Women in the art history field

Last updated

Elderly Lady (circa 1740), painting by Rosalba Carriera Rosalba Carriera - Elderly Lady - WGA4489.jpg
Elderly Lady (circa 1740), painting by Rosalba Carriera

Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "Emphatically Corporeal Visual Subject", with Vernon Lee as a notable example. [1] It is argued that in the twentieth century women art historians (and curators), by choosing to study women artists, "dramatically" "increased their visibility". [2] It has been written that women artists pre-1974 were historically one of two groups; women art historians and authors who self-consciously address high school audiences through the publication of textbooks. [3] The relative "newness" of this field of study for women, [3] paired with the possibility of interdisciplinary focus, emphasizes the importance of visibility of all global women in the art history field.

Contents

Education and employment

In the United States professional, academic employment for women art historians was, by the early 1970s, not commensurate with the number of female PhDs in art history. Between 1960 and 1969, 30.1% of PhDs were awarded to women but those numbers increased significantly during that period: between 1960 and 1965 it was 27%, but between 1966 and 1967 it had gone up to 43.5%. But in 1970–1971, women art historians in art departments in the US made up 23.1% of instructors, 21.6% of assistant professors, 17.5% of associate professors, and only 11.1% of full professors. Comparison with the numbers for the same years for women in the languages, from a study done by the Modern Language Association, showed that "women in C.A.A. [College Art Association] professions face[d] rather more severe discrimination than women in M.L.A. fields". Similar tendencies were reported for salary and employment in studio teaching ("preliminary statistics...indicate that women artists receive a disproportionately small share of full-time studio jobs") and in museums ("particularly significant was a tendency to hire women with BAs to be secretaries and men with BAs for trainee programs which rapidly advanced them to more challenging positions"). [4]

The history of women in the profession also suggests that art education itself has benefited from the increased presence of professional women art historians, since women students sometimes found it necessary to "redo" an education in which only a male point of view had been provided given. Paula Harper, "one of the first art historians to bring a feminist perspective to the study of painting and sculpture", [5] and Moira Roth shared the same experience of a "one-sided training", of feeling left out. [6] Discrimination against "women in college and university art departments and art museums" was, in the early 1970s, the immediate cause for the foundation of the Women's Caucus for Art (see below). [4]

In a statistical study of US employment among art faculties published in 1977, Sandra Packard notes that "in art departments women have been decreasing in number since the 1930s", and that the number of women in art faculties at institutes of higher education "decreas[ed] from 22% in 1963 to a low of 19.5% in 1974", and cites statistics suggesting that "although women are concentrated at the lower ranks in art faculties, they have more Ph.D. degrees than their male colleagues." [7]

Representation

Women art historians and feminist art theory

Feminist scholars have argued that the role of women art historians is connected to the study of women (as artists and as subjects) by art historians. [14] In 1974, Lise Vogel noted that there were few feminist art historians, and that women art historians in general seemed unwilling to ask "the more radical critiques" a feminist scholar should engage in. [15] In a 1998 essay, Corine Schleif argued that women and feminist scholars need to challenge the "Great Master" canon, and that they need to focus less on "style as evidence of authorship", seen as a traditionally masculine way of viewing the history of art, but rather on style as "one of many sites on the production of meaning". The topic of women scholars in art history is thus intricately connected with what scholars have called feminist art theory; [14] Kerry Freedman, for example, claims that "women art historians often interpret art that is about and by women differently than their male colleagues". [16] However, Carol Armstrong and Catherine de Zegher, in Women artists at the millennium (2006), argue that by the 1980s many "women art history scholars" had begun to think of feminism as irrelevant to the discipline. [17]

Notable women art historians

NameNationalityBirth dateSpecializationProfession
Phyllis Ackerman American1893–1977Persian art, Chinese art, textiles, tapestriesCo-founder of Asia Institute, author, interior design
Leeza Ahmady Afghani-Americanb. 1972 Central Asian art, diaspora artIndependent curator and director of Asia Contemporary Art Week
Maryan Ainsworth American14th, 15th and 16th century Northern European painting, particularly in Early Netherlandish painting Kress-Beinecke Professor at the Center for Advanced Study in the Visual Arts (CASVA) at the National Gallery in Washington DC. [18] She is also a curator of European paintings at the Metropolitan Museum of Art, New York.
Svetlana Alpers [19] Americanb. 1936 Dutch Golden Age Painting Art historian
Mouza Sulaiman Mohamed Al-Wardi Oman Silversmithing from Oman Director of the Collections Department at the National Museum (Oman).
Amalia Amaki Americanb. 1949American artArtist, Professor of Modern and Contemporary Art at the University of Alabama at Tuscaloosa from 2007 to 2012. [20]
Clementina Anstruther-Thomson Scottish1857–1921 Experimental aesthetics during the Victorian era Author, art theorist, art critic
Paola Antonelli Italianb. 1963 Modern Art, designCurator
Irina Antonova Soviet, Russian1922–2020Impressionist art, modern artDirector of the Pushkin Museum in Moscow from 1961 to 2013.
Mildred Archer English1911–200518th- and 19th-century art in British India
Caroline Arscott EnglishVictorian art, 19th century artArt historian
Muqadamma Ashrafi Tajikistani1936–2013Medieval arts and painting of Central Asia Author, researcher
Dore Ashton American1928–2017Modern Art, contemporary ArtWriter, professor, art critic
Pamela Askew American1925–1997 Domenico Fetti and Caravaggio Professor
Nurhan Atasoy Turkish b. 1934Ottoman art and architecture Art historian
Erna Auerbach German1897–1975 Tudor period in England, feminist artAuthor
Myrtilla Avery American1869–1959 Medieval art Professor, a Monuments men, former chair of Department of Art at Wellesley College and director of the Farnsworth Art Museum from 1930 to 1937.
Sussan Babaie Iranianb. 1954 Persian art, Islamic art of the early modern period Professor at The Courtauld Institute of Art, art historian, writer
Barbara Baert Belgianb. 1967 Medieval iconology Art historian
Mieke Bal Dutchb. 1946 Modern Art, Contemporary Art Cultural theorist, video artist
Anna Banti Italian1895–1985Italian Baroque, female artistsWriter, art historian, art critic, translator
Luisa Banti Italian1894–1978Etruscan artArchaeologist, art historian, writer
Jeannine Baticle French1920–2014Spanish artFormer Honorary Deputy Director and Chief Curator of the Department of Paintings of the Louvre museum.
Ruth Barnes Englishb. 1956Material culture, South and Southeast Asian TextilesArt historian, curator
Leila Cook Barber American1903–1984 Renaissance art and Medieval art Art historian, professor of art history at Vassar College.
Wendy Beckett (aka 'Sister Wendy')English1930–2018Catholic artArt historian, Catholic nun
Ellen Beer Swiss1926–2004Medieval artArt historian, professor
Lottlisa Behling German1909–1989Medieval artArt historian, professor
Mary Berenson [21] [22] American1864–1945Italian RenaissanceArt historian, lecturer
Laurence Bertrand Dorléac Frenchb. 1957Modern and contemporaryArt historian, professor, curator
Rosemary Betterton Englishb. 1951Feminism and contemporary artArt historian, professor, author
Margarete Bieber [23] German1879–1978Theatre, sculpture, and clothing of ancient Rome and GreeceArt historian, professor
Erika Billeter German, Swiss1927–2011Latino art, contemporary artCurator, writer, museum director at the Cantonal Museum of Fine Arts.
Gertrud Bing German1892–1964 Classical tradition Director of the Warburg Institute [24]
Shirley Neilsen Blum [25] Americanb. 1932 Northern Renaissance art, early Netherlandish art, and modern art.Art historian, author, gallerist, co-founder of Ferus Gallery, and professor emeritus at the State University of New York, Purchase (1970–1989).
Phyllis Pray Bober [26] American1920–2002 Renaissance art, classical antiquity, culinary historyAuthor, professor emerita at Bryn Mawr College. [27]
Jean Sutherland Boggs [28] Canadianb. 1922 Nineteenth-century French art, Degas Curator, art historian, and first female director of the National Gallery of Canada
Alice Boner Swiss1889–1981Indian symbols in art historyArt historian focused on symbols in Indian art, also an artist
Evelina Borea Italianb. 1931Italian art historyAuthor, curator
Norma Broude Americanb. 1941 Impressionism and feminist art history Art historian, Author and emerita professor at American University
Frances Borzello English Feminist art history including; social history of art, female portraiture, and female nudes.Author, scholar, feminist art critic
Adelyn Dohme Breeskin American1896–1986 Mary Cassatt Curator, museum director, and art historian at Baltimore Museum of Art
Anita Brookner Englishb. 1936 Jean-Baptiste Greuze, Jacques-Louis David Author, Slade professor of fine art at Cambridge University, [29] her early work focused on art history and later work was fiction novels
Lillian Browse English1906–2005 Augustus John, Edgar Degas, James Dickson Innes Art dealer, art historian
Coosje van Bruggen Dutch, American1942–2009Dutch avant-garde art Artist, art historian [30]
Palma Bucarelli Italian1910–1998 avant-garde art Director of the Galleria Nazionale d'Arte Moderna (GNAM) from 1942 to 1975, art critic
Anneliese Bulling German, American1900–2004Sinologist, Chinese art and architectureArt lecturer, art historian
Andrianna Campbell AmericanNineteenth and twentieth-century American art, Norman Lewis, Abstract Expressionism Art historian, curator
Taína Caragol AmericanLatino ArtCurator for Latino Art and History at the National Portrait Gallery, author
Teresa Gisbert Carbonell Bolivianb. 1926Andean art historyArt historian
Mary Ann Caws Americanb. 1933 Modern Art, contemporary art Author, literary critic, art historian
Whitney Chadwick Americanb. 1943 Feminist art critic, contemporary art, modernism, Surrealism, gender and sexualityAuthor, Professor Emerita at San Francisco State University
Cathleen Chaffee Americancontemporary artChief curator at Albright–Knox Art Gallery.
Sheng-Ching Chang Taiwaneseb. 1963Chinese art history and cultural interactionsProfessor at Fu Jen Catholic University, journalist, writer
Betty Churcher Australian1931–2015Art historian, first female director of the National Gallery of Australia [31]
Lourdes Cirlot Spanishb. 1949Spanish and Catalan avant-garde art, 20-century art
Alessandra Comini Americanb. 1934American women artists, Egon Schiele's portraitureAcademic lecturer, writer, a founder of the Women's Caucus for Art
Mildred Constantine American1913–2008Poster Art, graphic designArt historian and curator at Museum of Modern Art in the 1950s and 1960s
Lynne Cooke Australianb. 1952 Modern art, contemporary art Curator
Julie Crooks CanadianCurator, head of the department of Arts of Global Africa and the Diaspora at the Art Gallery of Ontario
Anne Crookshank Irish1927–2016Irish paintingProfessor emeritus at Trinity College Dublin.
Rosemary Crumlin Australianb. 1932Indigenous Australian art, religious artAuthor, Sister of Mercy
Alissandra Cummins Barbadianb. 1958Caribbean artDirector of the Barbados Museum & Historical Society; lecturer in Museum and Heritage Studies at the University of the West Indies.
Parisa Damandan Iranianb. 196720th century Iranian photographyAuthor, historian
Mirella Levi D'Ancona American, Italian1919–2002Symbolism and iconography in art from the Late Middle Ages period to the Renaissance Professor emeritus at Hunter College, author, art historian.
Barbara Dawson Irishb. 1957Modern artDirector of the Hugh Lane Gallery, author, curator
Félicie d'Ayzac French1801–1881 Chartres Cathedral Author, poet, archaeology, one of the first female art historians in France.
Cécile Debray Frenchb. 1966modern painting, contemporary paintingDirector of the Musée de l'Orangerie
Élisabeth Décultot Frenchb. 1968 Germanist, German Enlightenment Literary scholar
Vidya Dehejia IndianIndian and South Asian artProfessor of Indian and South Asian Art at Columbia University.
Rocio de la Villa Spanishb. 1959Spanish feminist art, contemporary art Curator, university professor, president of Spanish Society of Aesthetics and Theory of the Arts, [32] a co-founders of Asociación de Mujeres en las Artes Visuales (MAV)
Sirarpie Der Nersessian Armenian1896–1989Armenian art, Byzantine artProfessor at Wellesley College, Harvard University, Dumbarton Oaks.
Laurence des Cars Frenchb. 1966 Pre-Raphaelites, English paintingDirector of the Louvre Museum; former director of Musée d'Orsay, and Musée de l'Orangerie.
Yvonne Deslandres French1923–1986Costume, adornment
Catherine de Zegher Belgiumb. 1955Contemporary artCurator and art historian
Jasleen Dhamija Indianb. 1933Indian textile history, Indian craft historyProfessor at University of Minnesota and National Institute of Fashion Technology.
Elisabeth Dhanens Belgian1915–2014 Early Netherlandish painting Heritage official
Anne d'Harnoncourt American1943–2008 Marcel Duchamp Curator and director of the Philadelphia Museum of Art
Kamala Dongerkery Indian1909–1992Indian embroidery, Indian jewelry, Indian toys Social worker, art historian, author, cultural historian
Saryu Doshi Indian Indian miniature paintings, Jain art Founding director of the National Gallery of Modern Art.
Layla S. Diba Iranian, American18th/19th-century and contemporary Persian art and the Qajar period Iranian-American independent scholar and curator.
Leah Dickerman American Modern art, Contemporary art Curator, art historian
Emilia Dilke English1840–1904 18th-century French art Author, art historian, feminist and trade unionist. [33]
Elizabeta Dimitrova Macedonianb. 1962Byzantinist, medievalists
Lydia Durnovo Soviet, Russian1885 –1963Russian painting, Armenian miniatures, Armenian frescoesStaff of the National Gallery of Armenia
Sharada Dwivedi Indian1942–2012Indian art and architecture historyAuthor of Indian and Mumbaiart and architecture history books
Shahin Ebrahimzadeh-Pezeshki Iranianb. 1958Persian traditional costume history, Iranian tribal costume history, tribal textile history, Persian embroidery history and craftAuthor, curator, department head in a university
Ngarino Ellis Māori Māori art historyAssociate Professor at University of Auckland, has been the only Māori art historian employed at a New Zealand university. Author.
Irene Emery American1900–1981Textile anthropologistAuthor, curator of the Textile Museum
Joan Evans English1893–1977French and English mediaeval artArt historian
Massumeh Farhad AmericanIslamic, Iranian, Turkish art historyChief Curator and Curator of Islamic Art at the Freer Gallery of Art and Arthur M. Sackler Gallery at the Smithsonian Institution National Museum of Asian Art.
Constance Jocelyn Ffoulkes British1858–1950ItalianScholar, she participated in the adoption of a modernization of European methods of research.
Judith V. Field Britishb. 1943Geometrical art, mathematical artScholar, mathematician, research fellow in the Department of History of Art of Birkbeck, University of London
Margaret Henderson Floyd American1932–1997Boston architecture including Henry Hobson Richardson, and Longfellow, Alden and Harlow.Professor of Architectural History at Tufts University.
Marian Lopez Fernandez-Cao Spanishb. 1964Spanish feminist art, contemporary art, and the works of Sonia Delaunay University professor and researcher, former president of Asociación de Mujeres en las Artes Visuales (MAV)
María Concepción García Gainza Spanishb. 1937Contemporary art, Spanish Renaissance
Helen Gardner American1878–1946Author of Art Through the Ages , an art history textbook
Mary Garrard Americanb. 1940 Italian Baroque art and feminist art history Art historian, Author, emerita professor at American University
Catherine Gonnard Frenchb. 1958Women, gender and artArt historian, journalist, writer, activist
Antje von Graevenitz Germanb. 194020th and 21st-century artArt historian, art critic
Catherine Grenier French Alberto Giacometti Director of the Giacometti Foundation. [34]
Tapati Guha-Thakurta Indianb. 1957Indian art of the 19th and 20th centuryProfessor at the Centre for Studies in Social Sciences, Calcutta.
Navina Najat Haidar Indian, BritishIslamic artChief curator of Islamic art at the Metropolitan Museum of Art.
Paula Harper American1930–2012Feminist art, Camille Pissarro, contemporary artArt historian, art critic, art lecturer, author
Liesbeth Heenk Dutchb. 1962 Vincent van Gogh
Hayden Herrera [19] Americanb. 1940 Frida Kahlo, Arshile Gorky, Joan Snyder Art historian, author, foremost scholar on Kahlo.
Helen Hills Britishb 1960architecture and gender; female conventual architecture in southern Italy; social class and gender and religious devotion and visual art; the baroque southProfessor, curator, writer
Lubaina Himid Englishb. 1954Contemporary art, United Kingdom's Black Art movement Professor, curator
Ursula Hoff German, Australian1909–2005Australian art, the works of Rembrandt Scholar, academic, curator, author, critic, and lecturer. Deputy Director of the National Gallery of Victoria, Melbourne (1968–1973); London Adviser of the Felton Bequest (1975–83).
Meike Hoffmann Germanb. 1962 Die Brücke art movement, German art history Provenance researcher, author
Stina Högkvist Swedishb. 1972Curator, Director of Collections at National Museum, in Oslo, Norway
Candice Hopkins Carcross/Tagish First Nation b. 1977Indigenous art historyIndependent curator, writer, and researcher.
Michael Ann Holly AmericanHistoriography of art historyArt historian
Agnès Humbert French1894–1963French art, Louis David, Henri Matisse Art historian, ethnographer, and a member of the French Resistance during World War II.
Heather Igloliorte Inuit b. 1979Indigenous art history
Alice Ming Wai Jim CanadianContemporary Asian art, contemporary Asian Canadian art, remix cultureProfessor, art historian, curator
Kellie Jones [19] Americanb. 1959African-American art and artistsProfessor, curator, MacArthur Fellow
Amelia Jones Americanb. 1961 Dada, Feminist art, Performance art, Body artArt historian, art theorist, curator, author, university professor, art critic
Deborah Kahn Americanb. 1953European Medieval art and architecture, Canterbury Cathedral Professor, author
Geeta Kapur Indianb. 1943Indian contemporary art
Ebba Koch AustrianIndian art history, Mughal-era (architecture, gardens, painting, applied arts), and connecting imperial symbolism.Professor at the Institute of Art History in Vienna, Austria.
Charlotte Klonk German Modern Art, Contemporary Art, Museology Art historian
Stella Kramrisch Austrian1896–1993Indian art of the 20th-centuryProfessor, curator
Rosalind Krauss Americanb. 194120th-century painting, sculpture and photography Author, associate editor of Artforum from 1971 to 1974, professor at Columbia University
Annette Kuhn Englishb. 1945Feminist film theory, visual culture, cultural memory Author, researcher, historian
Miwon Kwon Koreanb.1961Contemporary art, site-specific art, land art
Michelle Kuo Americanb.1977 or 1978Historian, curator of painting and sculpture at the Museum of Modern Art, editor-in-chief of Artforum from 2010 to 2017
Ewa Lajer-Burcharth Polish18th and 19th century European, contemporary art, feminist and critical theory, Jacques-Louis David Professor at Harvard University.
Lynne Lawner American Renaissance Author, scholar, historian with an emphasis on iconographical themes, the meaning of art, as well as social customs.
Élisabeth Lebovici Frenchb. 1953Contemporary art, feminist art, Queer art, Louise Bourgeois, Nancy Spero, Queer theory scholar, art historian, author, writer
Annette Lemieux Americanb. 1957 Contemporary art Professor, artist
Amelia Sarah Levetus English, Austrian1853–1938 Modern art Author, cultural journalist
Samella Lewis Americanb. 1924 African-American art Art historian, art critic, and printmaker
Lucy Lippard [19] Americanb. 1937Contemporary artArt critic, curator
Marcella Lista French20th Century artChief curator at the Centre Pompidou.
Catherine Mason Australian, EnglishComputer art, digital artArt historian
Christa C. Mayer Thurman German, Americanb. 1934TextilesCurator and chair of the textiles department at the Art Institute of Chicago [35]
Jennifer Montagu Englishb. 1931Italian Baroque sculptureArt historian
Doula Mouriki Greek1934–1991Byzantinologist, Historian of ArtProfessor
Claudia Müller-Ebeling Germanb. 1956Healing arts, shamanismAuthor
Laura Mulvey Englishb. 1941Feminist film theory feminist film theorist, professor at Birkbeck, University of London
Joanna Mytkowska Polishb. 1970Contemporary artDirector of the Museum of Modern Art, Warsaw, curator, art critic
Mika Natif IsraeliIslamic painting: Central Asia, Iran, India, and the Mediterranean Art historian
Linda Nochlin [36] American1931–2017Feminist art historyArt historian
Elizabeth Norton English Tudor period, queens of EnglandAuthor, specializing in archaeology and anthropology.
Nana Oforiatta Ayim GhanaianPan-African artArt historian, writer, and filmmaker.
Lotte Brand Philip German1910–1986
Michèle Pirazzoli-t'Serstevens French1934–2018Chinese objects
Heleni Polichronatou Greekb. 1959Contemporary public art, land art
Griselda Pollock [37] English, Canadianb. 1949
Elizabeth Prettejohn Americanb. 1961Victorian Art, Pre-Raphaelites Art historian, Professor, curator, author
Nancy Princenthal Americanb. 1955 Shirin Neshat, Doris Salcedo, Robert Mangold, Alfredo Jaar, Jackie Ferrara, Joyce Kozloff, Hannah Wilke, Agnes Martin Artist biographer, writer
Dragana Lucija Ratković Aydemir Croatianb. 1969Croatian museums
Arlene Raven American1944–2006 Feminist art history, Feminist art movement in the United States Art historian, art critic, and founder of the Los Angeles Woman's Building
Hilla Rebay German, American1890–1967Modern artCo-founder and first director of the Solomon R. Guggenheim Museum, abstract artist, art collector
Günsel Renda TurkishOttoman artProfessor
Trina Robbins American1938–2024 History of comics Artist and writer
Barbara Rose American1936–2020
Moira Roth English, American1933–2021Feminist art historyAuthor, professor of art history at Mills College in Oakland, California, and taught at the University of California, San Diego
Anda Rottenberg Polishb. 1944
Tina Rivers Ryan AmericanNew media art, digital art, internet art, NFTs Curator at the Albright–Knox Art Gallery.
Kim Sajet NetherlandsMuseum director of the National Portrait Gallery.
Bénédicte Savoy Frenchb. 1972Modern art, looted artProfessor at Technische Universität Berlin
Bente Scavenius Danishb. 1944Danish art historyIndependent scholar, art critic, and author
Véronique Schiltz French1942–2019 Scythian art in the first millennium BCE and the first millennium CEArchaeologist, art historian, and literary translator.
Johanna Schopenhauer [38] German1766–1838Artist, author
Nada Shabout [19] Americanb. 1962Modern Iraqi artArt historian
Mary Sheriff American1950–2016eighteenth-century artArt Historian
Kaja Silverman Americanb. 1947Film theorist, art historian
Alessandra Silvestri-Levy BrazilianProducer and writer
Jenni Sorkin Americanb. 1977American craft historyAuthor, curator, professor at the University of California, Santa Barbara
Anna Spitzmüller Austrian1903-2001Art historian, curator
Barbara Maria Stafford Americanb. 1941Developments in imaging arts, optical sciences, and performance technologiesArt historian, researcher
Nina Howell Starr American1903–2000American roadside attractions, American folk art, Outsider artists Art historian, photographer, curator, art dealer [39]
Kate Steinitz [40] German, American1889–1975Artist, art historian
Klara Steinweg German1903–1972Italian RenaissanceArt historian, co-author of the book series Critical and Historical Corpus of Florentine Painting.
Kristine Stiles Americanb. 1947Art historian, curator
Margaret Stokes [41] Irish1832–1900Antiquarian
Marilyn Stokstad [42] American1929–2016Medieval and Spanish artArt historian, professor, author
Z. S. Strother American20th and 21st-century Central and West African art historyProfessor of African Art at Columbia University
Deborah Swallow Englishb. 1948Indian art historyDirector of the Courtauld Institute of Art since 2004.
Mary Hamilton Swindler [43] American1884–1967Ancient classical paintingArcheologist, professor
Ann Temkin Americanb. 1959CuratorAmerican painting and sculpture
Dorothy Burr Thompson [44] American1900–2001
Erica Tietze-Conrat [45] Austrian, American1883–1958Contemporary Viennese Art, Renaissance art, the Venetian schoolAcademic lecturer
Marjorie Tipping [46] Australian1917–2009Historian
Virginia Tovar Martín Spanish1929–2013Architecture and urban planning of Madrid during the Baroque periodSpanish art historian, author, and professor
Jocelyn Toynbee [47] English1897–1985
Rachida Triki Tunisianb. 1949 North African artProfessor at Tunis University.
Marcia Tucker [48] American1940–2006
Eleanor Tufts American1927–1991American women artists, works by Luis Egidio Meléndez Academic lecturer, writer
Georgiana Uhlyarik Romanianb. 1972Indigenous Canadian art, women artistsFredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario (AGO)
Rose Valland French1898–1980Commission for the Recovery of Works of Art (during WWII)
G. T. van Ysselsteyn Dutch1892–1975Dutch textile history
Kapila Vatsyayan Indian1928–2020Indian art
Emily Vermeule American1928–2001 Ancient Greek art, Mycenaean culture Classical scholar and archaeologist, professor at Harvard University. [49]
Cecylia Vetulani Polish1908–1980
Anne Wagner Americanb. 1949Modern and contemporary artArt historian, professor emerita
Renate Wagner-Rieger [50] Austrian1921–1980Architecture, historicismAcademic lecturer
Judith Wechsler Americanb. 194019th century French artDocumentary filmmaker; professor emerita
Charlotte Weidler German1895–1983German expressionismArt dealer, curator, and she held a pivotal role in bringing major works of Germany to the United States; resulting restitution claims concerning the collections of Paul Westheim and Alfred Flechtheim.
Evelyn Welch Americanb. 1959Renaissance and early modernArt historian, professor
Herta Wescher German, French1899–1971European modern art, abstract art and collageJournalist, art critic
Edith Wharton [51] American1862–1937ArchitectureWriter
Margaret Whinney [52] English1897–1975English art historyAcademic lecturer
Zoé Whitley American, English1979Contemporary art, United Kingdom's Black Art movement, African diasporaCurator, museum director
Diana Widmaier Picasso Frenchb. 1974Modern art, old master drawingsCurator, author, gallerist
Sylvia Williams American1936–1996African artCurator, museum director
Deborah Willis (artist) [19] American1948 African American and Black photographersCurator, author, photographer, educator
Sarah Wilson English Pierre Klossowski, Henri Matisse, Post-structuralism Professor at Courtauld Institute, author
Juliet Wilson–Bareau Englishb. 1935 Francisco Goya, Édouard Manet Art historian, scholar, professor at University of Oxford.
Rachel Wischnitzer German1885–1989 Jewish art Architect, professor, author, art historian
Margot Wittkower German, American1902–1995Neo-Palladian Architecture, Italian Renaissance, BaroqueWriter, Interior Design
Joanna Woodall Englishb. 1956Portraiture, Netherlandish Art
Mary Woodall English1901–1988Thomas Gainsborough scholarMuseum director, curator
Frances Yates [53] English1899–1981Renaissance
Stefania Zahorska Polish1890–1961Polish prosaist
Hilde Zaloscer Austrian1903–1999Coptic ArtArt historian, professor at University of Alexandria and Carleton University Ottawa.
Marie-Cécile Zinsou French, Beninese b. 1982Contemporary art in AfricaPresident of Fondation Zinsou and in 2014 she found the Museum of Contemporary Art in Benin, the first museum of art in the country.
Rebecca Zorach Americanb. 1969Early modern European, contemporaryArt historian, professor

Related Research Articles

<span class="mw-page-title-main">Carolee Schneemann</span> American visual experimental artist (1939–2019)

Carolee Schneemann was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneeman was uninterested in the masculine heroism of New York painters of the time and turned to performance-based work, primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies. Although renowned for her work in performance and other media, Schneemann began her career as a painter, saying: "I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas." Her works have been shown at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, the London National Film Theatre, and many other venues.

<span class="mw-page-title-main">Linda Nochlin</span> American art historian

Linda Nochlin was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ARTnews.

The Woman's Building was a non-profit arts and education center located in Los Angeles, California. The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. The center was open from 1973 until 1991. During its existence, the Los Angeles Times called the Woman's Building a "feminist mecca."

<span class="mw-page-title-main">Sylvia Sleigh</span> Welsh-American artist

Sylvia Sleigh was a Welsh-born naturalised American realist painter who lived and worked in New York City. She is known for her role in the feminist art movement and especially for reversing traditional gender roles in her paintings of nude men, often using conventional female poses from historical paintings by male artists like Diego Vélazquez, Titian, and Jean-Auguste-Dominique Ingres. Her most well-known subjects were art critics, feminist artists, and her husband, Lawrence Alloway.

The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners." CAA currently has individual members across the United States and internationally; and institutional members, such as libraries, academic departments, and museums located in the United States. The organization's programs, standards and guidelines, advocacy, intellectual engagement, and commitment to the diversity of practices and practitioners, align with its broad and diverse membership.

<span class="mw-page-title-main">H. W. Janson</span> American art historian

Horst Woldemar Janson, was a Russian Empire-born German-American professor of art history best known for his History of Art, which was first published in 1962 and has since sold more than four million copies in fifteen languages. His academic specialism was the sculpture of Donatello.

<span class="mw-page-title-main">Art history</span> Academic study of objects of art in their historical development

Art history is, briefly, the history of art—or the study of a specific type of objects created in the past.

The National Association of Women Artists, Inc. (NAWA) is a United States organization, founded in 1889 to gain recognition for professional women fine artists in an era when that field was strongly male-oriented. It sponsors exhibitions, awards and prizes, and organizes lectures and special events.

The Women's Caucus for Art (WCA), founded in 1972, is a non-profit organization based in New York City, which supports women artists, art historians, students, educators, and museum professionals. The WCA holds exhibitions and conferences to promote women artists and their works and recognizes the talents of artists through their annual Lifetime Achievement Award. Since 1975 it has been a United Nations-affiliated non-governmental organization (NGO), which has broadened its influence beyond the United States. Within the WCA are several special interest causes including the Women of Color caucus, Eco-Art Caucus, Jewish Women Artist Network, International Caucus and the Young Women's Caucus. The founding of the WCA is seen as a "great stride" in the feminist art movement.

Feminist aesthetics first emerged in the 1970s and refers not to a particular aesthetic or style but to perspectives that question assumptions in art and aesthetics concerning gender-role stereotypes, or gender. Feminist aesthetics has a relationship to philosophy. The historical philosophical views of what beauty, the arts, and sensory experiences are, relate to the idea of aesthetics. Aesthetics looks at styles of production. In particular, feminists argue that despite seeming neutral or inclusive, the way people think about art and aesthetics is influenced by gender roles. Feminist aesthetics is a tool for analyzing how art is understood using gendered issues. A person's gender identity affects the ways in which they perceive art and aesthetics because of their subject position and that perception is influenced by power. The ways in which people see art is also influenced by social values such as class and race. One's subject position in life changes the way art is perceived because of people's different knowledge's about life and experiences. In the way that feminist history unsettles traditional history, feminist aesthetics challenge philosophies of beauty, the arts and sensory experience.

<span class="mw-page-title-main">Joan Semmel</span> American feminist painter, professor emeritus

Joan Semmel is an American feminist painter and professor emeritus in painting. She is best known for her large-scale naturalistic nude self portraits as seen from her perspective looking down.

Erica Tietze-Conrat (née Erika Conrat, also known as Erica Tietze; born June 20, 1883 – died December 12, 1958) was an Austrian-born American art historian, one of the first women to study art history, a strong supporter of contemporary art in Vienna and an art historian specializing in Renaissance art and the Venetian school drawings.

Mary DuBose Garrard is an American art historian and emerita professor at American University. She is recognized as "one of the founders of feminist art theory" and is particularly known for her work on the Baroque painter Artemisia Gentileschi.

Jo Hanson (1918–2007) was an American environmental artist and activist. She lived in San Francisco, California. She was known for using urban trash to create works of art.

Huda Lutfi is a visual artist and cultural historian from Cairo, Egypt. Lutfi's works include paintings, collages, and installations that reflect a diverse style including pharaonic, Coptic, Western, Islamic, and contemporary international.

<span class="mw-page-title-main">Thalia Gouma-Peterson</span> Educator and art historian

Thalia Gouma-Peterson (1933-2001) was Professor Emerita of Art History and museum curator at the College of Wooster in Ohio. Born in Athens, Greece she came to the U.S. as a Fulbright student in 1952.

Ann Birgitta Sutherland Harris is a British-American art historian specializing in Baroque art, Modern art, and in the history of women's art.

Norma Broude is an American art historian and scholar of feminism and 19th-century French and Italian painting. She is also a Professor Emerita of art history from American University. Broude, with Mary Garrard, is an early leader of the American feminist movement and both have redefined feminist art theory.

Che Gossett is an American writer, scholar, and archivist. They have written extensively on black and trans visibility, black trans aesthetics, capitalism, and queer, trans and black radicalism, resistance and abolition.

Madlyn Millner Kahr was an American art historian and educator. She specialized in the study of 16th–17th century painting of Dutch, Spanish, and Venetian origins, and feminist art history. Kahr was professor emeritus at the University of California, San Diego. She authored the books, Velázquez: The Art of Painting (1976), and Dutch Painting In The Seventeenth Century (1982).

References

  1. Fraser, Hilary (1998–1999). "Women and the Ends of Art History: Vision and Corporeality in Nineteenth-Century Critical Discourse". Victorian Studies . 42 (1): 77–100. doi:10.2979/vic.1998.42.1.77. JSTOR   3829127.
  2. Tannenbaum, Judith (1994). "East Coast- C Is for Contemporary Art Curator: Curiosity, Contradiction, Collaboration, Challenge". Art Journal . 53 (3): 47, 49, 51, 53 55, 57, 59. doi:10.2307/777431. JSTOR   777431.
  3. 1 2 Clark, Roger; Ashley Folgo (2006). "Who Says There Have Been Great Women Artists? Some Afterthoughts". Art Education . 59 (2): 47–52. JSTOR   27696136.
  4. 1 2 Harris, Ann Sutherland (1973). "Women in College Art Departments and Museums". Art Journal . 32 (4): 417–19. doi:10.2307/775692. JSTOR   775692.
  5. Grady, Denise (25 June 2012). "Paula Hays Harper, Art Historian, Is Dead at 81". The New York Times . Retrieved 26 May 2014.
  6. Harper, Paula (1985). "The First Feminist Art Program: A View from the 1980s". Signs . 10 (4): 762–81. doi:10.1086/494182. JSTOR   3174313.
  7. Packard, Sandra (1977). "An Analysis of Current Statistics and Trends as They Influence the Status and Future for Women in the Art Academe". Studies in Art Education . 18 (2): 38–48. doi:10.2307/1319477. JSTOR   1319477.
  8. Brodsky, Judith K. (1977). "The Women's Caucus for Art". Women's Studies Newsletter . 5 (1/2): 13–15. JSTOR   40042430.
  9. "Women's Caucus for Art: 40th Anniversary Celebration" (PDF). Women's Caucus for Art. Retrieved 25 May 2014.
  10. "Committee on Women in the Arts". College Art Association of America. Retrieved 4 July 2021.
  11. Bishara, Hakim (2019-06-03). "Artists in 18 Major US Museums Are 85% White and 87% Male, Study Says". Hyperallergic. Retrieved 2021-07-08.
  12. Beatty, Bob (2018-08-02). "The Deaccessioning Debate in Museums". Hyperallergic. Retrieved 2021-07-08.
  13. Prosser, Maggie (2018-07-02). "Caragol frames 'American Identity' through portraits". The Chautauquan Daily. Retrieved 2021-07-08.
  14. 1 2 Schleif, Corine (1998). "The Role of Women in Challenging the Canon of 'Great Master' Art History". In Amussen, Susan Dwyer; Seeff, Adele F. (eds.). Attending to Early Modern Women. U of Delaware P. ISBN   9780874136500.
  15. Vogel, Lise (1991). "Fine Arts and Feminism: The Awakening Consciousness". In Raven, Arlene; Langer, Cassandra L.; Frueh, Joanna (eds.). Feminist Art Criticism: An Anthology. IconEditions. pp. 21–58. ISBN   9780064302166.
  16. Freedman, Kerry (1994). "About This Issue: The Social Reconstruction of Art Education". Studies in Art Education . 35 (3): 131–34. doi:10.2307/1320214. JSTOR   1320214.
  17. Mathews, Patricia (2008). "Art and Architecture: Art History" . In Smith, Bonnie G. (ed.). The Oxford Encyclopedia of Women in World History. Oxford UP. pp.  142–43. ISBN   9780195148909.
  18. "Maryan Ainsworth Appointed Kress-Beinecke Professor at the Center for Advanced Study in the Visual Arts in Washington -". CODART. 2018-08-15. Retrieved 2019-05-09.
  19. 1 2 3 4 5 6 Recinos, Eva (2017-03-16). "Influential Female Art Historians You Should Know". Artsy. Retrieved 2021-03-02.
  20. "Amalia Amaki | The HistoryMakers". www.thehistorymakers.org. Retrieved 2018-06-21.
  21. "Mary Berenson". Dictionary of Art Historians . Archived from the original on 2019-05-13. Retrieved 2018-11-06.
  22. "Mary Berenson". Villa I Tatti. 2013.
  23. "Margarete Bieber". Dictionary of Art Historians. Retrieved 2014-05-24.
  24. "Gertrud Bing; Gertrude Bing". Dictionary of Art Historians. Retrieved 2014-05-24.
  25. "Blum, Shirley". Dictionary of Art Historians. Archived from the original on March 31, 2018. Retrieved March 2, 2021. the couple (Hopps), along with the artist Edward Kienholz founded the Ferus Gallery in Los Angeles in 1957.
  26. "Bober, Phyllis Pray". The Dictionary of Art Historians. Retrieved 2021-03-03.
  27. Cotter, Holland (2002-06-15). "Phyllis Bober, 81, Scholar; Specialized in Renaissance Art (Published 2002)". The New York Times. ISSN   0362-4331 . Retrieved 2021-03-03.
  28. "Jean Sutherland Boggs". Dictionary of Art Historians. 1966-08-07. Retrieved 2014-05-24.
  29. "Dictionary of Art Historians". Dictionary of Art Historians. Retrieved 2014-05-24.
  30. "Dictionary of Art Historians". Dictionary of Art Historians. Retrieved 2014-05-24.
  31. "Churcher, Betty, AO AM FAHA". Humanities.org.au. 1999-02-22. Retrieved 2014-05-24.
  32. "Rocío de la Villa, Presidenta de la Sociedad Española de Estética y Teoría de las Artes". masdearte. Información de exposiciones, museos y artistas (in European Spanish). 2013-12-27. Retrieved 2017-11-12.
  33. "Lady Dilke; Emilia Francis Strong; Emily Francis Strong; Mrs Mark Pattison". Dictionary of Art Historians.
  34. Hurwitz, Laurie (2014-12-18). "Giacometti's Legacy". ARTnews.com. Retrieved 2021-07-23.
  35. "Case 5: Christa C. Mayer Thurman". The Art Institute of Chicago. Retrieved 2024-02-04.
  36. "Linda Nochlin". Dictionary of Art Historians. Archived from the original on 2020-01-26. Retrieved 2014-05-24.
  37. "Griselda Pollock". Dictionary of Art Historians.
  38. "Johanna Henrietta Schopenhauer". Dictionary of Art Historians.
  39. "Biographical Note from A Finding Aid to the Nina Howell Starr papers, 1933-1996". Archives of American Art, Smithsonian Institution. Retrieved 2020-05-09.
  40. "Kate Steinitz; Kate Traumann Steinitz". Dictionary of Art Historians.
  41. "Margaret Stokes". Dictionary of Art Historians.
  42. "Marilyn Stokstad". Dictionary of Art Historians.
  43. "Swindler, Mary Hamilton". Dictionary of Art Historians.
  44. "Dorothy Burr Thompson". Dictionary of Art Historians.
  45. "Erica Tietze-Conrat; Erika Tietze-Conrat". Dictionary of Art Historians.
  46. "Tipping, Marjorie Jean (1917 - 2009)". The Australia Women's Register. Australia Women's Archives Project. Retrieved 2014-05-25.
  47. "Jocelyn Toynbee, J.M.C. Toynbee". Dictionary of Art Historians. Archived from the original on 2019-06-08. Retrieved 2018-11-06.
  48. "Tucker, Marcia, née Silverman". Dictionary of Art Historians.
  49. Honan, William H. (2001-02-23). "Emily Vermeule, 72, a Scholar Of Bronze Age Archaeology". The New York Times. ISSN   0362-4331 . Retrieved 2017-12-17.
  50. "Wagner-Rieger, Renate [née Rieger]". Dictionary of Art Historians.
  51. "Wharton, Edith [née Newbold Jones, Edith]". Dictionary of Art Historians.
  52. "Whinney, Margaret [Dickens]". Dictionary of Art Historians.
  53. "Yates, Frances [Amelia], Dame". Dictionary of Art Historians.