time". www.caareviews.org. Retrieved 2019-03-20.
  16. ↑ "Brooklyn Museum: Chitra Ganesh: Eyes of Time". www.brooklynmuseum.org. Retrieved 2019-03-20.
  17. ↑ Musser, Amber Jamilla (2021-04-06). "Chitra Ganesh: A City Will Share Her Secrets If You Know How to Ask". The Brooklyn Rail. Retrieved 2021-05-12.
  18. ↑ "Chitra Ganesh on Utopia, Futurity, and Dissent". ocula.com. 2020-12-09. Retrieved 2020-12-09.
  19. 1 2 "Chitra Ganesh | Moynihan Train Hall at Penn Station". Hales Gallery. 26 July 2024. Retrieved 23 October 2024.
  20. 1 2 "NEW ART AT AMTRAK INSTALLATION AT NEW YORK PENN STATION". Amtrak Media. 6 September 2024. Retrieved 23 October 2024.
  21. ↑ "Virtual Residency With Chitra Ganesh | University of Michigan Museum of Art". umma.umich.edu. Retrieved 2021-04-02.
  22. ↑ "Sultana's Dream - Chitra Ganesh | University of Michigan Museum of Art". umma.umich.edu. Retrieved 2021-04-02.
  23. ↑ Shana Ting Lipton (19 June 2008). "'Contradictions and Complexities: Contemporary Art From India' at d.e.n. and Western Project". Los Angeles Times. Retrieved 2008-07-23.
  24. ↑ Yoshimura, As told to Courtney. "Chitra Ganesh discusses her installation at the Brooklyn Museum". artforum.com. Retrieved 2016-03-05.
  25. ↑ "Gallery Wendi Norris | Chitra Ganesh: Protest Fantasies". www.gallerywendinorris.com. Archived from the original on 2015-10-31. Retrieved 2015-11-07.
  26. ↑ "Chitra Ganesh". rubinmuseum.org. Retrieved 2018-03-21.
  1. ↑ "Chitra Ganesh". Department of Art | Rice University. Archived from the original on 2024-07-17. Retrieved 2024-12-20.
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